Southbound

This was one of the most surprising finds in recent years. It absolutely has no right, whatsoever, to be as entertaining as it is. If you are a horror fan you are in for a treat as it solidly checks off every box one can imagine. Its varied yet interlocking tales serve up something for almost every taste. From ghost story to evil old god worship to body horror to home invasion thriller it merrily jumps about in a way that could have proved confusing and offsetting but, instead, seems to act more as a museum tour on all the things that make us check the locks and fear the shadows.

While there will, no doubt, be some debate as to what the pocket universe we are presented with represents, there is no doubt, in my mind, that it represents a person or persons who made a movie from an old school heart with a modern day sensibility. As stated in the summary it very much reminds me of the best of the classic horror comics such as the EC Comics titles which began their lives in the very early 1950's.

That being said do not mistake this for an old fashioned movie. It is very much genre savvy for today's eyes, ears and mind. In almost total, it is well acted, directed, written, scored and there is a fair share of completely creepy cinematography. It will leave one with both haunting imagery as well as interesting trains of thought to follow, if you dare.

Huge hats off to those who gifted us with this. This is how good horror can be and I truly hope it finds its way to a far higher place in this world than the vast majority of horror that tends to cross my eyes these days.

I read too many glowing reviews, which increased my disappointment I feel.

The good: the concept of the 5 loosely related, lurid stories is clever, as is them taking place all in the same desolate area. If you like creepy, graphic horror, that's also present. Also, very imaginative monsters in some of the stories.

The bad: It's not fleshed out enough. I don't need exposition, but these stories are so unexplained it's almost like they ran out of money when filming the picture. And it's so low-budget that it was hard for me to get invested in the characters. The entire concept of what this town might intrigued me, but nothing is explained and I came away wanting more.

Great concept, but lackluster execution.

Im a sucker for short horror stories and southbound has 5 of them. Long story short, the stories dont make sense and have little to no connection. There is no context, what you see is what you get. I thought the second story with the driver was really really good and i would love to see a full movie of this, the other stories were meh to ok at best. Without the second story i would have rated this 4 stars.

This quote makes a whole lot of sense since It seems like all our characters are in purgatory. They are hopelessly lost or have committed heinous crimes, and they are now in a place where they cannot escape, and are stuck in an endless loop.

Wraith demons appear from the start of the film and look like they are after fresh souls, or waiting for death to occur. This is why they seem to appear spontaneously throughout the film when bad things are about to happen.

Southbound is an anthology that follows a different set of characters through five interlocking stories that are all linked to the main plot, and by the end, everything seems to come together nicely in one big circle.

I'll admit the film is pretty well done. It speeds through the stories quickly, it was intriguing and full of mystery and action, and so while you want to find out more about a previous tale, you don't the chance to stop, reflect and catch your breath.

I wish more films were done like this. There will always be pros and cons but the film did what it intended. It had a favourable story, it had gore, it had mystery, it did have some gritty and unsettling moments, and it fits in very nicely to the horror genre.

The only real negative I can say about this film is that it doesn't delve deep enough into character development. We don't know much backstory, and what has transpired in the past. And therefore your connection with the characters is not as strong as it could be.

However, something always seems to catch up with them. And even though there is a lot that we aren't aware of, most of it doesn't matter since you can get a good enough grasp on the situation, and can sense that in the end, the outcome will be unpleasant.

A quick note on the hospital scene which was one of the most brutal, visceral and disgusting scenes I think I have ever witnessed in a movie to date, it kept you a little frozen in shock, but was also, the edge of your seat cinema.

We get wraithlike skeletons, cults, murderers, a creepy abandoned hospital, some weird townsfolk, and some monster elements sprinkled into the five stories. The DJ was a nice touch and effortlessly blended into when a story had ended, and when the next one was about to begin.

This is one of those surprise horror movies that have a fulfilling story and a decent ending. I recommend this film if you are a horror fanatic, as I think you will be pleasantly surprised.

7/10.

Southbound is unlike most Horror films, belonging to a sub-genre I would define as "intertwined". 5 different stories leading to and deriving from each other: Two friends on trying to get home, a girl band trying to get to their next gig, a man trying to go home to his loving wife, a brother trying to rescue his sister, and a family on vacation before their daughter goes to college. Sufficing to say nothing ends well.

The common ground for the tales is the actual ground, as they all seem to be taking place at the same location, referred to as "the middle of nowhere" and giving a strong sensation of Hell itself. Also, all the characters seem to be tuned in to the same radio station, where the DJ hints of his awareness to their sins and struggles. In each story, the protagonists (if you can call them that) have secrets in an escalating level of severity, and I guess the moral is that Karma always catches up to you.

Seeing as how each story is around 17 minutes in average, it's quite challenging for me to rate the film as a whole. The screen writing is by far the best feature, as the stories leave you confused, wondering, desperate and lost. Some fine shooting and cinematography as well, especially during the beginning of The Accident part (great work from directors and screenwriters Roxanne Benjamin, David Bruckner and Matt Bettinelli-Olpin). The acting is also good, but the each of the cast is given little screen time, so it's hard to say anything more. I will say that all the cast is largely unknown, and still showed a lot of promise.

All in all, Southbound would appeal to fans of more "artistic" Horror films. It's unusual and quite unique, leaving the audience with an uneasy sense of bewilderment. While not my preferable sub- genre, I was very impressed with it and enjoyed it to the last second.