The Journey

It's 2006. Tony Blair and Bertie Ahern have gathered both sides of the Northern Ireland conflict to negotiate the eventual Good Friday Agreement. Ian Paisley (Timothy Spall) is the rigid firebrand loyalist preacher. Martin McGuinness (Colm Meaney) is the public face of the IRA. They represent the far sides of the conflict and have never spoken with each other. Ian needs to return home for his 50th wedding anniversary. Martin insists on joining him as protocol and more importantly, as the last chance to talk to him man-to-man with the only hope to get a yes to the agreement. Jack (Freddie Highmore) is their talkative driver. In reality, he's a British agent operating under Harry Patterson (John Hurt).

This story imagines that journey. That's the opening text and it's a mistake. Essentially, it's saying that it's fictional which is fine but it doesn't need to be proclaimed on screen. It takes some of the tension right out of the movie and the ending is already known. As for the story, it has some good turns but I almost wish for a simple inside-the-car three hander. It's the actors and it would be interesting to do My Dinner with Andre in the back seat. Spall and Meaney are great. Even Highmore is fine in doing a bumbling driver. It's a compelling what-if story for the politically-minded.

"These two are the Troubles."

The "two" are Ian Paisley (Timothy Spall), the leader of the Northern Ireland Democratic Unionist Party, and Martin McGuiness (Colm Meaney), Sinn Fein politician and IRA operative, traveling together in a fictional hour of two-handed politics, whose interaction had the outcome of peace. The Journey, meticulously directed by Nick Hamm, is superb filmmaking that illuminates history and showcases transcendent acting.

Facing off each other with Paisley's accurate condemnation of IRA violence and McGuiness's hatred of Paisley's rigid evangelical Protestantism, the two in the van on the way to the Glasgow airport dance around each other as they figure out how to survive their own arrogance and win a peace. But as we know, an accord was made back then that ended 40 years of bloodshed and a unified Northern Ireland under the combined leadership of both men.

Although actors like Toby Stephens as Tony Blair and John Hurt as Harry Patterson could command any screen at any time, Spall and Meaney are so believable as to make you forget all other performances. Their job to let you see the growing friendship by small increments is marvelous to behold.

Applause, too, must be given for a production design that commands maximum intimacy and suspenseful plot distribution: The interior of the van becomes an intimate drawing room with no diplomats or functionaries to distract from the plan at hand; the brief time to get to the airport has the properties of a digital readout in a heist movie—everyone is aware that the handshake may not happen if the van gets to the plane on time or too late.

The Journey is required for those who love first-rate acting and those who want to feel history in the making. For anyone else, it is the antidote to the summer blockbuster.

Superb cast, and an inspired way to examine the turbulent times and a "what if" situation between two of the world's leading historical figures.

I've always loved movies like this where there are minimal characters in a minimal setting. Most often it's a play that has been transposed to film... I don't know if this ever was a play, but it would transfer well to the stage.

I was in school (west coast of North America) during the 70s so Ireland was prominent in the news, and we covered it in current affairs, but like most school-taught history and history-in-the-making , it wasn't "alive" to kids on the other side of the planet. It's amazing I ever did fall in love with history! In an unrelated moment a few days ago, I discovered on Ancestry that I had some ancient Irish ancestors which I never knew about before. The last couple of days I've been online and on podcasts learning some about the history of Ireland. I've probably learned/*registered* more in the last few days than I ever knew prior. It's fortuitous that I stumbled across this movie on Netflix.

While flipping through Netflix I had gone past a bunch of things I had already seen...and completely forgotten, and I was bemoaning the quality of things available. However, *this* movie I will never forget, and I'm so glad I decided to watch it! I just finished it and I will take some quiet time to think on it some more, as well as both the folly and miracles of flawed humankind.

A beautiful movie, brilliantly constructed. And yes, I was choked up at the end.

Great acting performance from the two leads, and some enjoyable moments.

For me though the plot is contrived and not really believable enough to fully enjoy. Strangely the intellegence team (including a panicky Tony Blair) keep interrupting the action with lines like "What are they doing? Are they going to do it?" I don't know what purpose this all serves. The film has already nicely explained what is at stake at the beginning. The real story is Paisley and McGuiness, not the worries of the driver's handlers. It's quite jarring to be taken out of the main story back to this side show. The character of driver is not interesting. Perhaps someone with a personal story and a stake in the events. It's a bit odd that such a junior member of staff would be driving them, and also not know how to change a tyre. Some enjoyable scenes but I didnt find the plot credible.

I worked in broadcast during this historical time in Northern Ireland and knew both of these men. The acting and accents, mannerisms are absolutely as spot on as it can possibly get. Colm Meaney pulls off the Derry accent very well for a Dublin man and Spall gets all the inflections of big Ian's Belfast brogue. I think both of those men would perhaps enjoy the job the filmmakers made of them: "So they would"! Definitely a movie well presented and well researched. Worth watching: So it is!