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The Sense of an Ending

  • 2017
  • A
  • 1 घं 48 मि
IMDb रेटिंग
6.4/10
8 हज़ार
आपकी रेटिंग
Jim Broadbent, Charlotte Rampling, Matthew Goode, Emily Mortimer, Michelle Dockery, Freya Mavor, and Billy Howle in The Sense of an Ending (2017)
Trailer for The Sense Of An Ending
trailer प्ले करें1:57
38 वीडियो
31 फ़ोटो
ड्रामारहस्य

एक आदमी अपने अतीत से प्रेतवाधित हो जाता है और उसे एक रहस्यमय विरासत के साथ प्रस्तुत किया जाता है जो उसे जीवन में अपनी वर्तमान स्थिति पर फिर से सोचने का कारण बनता है।एक आदमी अपने अतीत से प्रेतवाधित हो जाता है और उसे एक रहस्यमय विरासत के साथ प्रस्तुत किया जाता है जो उसे जीवन में अपनी वर्तमान स्थिति पर फिर से सोचने का कारण बनता है।एक आदमी अपने अतीत से प्रेतवाधित हो जाता है और उसे एक रहस्यमय विरासत के साथ प्रस्तुत किया जाता है जो उसे जीवन में अपनी वर्तमान स्थिति पर फिर से सोचने का कारण बनता है।

  • निर्देशक
    • Ritesh Batra
  • लेखक
    • Julian Barnes
    • Nick Payne
  • स्टार
    • Jim Broadbent
    • Charlotte Rampling
    • Harriet Walter
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.4/10
    8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Ritesh Batra
    • लेखक
      • Julian Barnes
      • Nick Payne
    • स्टार
      • Jim Broadbent
      • Charlotte Rampling
      • Harriet Walter
    • 71यूज़र समीक्षाएं
    • 119आलोचक समीक्षाएं
    • 61मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    वीडियो38

    The Sense of an Ending
    Trailer 1:57
    The Sense of an Ending
    The Sense of an Ending
    Trailer 2:17
    The Sense of an Ending
    The Sense of an Ending
    Trailer 2:17
    The Sense of an Ending
    Official Trailer #1
    Trailer 2:30
    Official Trailer #1
    Get A Drink
    Clip 1:33
    Get A Drink
    Meeting With Veronica
    Clip 1:34
    Meeting With Veronica
    Tonys Confession
    Clip 1:09
    Tonys Confession

    फ़ोटो31

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    + 25
    पोस्टर देखें

    टॉप कलाकार55

    बदलाव करें
    Jim Broadbent
    Jim Broadbent
    • Tony Webster
    Charlotte Rampling
    Charlotte Rampling
    • Veronica Ford
    Harriet Walter
    Harriet Walter
    • Margaret Webster
    Michelle Dockery
    Michelle Dockery
    • Susie Webster
    Matthew Goode
    Matthew Goode
    • Mr. Hunt
    Emily Mortimer
    Emily Mortimer
    • Sarah Ford
    James Wilby
    James Wilby
    • David Ford
    Edward Holcroft
    Edward Holcroft
    • Jack Ford
    Billy Howle
    Billy Howle
    • Young Tony
    Freya Mavor
    Freya Mavor
    • Young Veronica
    Joe Alwyn
    Joe Alwyn
    • Adrian Finn
    Peter Wight
    Peter Wight
    • Colin Simpson
    Hilton McRae
    Hilton McRae
    • Alex Stuart
    Jack Loxton
    • Young Colin Simpson
    Timothy Innes
    Timothy Innes
    • Young Alex Stuart
    Andrew Buckley
    Andrew Buckley
    • Adrian Junior
    Karina Fernandez
    Karina Fernandez
    • Eleanor Marriott
    Nick Mohammed
    Nick Mohammed
    • Postman Danny
    • निर्देशक
      • Ritesh Batra
    • लेखक
      • Julian Barnes
      • Nick Payne
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं71

    6.47.9K
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    फ़ीचर्ड समीक्षाएं

    rogerdarlington

    An original adaptation of a challenging novel

    Based on the Booker Prize-winning novella by Julian Barnes (which I have read), inevitably this film adaptation is different from the original work. The structure of the book was a section of the (unreliable) narrator's time at school and university followed by the present day coming to terms with revelations of that earlier period. The film is set in the present with lots of flash-backs to the past and that works well.

    More questionably, the movie version of "The Sense Of An Ending" has a different ending which is not that of the author Julian Barnes or even that of the scriptwriter, the playwright Nick Payne, but essentially that of the director, Indian film-maker Ritesh Batra (who made the delightful work "The Lunchbox"). The film offers us a conclusion which is more definitive and more upbeat that the novel but that is perhaps the nature of this different medium.

    "The Sense Of An Ending" is slow and serious but not all films can be "Fast And Furious". The pacing allows the viewer to admire the wonderful acting, primarily from Jim Broadbent as the narrator, retired and divorced Tony Webster, but also from some fine actresses, notably Charlotte Rampling, Harriet Walter and Emily Mortimer, plus some new young actors.

