The Final Master

This is a highly watchable movie with great cinematography, costuming and set design. However it suffers from a slow pace, confusing plot, and unclear character motivations. Some scenes leave me thinking "what is happening?" The martial arts are fun, with lots of varied weapons work. If you think you are going to get something like Ip Man well you are going to get something more like the store brand cola version of ip man.

If you are looking for funny or fancy kungfu actions, this is probably not your best choice. This movie shows the real kungfu: simple but effective moves, moves that you would see if you ever fight with a real world kungfu fighter. Being a Chinese, I grew up watching kungfu movies.If all you can see are fighting scenes, then it's merely a Chinese boxing movie. Kungfu is a sport, a fighting skill, but most of all a philosophy, or at the very least, a particular set of values. In this movie, the ideal philosophy of kungfu is greatly challenged. You'll see the authentic Chinese traditional values of family, factions, love and teacher-student relationship. No heroes, but only characters who are struggling with honors, duties and survival in a special historic setting. Perhaps not everyone would love this movie, but I guarantee you this story is not a cliché.

Poor writing, pretentious, lack of resolution. The only worthwhile scene from this film is the alley fight. Reviewers lauding t his film as some sort of modern martial arts rebirth are grasping at straws.

I'd like to bring to your attention a movie that I have recently had the pleasure of seeing that I'm sure will excite any fan of the martial arts movie genre..The film is called " The Final Master" by writer/director Xu Haofeng, which I believe is a classic and transitive martial arts film that will,if built upon, move the martial arts genre to another level. For the martial arts fight fan the film is filled with inventive and skillfully conceived martial arts action sequences that will excite, surprise and amaze you and for the average moviegoer presents the martial arts film aesthetic within a captivating story with powerful dramatic conflict and fascinating characters.that offers a great time at the movies that anyone can relate to.

Comparisons will be made to movies like Crouching Tiger Hidden Dragon , Hero and Ip Man but I believe it is superior to them all in the way it honors the martial arts movie genre while at the same time transcending it.Its foundation is a genre trope that fans know all too well. A martial arts master travels to a foreign city to make a name for himself and his style. While most martial films would stop at this point the writer/director Haofeng ventures much deeper to construct a multi layered tapestry of trust, loyalty, love, betrayal and personal struggle that vacillates between a delicate touch and a hammering iron fist. This range of conflict is what distinguishes it and gives this film its impact.

What I enjoy most about this film is how the director does an excellent job of blending dramatic conflict and martial arts action.so that every fight in the film is essential in propelling the story forward and sets the stage for escalating dramatic conflict that makes the fighting pay off in emotionally powerful ways.. And this does not take away from the spectacular action is that is on display here as the fight choreographers did a tremendous job of juxtaposing spectacular and complicated fight sequences with a seemingly true to life realism that elevates it above most martial arts exploitation fare. This is less a martial arts movie per se and more of a dramatic story with some of the most powerfully executed realistic looking martial arts you have ever seen on film, its subtle power is truly breathtaking..Oh yes .. I forgot to mention that most of the fights are done in close quarter with razor sharp blades.

Martial arts movies are oftentimes, and deservedly so, relegated to second class cinema, but with a compelling dramatic story and dynamic fight sequences blended together to form an organically entertaining cohesive whole, it is movies like " The Final Master" that will demonstrate why fans of the genre love these movies and why it is that films of this caliber that will keep the genre alive and growing for many years to come. The Final Master is a significant milestone in the evolution of martial arts cinema.

The Final Master

This martial arts movie based on the fighting style of Wing Chun. Now going into this movie I saw the trailer and thought 'oh cool they'll use weapons instead of just punching and kicking.' Yeah the whole entire movie is based off of dagger fighting.

Chen Shi, played by Fan Liao, has to defeat eight martial arts schools to open his own. He fears that he's growing too old and decides to set up a betrayal, matchstick-men style. Only this time, with daggers. He was very believable and his martial arts is up there with some of my favorites.

Zhao Guihui, played by Jia Song, is a part of the chess game that the main character is playing. She is strong and adamant about not leaving her home town. She can be a bit over the top with her acting. Plenty of silent harrumphing, if I could sum up her performance.

Master Zou, played by Wenli Jiang, looks like a man at first. Then she speaks, and then on closer look she actually looks good. She does a wonderful performance as a local mob(?) boss? She works for the military? Her role in the movie was sort of implied. She even says in the movie "I'm not a gangster." which is something a gangster would say.

Speaking of context, the movie loves to see if your paying attention.

Little scenes like: Chen Shi is leaving being escorted out by nameless guards. He looks back for a moment. Turns to walk out. Immediately he turns around again and rushes back to the camera. Now revealed he was looking at his wife, Zhao Guihui. He eyes her closely and shouts "Look at me." She looks away. Defeated, Chen Shi walks out of the room.

Without knowing everything up until this point, this scene without any context is short and still a lot is spoke. This being a subtitled film, it's almost destined to not do well in the states. The fact that the film is on the level of Christopher Nolan, when it comes to subtext, means it'll be even more confusing for the movie going audience.

Verdict: If you want to see martial arts, pick up The Raid, Ip Man, or Ong-Bak. Once you've seen all of those, perhaps give this a chance.