एक आदमी अपने अतीत से प्रेतवाधित हो जाता है और उसे एक रहस्यमय विरासत के साथ प्रस्तुत किया जाता है जो उसे जीवन में अपनी वर्तमान स्थिति पर फिर से सोचने का कारण बनता है।एक आदमी अपने अतीत से प्रेतवाधित हो जाता है और उसे एक रहस्यमय विरासत के साथ प्रस्तुत किया जाता है जो उसे जीवन में अपनी वर्तमान स्थिति पर फिर से सोचने का कारण बनता है।एक आदमी अपने अतीत से प्रेतवाधित हो जाता है और उसे एक रहस्यमय विरासत के साथ प्रस्तुत किया जाता है जो उसे जीवन में अपनी वर्तमान स्थिति पर फिर से सोचने का कारण बनता है।
- पुरस्कार
- कुल 1 जीत
फ़ीचर्ड समीक्षाएं
From flashbacks to the 1960s, we learn he was involved with a lass called Veronica and met Adrian, a charismatic student. A thoughtless act leads to, or may not have led to, tragedy.
How much of Tom's history (shown in the flashbacks) is true and how much is a distortion of his memory, is open to question.
Meanwhile, Tom's life in the present continues. His daughter is close to giving birth which means regular meetings with his former wife. This gives Tom an opportunity to discuss the past. By staying alert and listening in to the conversations closely and watching the flashbacks carefully, clues emerge for us to discern the truth.
Six fellow film fans and I saw the movie together and met for lunch afterwards. Our interpretations differed. An indication that we'd seen an exceptional film.
There were things we agreed on: the ensemble cast was outstanding; the editing was first-rate; the music unobtrusive; and the director's touch admirable.
Various actions of the major characters and possible actions not actually shown on screen were raised and analysed with the results agreed to by some, rejected by others.
It's not a film for everyone but for those who enjoy a movie where clues are given but interpretations are left to the viewer, this one's for you.
It's a movie that stays with you for days.
There is a good deal to admire. The interweaving of past and present is highly skilled, the recreation of sixties milieus authentic. The school scenes rang true - I went to an all boys grammar school in the sixties and they get it right with the exception of the swearing. Incredible as it may seem to some people, swearing was unusual fifty years ago. I loved the way the painful weekend at Chislehurst - central to the mystery - was handled.
There were a few lapses of judgement and taste but overall I would rate this as one of the best movies I have seen in the past year. It deserves awards.
The film plot is simple but the story complex. Retired divorcée Tony (Jim Broadbent) is known as a curmudgeon by his ex-wife Margaret (Harriet Walter) and daughter Suzie (Michelle Dockery). He busies himself in his tiny shop selling second-hand Leica cameras when one day a lawyer's letter arrives that reopens memories of his first love. What follows is a jigsaw of glimpses into an old man's obsessive quest for redemption as he becomes haunted by an act of spite that he believes led to the suicide of his best friend. When he renews contact with his first love Veronica (Charlotte Rampling) he must confront unresolved emotions that were buried beneath the fictions he has constructed about his life.
This slow and serious film is not for everyone. Younger people are too busy making memories to be rewriting the story of their lives. Older audiences will recognise what Tony is experiencing and empathise with his need for a 'sense of an ending'. Despite the film's stellar cast and fine acting, none of the characters are especially likable, so it is possible to leave this film disengaged with the people while having been thoroughly immersed in the story. This is a well-directed dialogue-driven film. Its multiple flashbacks capture the disjointed half recalled fragments that many of us store as life memories. Most of all, it is an introspective and insightful essay on how we make sense of our lives.
Then, even if those things are not true for you, you might enjoy the cast and their acting, the writing, the London settings and many other things about this film. A good one.
क्या आपको पता है
- ट्रिवियाAt a festival screening in San Francisco, Ritesh Batra said that he had tea with Julian Barnes, author of The Sense of an Ending, ahead of filming. Batra was so nervous at meeting Barnes that he subsequently forgot most of their conversation, save for Barnes's parting line, spoken in jest: "Go ahead and betray me."
- गूफ़Young Tony affixes a 'first-class' stamp to his fateful letter, sent in 1967. This sort of stamp was not produced for another 26 years (in 1993).
- भाव
Tony Webster: [Voice over] When you are young you want your emotions to be like the ones you read about in books. You want them to overturn your life and create a new reality. But as that second hand insists on speeding up and time delivers us all too quickly into middle age and then old age, that's when you want something a little milder, don't you? You want your emotions to support your life as it has become. You want them to tell you that everything is going to be okay. And is there anything wrong with that?
- कनेक्शनFeatured in Power of Memory: Making 'The Sense of an Ending' (2017)
- साउंडट्रैकPsychotic Reaction
Written by Sean Byrne (as J. Byrne) / John Michalski (as J. Michalski) / Craig Atkinson (as C. Atkinson) / Ken Ellner (as K. Ellner) / Roy Chaney' (as R. Chaney)
Performed by Count Five
Published by Bucks Music Group Ltd / The Bicycle Music Company
Licensed courtesy of The Bicycle Music Company
टॉप पसंद
- How long is The Sense of an Ending?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Cam Giac Khi Ket Thuc
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $12,74,420
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $39,692
- 12 मार्च 2017
- दुनिया भर में सकल
- $50,81,495
- चलने की अवधि
- 1 घं 48 मि(108 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1