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The first episode does start out rather slow and it has a lighthearted feel to it. Seeing Toby Jones in this type of role for the first time takes a bit of time to get use to ,but He does come through and gives a great performance.

A real stand out performance from Vicky McClure and the rest of the cast give a good performance too. By episode 2 it starts to get dark and much more enjoyable to watch.

Episode 3 is really good ,it takes some really dark twists and holds your interest .

The music really adds to the feel of it all, as does the great location scenes. I thought it well acted and produced, it leaves you wanting more.

This series is based in the Conrad short novel about a bumbling anarchist ring in London one of whom also operatrs for the Russian embassy in London.

What unfolds as a further bumbled terror attack is actually a double decoy to firce the British to tighten up their security which is threatening the security if the Russian state from the threat of anarchy.

This double decoy is what creates the confusion snd the complicated early part if the plot.

In essence its more of a satirical perspective on state and anarchy rather than a tale of international Espionage.

Despite the prominence of descent British TV actors, the series is flawed by the weakness of the storyline and doesn't quite deliver to the audience what they expect.

This is an interesting period mini-season drama. Acorn dramas tend to below budget, and family friendly productions. This drama takes place in Victorian England in 1885. The acting is good, as are the costumes, and production values. The plot kept me involved, but the story is not so much a spy thriller, but more of a character study. The series' title would lead a viewer to think that the story involves a lot of spy drama and action. Actually, the story revolves around one character, with some police work and international politics. I think the series would have been better with a couple fewer episodes, or, could have been a full length feature film. Overall, the series is okay, and I didn't feel like it wasted my time. But I don't feel as though I would have missed anything if I hadn't seen it. For me, this is another "Meh" series.

Joseph Conrad's novel, 'The Secret Agent', is justly acclaimed, a compact and bitter satire nominally about anarchist terrorism but in fact about the wretchedness of the human condition: while ordinary people labour and suffer, we talk about principles and love but will in reality sacrifice anything for an easy life. With hardly a superfluous word, it could easily be adapted into a 90 minute film; but this adaptation lasts three hours, and is slow-paced and boring. Not only that, but the padding serves to undermine the original purpose to no beneficial effect. One of the great characters in the book is the Professor, an extremist (with all the best lines) who asserts he will give everything for the cause, even down to blowing himself up with a bomb he carries on his person at all times should the police come to arrest him. But no actual cause is ever sufficiently revolutionary to earn the Professor's support, and as we see when he is confronted by the stupid, cowardly policeman Heat, his supposed willingness to cause carnage is sufficiently strong to ensure that no-one is ever likely to put him to the test. But in this adaptation, Heat is brave and humane, and he confronts the Professor only for the Professor's bomb to fail to explode when he tries to detonate it, developments that completely miss the point. It's a particular shame to see the usually excellent Vicky McClure stilted and unable to save the story. Sometimes it seems as if those responsible for adapting a story have utterly failed to understand what it is really about; and this series is one such example.

I had a look over some of the reviews and wondered why they were so hard on this show. After all, it's the type of characters in this show that started The First World War. Few shows actually show us this world. And the characters, given it's such an undeveloped area of period drama, are, for me, hard to beat, bordering on truly original, and brilliantly enacted. The original author is, after all, part of the literary canon for a reason This is comparable to Charles Dickens, but stands on its own merits. The Secret Agent a period piece like nothing I'd encountered before. There are no heroes, only flawed but passionate people, dangerously entwined with the lives of essentially honest people who are, for the most part, unaware of the dangers brewing beneath their floorboards. I really don't know how anyone could have not been totally refreshed by this cinematic experience. Like all good British productions there is a wealth of detail and realism that make this story a true transportation back to the period, with a ripping yarn to keep one glued. And there is a moral here too, relevant to any time.

This has only the vaguest connection to the book. The names are the same, just about everything else has been modified out of all recognition. Coincidentally I read the book a few weeks ago. It's a subtle & quite unnerving book, a black comedy really, with no heroes, just people enmeshed in a fallen world of deceit & corruption.

There's very little dialogue, until near the end, when it all bursts like a suppurating boil. This obviously makes it difficult to adapt, but is no excuse for wholesale butchery; frankly if that's the best the adaptor can do he'd best just leave it. The acting was OK, but there was some poor casting. Overall a waste of everyone's time.

It's a strange and unconvincing story, but it has its points of interest, as it deals with the murky late Victorian world of mysterious anarchists.

Unfortunately, this BBC version is not very well done. The main problem is that it is too slow and does not flow.

Stephen Graham has a difficult part as Inspector Heat, whose doings and motivations are often obscure. Why he further encumbers this with a heavy Scouse accent is one of the mysteries of the series (I know he's from Liverpool, but he's good at accents).

As for Vicky McClure, what is her accent? It's unrelated to the speech of the rest of her screen family and also seems anachronistic to me (too many glottal stops and -d- for -t- in places). Is it that she is just using her own accent (and does she perhaps do so in every part she gets)?

The Secret Agent based on Joseph Konrad's work of the same name, for me at least, is rather uninspiring and badly dated.

