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Bacalaureat

  • 2016
  • R
  • 2 घं 8 मि
IMDb रेटिंग
7.3/10
15 हज़ार
आपकी रेटिंग
Adrian Titieni and Maria Dragus in Bacalaureat (2016)
Trailer for Graduation
trailer प्ले करें2:23
2 वीडियो
46 फ़ोटो
CrimeDrama

अपनी भाषा में प्लॉट जोड़ेंA film about compromises and the implications of the parent's role.A film about compromises and the implications of the parent's role.A film about compromises and the implications of the parent's role.

  • निर्देशक
    • Cristian Mungiu
  • लेखक
    • Cristian Mungiu
  • स्टार
    • Adrian Titieni
    • Maria Dragus
    • Lia Bugnar
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    15 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Cristian Mungiu
    • लेखक
      • Cristian Mungiu
    • स्टार
      • Adrian Titieni
      • Maria Dragus
      • Lia Bugnar
    • 42यूज़र समीक्षाएं
    • 196आलोचक समीक्षाएं
    • 84मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 11 जीत और कुल 28 नामांकन

    वीडियो2

    Graduation
    Trailer 2:23
    Graduation
    Clip
    Clip 1:14
    Clip
    Clip
    Clip 1:14
    Clip

    फ़ोटो46

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 42
    पोस्टर देखें

    टॉप कलाकार28

    बदलाव करें
    Adrian Titieni
    Adrian Titieni
    • Romeo Aldea
    Maria Dragus
    Maria Dragus
    • Eliza Aldea
    Lia Bugnar
    Lia Bugnar
    • Magda
    Mãlina Manovici
    Mãlina Manovici
    • Sandra
    Vlad Ivanov
    Vlad Ivanov
    • Chief Inspector
    Gelu Colceag
    • Exam Commitee President
    Rares Andrici
    Rares Andrici
    • Marius
    Petre Ciubotaru
    • Vice-Mayor Bulai
    Alexandra Davidescu
    • Romeo's mother
    Emanuel Parvu
    Emanuel Parvu
    • Prosecutor Ivascu
    Lucian Ifrim
    Lucian Ifrim
    • Albu Marian
    Gheorghe Ifrim
    • Agent Sandu
    • (as Gigi Ifrim)
    Adrian Vancica
    • Gelu
    Orsolya Moldován
    • Csilla
    Tudor Smoleanu
    • Doctor Pandele
    Liliana Mocanu
    • Mrs. Bulai
    David Hodorog
    • Matei
    Constantin Cojocaru
    • Locksmith
    • निर्देशक
      • Cristian Mungiu
    • लेखक
      • Cristian Mungiu
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं42

    7.315.1K
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    फ़ीचर्ड समीक्षाएं

    8JvH48

    After lifelong avoiding corruption, how attractive can it be to counter your principles in an exceptional case when a child's future is at stake

    Seen at the Film Fest Ghent 2016 (website: filmfestival.be/en). In the last four years, I've seen several depressing movies about corruption in former Communist countries. It seems a popular topic in the area, as can be readily derived from noteworthy examples like Durak/The Fool (Bykov 2014), Dolgaya Schastlivaya Zhizn/A Long And Happy Life (Khlebnikov 2013), and Leviathan (Zvyagintsev 2014). Even though the movie at hand follows suit on the same path, it however winds up being not that depressing as the others. Especially the final scenes brought some silver lining for the country's future, albeit that I'm not so sure it is the actual message that the film makers try to drive home.

    Anyway, the running time is more than 2 hours, but I could not spot any boring or redundant scene. Everything included in the script was necessary and useful, emphasizing how convoluted the tangled web became as woven by the various protagonists. It made abundantly clear that one step causes the next step, and so on and so on, until the point that no backpedaling is possible anymore. In other words, the original policy of our lead character Romeo may not have brought him wealth or influence in the past, yet his route was straightforward and devoid of complex deals deserving counter deals to make the circle round.

    The threesome family seemed a happy family from the outset, which proved gradually untrue in small steps. The case was not that their problems were unnatural or far-fetched, therefore it took its time for the cracks to become visible. Progress developed slowly but steadily. It was a surprise, for me that is, that there was some sort of resolution in the end. It countered the assumed morale of this movie (my assumption), that there is no middle road in corruption: either one steers clear of it, or one gets involved in complex arrangements from which one cannot get loose once started.