    Like the source novel, this film is a challenging and moving examination of the malleability of memory. As Tony puts it: 'How often do we tell our own life story? How often do we adjust, embellish, make sly cuts?' How often indeed ...
    8clivehodges

    A tale of memory, guilt and regret

    The movie, adapted from a slim novel by Julian Barnes, is a tale of memory, guilt and regret. At the centre of the story is Tom, a divorced man in his late 60s, who leads a life of oppressive sameness. He receives a letter from a solicitor and Tom's routine is interrupted.

    From flashbacks to the 1960s, we learn he was involved with a lass called Veronica and met Adrian, a charismatic student. A thoughtless act leads to, or may not have led to, tragedy.

    How much of Tom's history (shown in the flashbacks) is true and how much is a distortion of his memory, is open to question.

    Meanwhile, Tom's life in the present continues. His daughter is close to giving birth which means regular meetings with his former wife. This gives Tom an opportunity to discuss the past. By staying alert and listening in to the conversations closely and watching the flashbacks carefully, clues emerge for us to discern the truth.

    Six fellow film fans and I saw the movie together and met for lunch afterwards. Our interpretations differed. An indication that we'd seen an exceptional film.

    There were things we agreed on: the ensemble cast was outstanding; the editing was first-rate; the music unobtrusive; and the director's touch admirable.

    Various actions of the major characters and possible actions not actually shown on screen were raised and analysed with the results agreed to by some, rejected by others.

    It's not a film for everyone … but for those who enjoy a movie where clues are given but interpretations are left to the viewer, this one's for you.

    It's a movie that stays with you for days.
    7ferguson-6

    Telling a life story

    Greetings again from the darkness. In 1967 Cat Stevens wrote "The First Cut is the Deepest" and the song has since been recorded by many artists (including Rod Stewart and Sheryl Crowe). The song's title is also an apt description of director Ritesh Batra's film version of the popular 2011 novel from Julian Barnes. It's one man's look back at the impact of his impulsive actions more than 50 years ago.

    "When we are young, we want emotions to be like what we read in books". So says the narrator and lead character Tony Webster (as played by Jim Broadbent). Tony runs a tiny second hand camera store (specializing in Leica models) while leading a mostly benign life – rising daily at 7:00am, coffee with his ex-wife, and periodic errands for his pregnant daughter. One day a certified letter arrives notifying him that he has been named in the Last Will and Testament of the mother of a girl he dated while at University. And so begins the trek back through Tony's history and memories.

    Of course, a film version can never quite cut as deeply as a novel, but this preeminent cast works wonders in less than two hours. Curmudgeonly Tony is accessible and somewhat sympathetic thanks to the stellar work of Mr. Broadbent, who always seems to find the real person within his characters. Harriet Walther ("The Crown") turns in a tremendous performance as Margaret, Tony's most patient and quite wise ex-wife. Michelle Dockery ("Downton Abbey") is their pregnant 36 year old daughter Susie, and just these three characters could have provided a most interesting story. The film's best scenes feature the comfort and familiarity of a once-married couple, as Tony and Harriet talk through previously never mentioned topics. However, there is so much more to explore here as Tony's thoughts bring the past splashing right smack dab into the present.

    Billy Howle does a nice job as young Tony, an aspiring poet, who falls hard for the enigmatic Veronica (Freya Mavor). Complications arise when Tony spends a weekend with Veronica at her parents' estate. It's here that Emily Mortimer energizes things (and clouds thoughts) with minimal screen time as Veronica's mother. It's also around this time where new student Adrian Finn (played by Joe Alwyn of Billy Lynn's Long Halftime Walk) captures Tony's imagination and a friendship bond is formed … only to be later shattered in a most painful manner.

    There is so much going on that director Batra's (The Lunchbox, 2013) low-key approach is often misleading. Looking back on one's life can lead to the twisted version that our mind has edited/revised in order to make things seem better or worse – definitely more colorful – than they likely were at the time. Tony's distorted view of history crumbles when documented proof of his actions is presented at his first face to face meeting with Veronica (the great Charlotte Rampling) in five decades. It's at this point that regret and guilt rise up, and the only question remaining is whether this elderly man can overcome his repressed emotions and self-centeredness in order to make the best of what time he has left. Each of us has a life journey, and though few of us ever actually tell the story, there are undoubtedly numerous lessons to be had with an honest look back.
    8E Canuck

    Squaring the circle

    If you've ever said (or done) something to a friend and regretted it later, if you thought you knew the way things were (and found they were not that way), if you've found, as you get older, that things you thought far in your past have resurfaced, you might be as impressed with "The Sense of An Ending" as I was, watching it in an advance screening tonight.

    Then, even if those things are not true for you, you might enjoy the cast and their acting, the writing, the London settings and many other things about this film. A good one.
    8dave-mcclain

    "The Sense of an Ending" is a relatable, entertaining and thought-provoking character-driven drama.

