द बिगिनिंग ऑफ़ एवरीथिंग

Starts very, very strong. And then it begins to meander. I feel it would have been better if it'd been created with the intention to be a limited mini-series rather than a TV series, because then the writing team could have crafted a compelling beginning, middle, and end. As it is, without a season 2 renewal, it just sort of... ends.

I looked forward to this show since its pilot in 2015. Mostly because I am interested in this famous couple. But I must confess that I was bored the first half of the first season. One episode has only half an hour and it still seemed to be unfulfilled. I almost stopped watching it but the other half somehow caught my attention.

The mise-en-scene balances showing glamorous era with realistic depiction. It is believable.

It is adaptation of a book focused on Zelda's story. It is Zelda's point of view. She is the heroine. But unfortunately character of F. S. Fitzgerald is depicted as a villain. For me it was not good choice to show F. Scott Fitzgerald as such a negative character. In society is big question about their relationship, who were they actually. So in the story I would appreciate more questionable representation instead of such black and white characters. At least based on season one. Maybe creators change their direction if season two takes place.

Christina Ricci is fairly good choice for this role. On the other hand, David Hofflin is just hardly believable. Maybe it is problem of casting in the first place. Supporting woman roles are delightful, little caricatures of people of that era.

For now, the show did not mean waste of time for me but neither a miracle.

This film is adapted from a novelised version of the Scott and Zelda story, seen from Zelda's angle for once - much in line with Christina Ricci's own feminist agenda, as she has explained to the media at some length.

It sheds an unflattering light on Scott, deservedly enough, because he was indeed an immature and incomplete character, whose drinking shocked even Hemingway. Yet Hemingway blamed Zelda for distracting Scott from a sensible day's work, although he did fall back on her extensive diaries for much of the detail in his novels.

But any political message is bound to be eclipsed by the sheer fun of a Roaring Twenties spectacular, based around the couple who essentially invented that decade (in Scott's own phrase, 'The Jazz Age'). We start at the fag-end of the Great War, with 20-year olds writing their Last Will and Testament, as they await the fateful crossing to France. Posted to Alabama, Scott meets Zelda, the local county belle, spoilt and wilful, who is rather casually doing her bit for the war effort. There is a believable portrayal of a respectable Southern home, where Zelda's father, played with deep conviction by David Strathairn, tries to keep her in order, while "Well-behaved women don't make history" is flashed-up on the screen, as though it was coined by Zelda, which it wasn't.

We have to conclude that Zelda's fame as Scott's muse will always outshine any other role she may have hoped for (novelist, artist, ballerina), and Ricci fills the role as well as anyone could, despite being twice the age of the girl she plays. The title comes from Scott's declaration "I love her, and it is the beginning of everything". This may not seem to mean much, though it is true that he might never have got his first novel into print (third try), if Zelda had not stipulated this as her first condition of their engagement.

The puzzle remains as to why Amazon decided at the last moment to cancel this promising series before its second season (September 2017).

I have a particular fondness for period dramas & this one didn't disappoint. It didn't get a 9 -10 because I felt the storyline could have had more depth which I was expecting to be developed in a second season. I'm unsure of the time span it was supposed to represent but I didn't get that Zelda was there long enough to be known as the original flapper & icon of the age. It seemed unfinished to leave it where it did.

The Jazz Age Fitzgeralds were such lightning in a bottle, that to try and capture it is audacious: we know the champagne will pour and the fame will come, and the real pain will come with the hangovers and end in despair for the both of them.

But the controversial choice of Christina Ricci as Jazz Baby Number One instead of any other McAdams Barbie doll from the Hollywood shelf gives this pilot a bounce and possibility because she is such a hellcat. I'm already jonesin' for her wild gin-fed car scream rides and Paris fountain dances. And David Strathairn is such a delightfully stolid and formal southern judge for her to bounce off of.

Fitz is such a limp hankie next to her--which was probably true--that watching him ignite into brilliance from her bad girl spark and become the man who could write Gatsby and fall Icarus-like back to Earth in her skirts to face the Depression is very promising.

Most importantly, this is a sumptuous period piece from one of two most exciting decades of the last century. If Amazon orders more of "Z", I will be a devoted watcher. Thanks for letting us review.