    All in all, two hours well spent while watching my favorite theme develop on screen, at the same time asking myself what I should have done in similar circumstances. Such thought provoking plots are very welcome, mostly also carrying an existential takeaway message hidden under an exercise for the viewer. We were taught that Honesty Is The Best Policy, but the plot of this movie lets you get doubts underway.
    7proud_luddite

    Deeper life themes in fine film

    In a small Romanian town, Romeo (Adrien Titeini) is a local doctor who is hell-bent on ensuring his teenage daughter Eliza (Maria-Victoria Dragus) excels in her final high-school exams in order to be accepted at a university in the U.K. He is even willing to cross legal and ethical boundaries to make this happen after Eliza faces a crisis shortly before her exams.

    Director/writer Christian Mungiu seems to have a knack for courageously exposing his home country's culture of corruption and the moral dilemmas this causes for average citizens - especially when these folks are in a quandary and "taking the high road" would not likely get them what they want and need. In "4 Months, 3 Weeks, and 2 Days", the story revolved around arranging an illegal abortion during the Communist era; in "Graduation" (which takes place in the current time), it involves Romeo's insistence that his only child must leave corrupt Romania in order to have a decent life and future.

    "Graduation" begins quite well in introducing the audience to interesting characters and how they respond to the corruption in their midst. The middle part is even more intriguing as Romeo's moral compass goes so downhill that he is becoming what he once condemned. It is evident he's acted this way before but not at this level.

    There are two key scenes in this section in which Romeo defends his actions. One involves an argument with his wife; the other with Eliza. During the dispute with his wife (played by Lia Bugnar), he argues how much she benefited from his smaller moral slips in the past even if she wouldn't have acted the same way herself. His argument is so convincing that even the viewer could agree with him in a very uncomfortable way.

    The final segment does injustice to the beginning and the middle. It seems to go in various unnecessary directions and fails to continue the momentum built earlier. But "Graduation" is still a film worth seeing. It includes universal themes such as well-meaning parents over-planning their children's future plus a challenge to the belief that "the grass is always greener" somewhere else. And of course, the saying "O, what a tangled web we weave when first we practice to deceive" is well played out in the narrative. - dbamateurcritic
    7rubenm

    Back-scratching as a way of life

    In order to let his daughter escape a corrupt country, the lead character in 'Bacalaureat' has to immerse himself in the corrupt system he despises. That's the central paradox and the moral dilemma in this film. Doctor Aldea, a surgeon in a small town in Romania, has one goal in his life: to let his daughter escape to 'civilisation'. This goal has come within reach when she is selected for a scholarship in Britain, provided she passes the exams with excellent results. When she is violently attacked a few days before the exams, there is a serious risk she won't pass the test. So the doctor decides to pull some strings.

    But he has to cope with the moral consequences afterwards. Is the father still able to look his daughter in the eye, after having told her all her life that corruption is wrong? And what about his wife, who has made a point of never lowering her standards of integrity, and has paid for her righteousness with a low-paid and uninteresting job? Besides, how can he defend high moral standards when he is conducting an affair with a much younger woman? The doctor defends his moral integrity: the attack is an unforeseen emergency, and so exceptions to the rule are permitted. But does he believe so himself? Things are made more complicated because of his daughter's boyfriend, and her own doubts about the need to go to Britain.

    The film looks at all sides of moral integrity, and doesn't offer straightforward solutions. In fact, a lot is left unanswered, as if the director wants to say that things are never very clear, and there is always room for doubt.

    Apart from posing moral questions, the film also offers a fine view into modern Romanian society. 'You'll scratch my back, and I'll scratch yours' seems to be the national motto. The film offers little hope of improvement: the only character opposing this system is the doctor's wife. But she looks utterly depressed and, as the doctor points out, has only been able to keep her high moral standards because she could rely on his position.

    Director Cristian Mungiu is able to weave the many different story lines nicely together, although some scenes don't seem to be related to the rest of the story. Probably he intentionally doesn't want to spell everything out. Life itself is sometimes ambiguous, so why shouldn't a movie be?
    9ncweil

    A father's dreams for his daughter are jeopardized just as she reaches adulthood.

    Graduation, by Cristian Mungiu reviewed by NC Weil

    This 2016 Romanian film by the director of 4 Months, 3 Weeks and 2 Days, spans the time between a young woman's high school final exams and her graduation. Her father, a doctor, and mother, a librarian, though estranged (he sleeps on the couch and has a lover), both dote on their daughter, and their highest concern is her well-being. The girl is an excellent student, but the day before her exams she is attacked by a would-be rapist - in the scuffle her wrist is broken, but her violation goes far deeper than bones in a cast.

    Her father, a precise, methodical, and - yes - kind man, is determined to see her go to university in the UK where she has been offered a scholarship (contingent on high exam scores). He will do anything to make that plan happen. The assault is one more reason - Romania, for him, is a dead end. He and his wife are stuck there, but for their daughter, it is not too late. She must leave.