    We all reminisce. Older people have more to mull over than their younger counterparts, but we all do it. To what extent are our memories accurate representations of what actually happened? And how do the things that we forget, choose to leave out or just misremember affect how we view our past – and our present? These are the kind of questions the British drama "The Sense of Ending" (PG-13, 1:48) so eloquently and engagingly poses. Based on the 2011 novel of the same name by famed British author Julian Barnes (who won the prestigious Man Booker Prize for the book), this film has the potential to entertain all Movie Fans – and give them plenty to think about, regardless where they are in their lives, but those contemplations will vary depending on the stage of life they occupy at the moment.

    Tony Webster (Jim Broadbent) is a disagreeable, semi-retired 70-something curmudgeon living in London. He used to make his living as a doctor, but now he owns a small vintage camera shop. Tony is long divorced from Margaret Webster (Harriet Walker), but they remain quite friendly, mutually supporting their pregnant single daughter, Susie (Michelle Dockery from TV's "Downton Abbey"), and sometimes meeting to discuss their lives over a spot of tea. Obviously comfortable (if not entirely happy) living out the narrative of his life (as he sees it), Tony is about to be shaken out of his complacency.

    Dr. Webster receives a letter informing him that he has been bequeathed an old diary by the recently departed mother of his college girlfriend. Questions abound. Tony wants to know whose diary it is. When he tells his ex-wife about the letter, she's curious why the mother of a long-lost love would be leaving him anything in her will. As Tony struggles with the family's lawyer to get his hands on the diary (or at least get some answers), he begins telling Margaret stories from a past that he has never before shared. She gets frustrated when she senses that he isn't telling her the whole story, while the audience is left to wonder what he's leaving out, why he's leaving things out and if he even realizes he's doing it.

    Tony's story slowly unfolds (and is later revisited and built upon) in flashbacks throughout the movie. As a young man, Tony (played during his school days and college years by Billy Howle) begins dating the young, fetching and quirky Veronica Ford (Freya Mavor). As they figure out how they really feel about each other and where their relationship is going, Tony spends a weekend at her family's country cottage, where Tony hits it off with Veronica's mother, Sarah (Emily Mortimer). Eventually (not a spoiler – it's in the theatrical trailer), young Tony's best friend, the very intelligent but very maudlin Adrian Finn (Joe Alwyn) emerges as a rival for Veronica's affections. As a mystery unravels both in old Tony's rearview mirror and in his present, he finds old Veronica (Charlotte Rampling) and demands answers.

    "The Sense of an Ending" is a relatable, entertaining and thought-provoking character-driven drama. This impressive collection of English thespians all give heart-felt and layered performances, while Nick Payne's script and Ritesh Batra's direction sensitively and insightfully develop the story, but still leave room for individual interpretations. How a person sees this film will have as much to do with his or her age, perceptions and individual experiences as the story itself. And when all is said and done, the film's ending still leaves room for discussion among Movie Fans. Rather than a clearly defined ending, we get… the sense of an ending. Or is it a beginning? It's for each of you to decide for yourselves. Getting there does require you to go along for the ride on a slow-moving cinematic train, but it's well worth the journey – especially since you may be surprised where you end up. "A-"

    इस तरह के और

    On Chesil Beach
    6.3
    On Chesil Beach
    The Secret Scripture
    6.7
    The Secret Scripture
    A Very Short Film about Longing
    7.4
    A Very Short Film about Longing
    Capital
    6.7
    Capital
    Hampstead
    6.1
    Hampstead
    Our (Almost Completely True) Love Story
    6.8
    Our (Almost Completely True) Love Story
    The Children Act
    6.7
    The Children Act
    The Visitor
    7.6
    The Visitor
    The Last Bus
    6.6
    The Last Bus
    Birthmarked
    5.7
    Birthmarked
    Breathe
    7.2
    Breathe
    Oranges and Sunshine
    7.1
    Oranges and Sunshine

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      At a festival screening in San Francisco, Ritesh Batra said that he had tea with Julian Barnes, author of The Sense of an Ending, ahead of filming. Batra was so nervous at meeting Barnes that he subsequently forgot most of their conversation, save for Barnes's parting line, spoken in jest: "Go ahead and betray me."
    • गूफ़
      Young Tony affixes a 'first-class' stamp to his fateful letter, sent in 1967. This sort of stamp was not produced for another 26 years (in 1993).
    • भाव

      Tony Webster: [Voice over] When you are young you want your emotions to be like the ones you read about in books. You want them to overturn your life and create a new reality. But as that second hand insists on speeding up and time delivers us all too quickly into middle age and then old age, that's when you want something a little milder, don't you? You want your emotions to support your life as it has become. You want them to tell you that everything is going to be okay. And is there anything wrong with that?

    • कनेक्शन
      Featured in Power of Memory: Making 'The Sense of an Ending' (2017)
    • साउंडट्रैक
      Psychotic Reaction
      Written by Sean Byrne (as J. Byrne) / John Michalski (as J. Michalski) / Craig Atkinson (as C. Atkinson) / Ken Ellner (as K. Ellner) / Roy Chaney' (as R. Chaney)

      Performed by Count Five

      Published by Bucks Music Group Ltd / The Bicycle Music Company

      Licensed courtesy of The Bicycle Music Company

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    अक्सर पूछे जाने वाला सवाल19

    • How long is The Sense of an Ending?Alexa द्वारा संचालित

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