The Break

I like crime/ drama/ thrillers very much. And I do love Europpean take on that area of tv, however, I didn't expect what I have experienced while watching that one. It was deeply disturbing, with some graphic scenes and pretty much depicting human filth in all possible forms. It was very depressing in that extent. And although I watched it awaiting the solution for the whole time - right until the very end, I wouldn't return to re-watch it because I felt exhausted, as if I was in that small town, at the time of those events. For those wo will think "So it's not worth watching" I say - that only proves how good the story is written and executed. Yoann Blanc's acting is a-ma-zing, he presented the rapid mental deterioration in a very beliavable way. His growing suspiciousness is shared by the viewers, although you do realize that he overdoses time and time again and that pills push him over the edge. But you still keep on watching to see whether he was right, what will happen with him... I highly recommend, however - bear in mind that it's not a relaxing tv show for Sunday binge-watching.

After trying several series on Netflix that didn't appeal to me, I decided to give the recently added La Trêve ('The Break') a try.

The first episode seemed like an exploration of the characters by the actors and creators, and it felt good. My curiosity was awakened and I looked forward to the next episode.

La Trêve turned out to get better with every episode. The brooding atmosphere and intriguing characters started to crawl under my skin. The main actor - Yoann Blanc - established an admirable performance. His character gets more and more intense as the series progresses. But just about every actor shines in La Trêve.

The story development is gripping, with several plot twists that leave the series relatively unpredictable until the end. I loved the aerial shots of the beautiful Ardennes scenery, adding a sense of mystery to the story. The atmospheric soundtrack really completes the dark, slightly surreal impression of La Trêve.

What I loved most is the dark, fatalistic tone that effectively surfaces more and more throughout the series, giving you an uncanny feeling of inevitable, impending doom as Yoann gets closer to solving the murder case, unveiling the hidden, twisted secrets of several village inhabitants.

If I'd have to say something negative about La Trêve, I'd reluctantly admit that some of the plot twists were a bit far-fetched. But the plot twists also kept the story thrilling. I'm also sad to confess that in my humble opinion, season two could not live up to the excellence of season one.

La Trêve (season one) is a fine example of what is labeled as New Belgian Noir. An interesting, dark blend of elements from Twin Peaks, True Detective and Broadchurch.

My wife and I really liked the series for a while, but it went down hill in the second half of the season. The lead detective's behavior became so unstable and unprofessional that it wouldn't have been tolerated. Plus, the ending was rushed and not very believable. We would have given it an 8.0, but dropped it to a 7.0 as the season drew to an end.

I enjoyed the series thoroughly, completeing it within a few days. I loved all the dark forest shots, some of the creepy dreams, the somewhat satisfying twists where justice is served. Lots of good characters and good plotlines, but Peeters gets to be exhausting and it doesn't feel like the people who are supposed to keep him in check but don't ever get checked for it. I loved Driss' character. I loved how fully fleshed out he was, how present in each episode rather than becoming the dead black guy. The very final twist is my only disappointment - didn't make sense, served too abruptly...

The similarities are unavoidable. A recently disgraced big-city cop moves to a small town just in time to lead an investigation in a rare murder. With a resentful less-experienced partner he uncovers a lot of uncomfortable secrets about a community in which anyone can be a suspect. But a show doesn't have to be wholly original to be good. Just look at the two separate high-quality adaptations of the Danish series "The Bridge". Besides all a mystery series has to deliver is: an identifiable victim, plenty of suspects, and multiple twists. On these three fronts "La Treve" fully succeeds. Not to mention it does plenty to distinguish itself from that similar BBC series. Surprisingly it has an even darker view of humanity. As the unstable detective pessimistically asserts to his underling "Anyone is capable of murder". A point that is driven home hauntingly by beginning nearly every episode with a different character's nightmare of how they might be involved. Not to mention the fact that the entire series is told in retrospective from a mental hospital, where the main character has found himself following the events of the story. Yoan Peeters was a detective on the rise in Brussels until he got four members of his squad killed when he ordered them into a drug den without waiting for back-up. Like everything else in this series it is much more complicated than it first appears. But with that cloud hanging over his head he returns to his childhood home of Heiderfeld, with his sullen daughter who missed the big city even before she left. He hasn't even reported to work yet when the overwhelmed young detective Sebastian Drummer conscripts him into helping with a just discovered dead body. Most of the force has never dealt with such a situation and they need help. This series makes a better case than most crime shows about how resources and finances dictate the level of police-work. When it looks like this was a suicide the Chief cancels an autopsy, not because he's trying to cover anything up, but because the town can't afford it. The unspoken villain of the series is poverty. Poor economics has forced many in this simple town to succumb to various forms of corruption. The only dependable income for some residents seems to come from strong-arming farmers to sell for the new electric dam or throwing a soccer match to benefit mob gamblers. The latter of which may have contributed to the murder of the preeminent defender of the local club. Seen only in video messages to his family and the aforementioned dream sequences his name was Driss Asani, a drafted prospect from Africa; and as you may have guessed his death doesn't stay ruled a suicide. Yoann's detective acumen finds more than enough evidence of homicide and even more possible suspects. For a quiet rural community it certainly has more than it's share of decidedly modern eccentrics. Peeling away the placid exterior of the community certainly reveals a lot of shady characters that are not eager to share their secrets with the police. But does having something to hide automatically make someone a murderer, as the amphetamine-fueled Yoann too often accuses. Or are they all guilty of feeding a growing monster of corruption that would eventually require a human sacrifice for their collective sins. Yoann's investigation creates much more damage than it ever does justice. It leaves no one unscathed, especially himself. But this unflinching look at the desperate people created by desperate times does prove that his cynical observation was correct. Anyone is capable of murder.