    The film opens with a rock shattering a window of their ground-floor apartment - the doctor certainly has a point about the benefits of living elsewhere - and he has labored to give her the chance to escape. But after the assault she gets cold feet.

    Strip away the differences between Romania's culture and our own, and the film boils down to a father wanting what he is convinced is best for his near-adult daughter, with his intentions overriding her own desires and distractions. Graduation is about leaving one phase of life to move into the next. The impossibility of planting your own experience directly into the heart and mind of a grown child is on painful display here - you have learned the hard way what you should have done, but she, rationally or not, has to make her own choices.

    For a parent, relinquishing control can mean one's life has truly been wasted - you didn't save yourself, and you can't save her either. But she's no longer yours to control - to insist on obedience is to keep her dependent, unable to be any kind of adult. In the end, that stunting is probably a worse trap than whatever limits her bad decisions impose. Mungiu's sympathy for all his characters forces us to recognize that everyone, no matter how corrupt or self-serving, is just trying to make the best of the life they're stuck in. Futility outranks evil in his compromised worldview.
    9davidbasic

    Another wonder of Romanian cinematography

    Fist of all, Romanian movies are the most unique movies I've ever seen, so they deserve to be watched and talked about among those who watch. Bacalaureat (Graduation) is an example how you can make a masterpiece without extraordinary script, how you can see the very best of acting without some special dialogues, effects, etc. For those who are admirers of Hollywood this is not a perfect thing to watch. There is nothing special in this movie, nothing extraordinary, uncommon... However Bacalaureat is one of the most beautiful thing I've seen during the last few years. Romanians should be teachers to the other directors. I'm not sure if Romanians should say "thanks" to communism and isolation during the last century, I am not sure whether this is their way to express the feelings that they've had in the past. I am sure that this movie is a diamond among overambitious titles.

    इस तरह के और

    Dupa dealuri
    7.5
    Dupa dealuri
    4 luni, 3 saptamâni si 2 zile
    7.9
    4 luni, 3 saptamâni si 2 zile
    R.M.N.
    7.2
    R.M.N.
    Amintiri din epoca de aur
    7.8
    Amintiri din epoca de aur
    Sieranevada
    7.3
    Sieranevada
    Pozitia copilului
    7.3
    Pozitia copilului
    Occident
    7.5
    Occident
    Moartea domnului Lazarescu
    7.8
    Moartea domnului Lazarescu
    A fost sau n-a fost?
    7.3
    A fost sau n-a fost?
    Marfa si banii
    7.3
    Marfa si banii
    Un pas în urma serafimilor
    8.1
    Un pas în urma serafimilor
    Filantropica
    8.4
    Filantropica

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      There is no musical score in the entire film, only 'diegetic music', meaning from sources existing in the fictional world of the narrative itself.
    • भाव

      Romeo: Eliza, you have to do your best. It'd be a pity to miss this chance. Some important steps in life depend on small things. And some chances shouldn't be wasted. You know, in '91, your Mum and I decided to move back. It was a bad decision. We thought things would change, we thought we'd move mountains. We didn't move anything. I have no regrets, though. At least we tried...

    • कनेक्शन
      References बुलिट (1968)
    • साउंडट्रैक
      Ani de liceu
      Performed by Stela Enache

      Written by Florin Bogardo

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is Graduation?Alexa द्वारा संचालित
    • I can not work out the year this film is set?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 20 मई 2016 (रोमानिया)
    • कंट्री ऑफ़ ओरिजिन
      • रोमानिया
      • फ़्रांस
      • बेल्जियम
    • आधिकारिक साइटें
      • Official Site (Japan)
      • Official site (United States)
    • भाषा
      • रोमानियन
    • इस रूप में भी जाना जाता है
      • Graduation
    • फ़िल्माने की जगहें
      • Victoria, Brasov County, रोमानिया(family apartment on Strada Oltului, Bulai's office at Casa de Cultura, Eliza's assault on Strada Podragului)
    • उत्पादन कंपनियां
      • Canal+
      • Ciné+
      • Eurimages
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $20,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $1,75,975
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $10,305
      • 9 अप्रैल 2017
    • दुनिया भर में सकल
      • $20,15,002
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 8 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Stereo
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Adrian Titieni and Maria Dragus in Bacalaureat (2016)
    टॉप गैप
    By what name was Bacalaureat (2016) officially released in India in English?
    जवाब
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    • योगदान करने के बारे में और जानें
    पेज में बदलाव करें

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