This series, on first view, feels like a "dull artifact" that expresses stale, somewhat paranoid sentiments, from a bygone era.

Unlike similar series, such as Reilly Ace of Spies, there's nothing overly exciting on offer here. Reilly beautifully captured the essence of an early period of political intrigue and built an enjoyable tale around it. By contrast, The Secret Agent, simply feels like a proxy for the exhumed opinions of long dead political elites, afraid of the Communist bogey man.

The acting in this series and production values, as is often the case in the UK, are of a high standard. Its not for me, the performances, that are in question, however. The whole proposition seems anachronistic, when filtered through 21st century eyes. The Secret Agent, might have worked as a satire or adapted to a comedic format but, as serous drama, to me, it feels like an absurdity. Five out of ten.

I'm puzzled by the reviews that claim all of Conrad's brilliant story have been abandoned. Utterly untrue. All the main points of the original story are here. The betrayals, the ethical compromises, the cowardice. Not a single one missing. What had changed is how the story is told. Conrad jumped back and forth, a device that works better on writing than on TV. There are always some compromise made when covering a written story to a screen of any size. Those made here seen more than reasonable to me. The result is a thoughtful carefully constructed story that resists the urge to pick up the tempo just for the sake of a little "excitement". Some will find the pace slow, but it builds from the meaningless pretense of the characters lives and the mundane tempo of real life.

Some lovely performances by the whole cast. No one is cast as either superhero or supervillain. These are ordinary people of no great distinction, no matter thier place in life. Both evil and justice are flawed and banal.

I have not read the book, and after one episode I still have absolutely no idea why the Toby Jones character, Verloc, is a traitor to his country. What caused him to turn to Russia to get what he wanted in a cause? What's the cause for him?

We know the professors. He makes it very clear - several times.

Since there is no reason given, I can't really get into what Verloc is doing. And when I don't care, it takes away from the story.

The filming is outstanding. As is the acting. One reviewer tore apart the locations saying they were in Glasgow instead of England, and the buildings were built int the wrong period. That doesn't make a difference to me - but a well informed story does.

I wanted to like this and am disappointed that a production this long leaves major questions is frustrating. Here's a man who has a family who loves him and for reasons we are not privy to, is a traitor to his country.

So, 5 stars.

The BBC is well known for its attention to detail in its drama, and in the main The Secret Agent was also suitably well detailed. Sadly, this attention to detail did not extend to the railway scenes.

I understand that the railway scenes were filmed at the Bo'ness & Kinneil Railway in Scotland - close to the main filming location of the series. The setting of the drama is in the late 19th century and yet in all railway scenes inappropriate rolling stock was employed. The locomotive used in all the filming could clearly be seen to be 61272. This locomotive was not built until 1928 - over 30 years after the date setting of The Secret Agent. The number on the locomotive did not exist until the nationalisation of Britain's railways in 1948. The locomotive's tender showed the British Railways "lion & wheel" logo - also post 1948. The coaching stock was part of the Bo'ness & Kinneil's own Caledonian Railway carriages. Indeed, the carriages are stencilled CR. The carriages are also out of period, as these were not built until 1923! I doubt the Caledonian Railways carriages would have been seen on London to Southampton trains.

I am disappointed with such poor attention to detail from a BBC production

Not many I would watch twice but this I did Glad to do so production and acting was enough for a repeat look Ps my phone means I cant see what I hve typed.

More BBC predictable rubbish same faces same cinematography same script this could be Sherlock, or Line Of Duty or any other BEEB production really poor effort a time for change is needed new blood new faces, struggled through this wouldn't bother if you value your time.

We enjoyed the production, the filming and actors were excellent though we thought it a bit slow. I became interested in the locations because of a book I was reading that mentioned there had never been a "Great Southern Railway" so the main line railway station with that title was a bit of a mystery. The station building and interior appears to be Kelvinhall Art Gallery in Glasgow, presumably with some CGI to change the name on the building. The opulent "embassy" staircase seems to be Glasgow City Hall, and the "Windsor Castle" ship seen at the docks looks like the ship purchased in 2014 by the Royal Yacht Britannia organisation, so are the docks buildings at Leith?

I cannot understand the negative reviews about this film, it was excellent, the only actor l had heard of was Toby Jones who played Capt. Mainwaring in the remake of Dad's Army, and l think that's what made it so much better then a film with big start names it felt more authentic, it was sad, dramatic, drama, but bedside anything else it was excellent l give it 9/10

All the episodes get high marks for production values, and the great acting-all the way through. I don't think I have ever read Conrad's "Secret Agent", but a visual media must stand of itself, and this does in all departments. The character actor Toby Jones once again gives an "A List" performance, as does Stephen Graham and Vicky McClure. All other actors do very well too, no doubt. It is a dark, revealing production and script, and knowing the history of the times helps. Above all, it is a period/history piece, two monarchist countries, one with an autocracy using a 'lockdown' attitude on keeping it that way. Both were plagued with genuine fears over anarchist, socialists, and other revolutionary groups who had successfully used bombs in their activities. And it is in this social and political ambience that this story takes place. And it does an excellent job. The writers and producers understood this, and it shows. Great stuff!!