29 समीक्षाएं
The focus is on the two leads that are on the run from assassins. Now, the reason to why they meet and have to flee together is probably the most far fetched I've seen. Other than that the story holds up. The movie does not try to make suspense every corner but instead focus on building the characters from their dialog and actions. If you only like action and less talking, this is not the movie for you.
The somewhat dorky dialog evolves as the characters warm up to each other. Some would say the dialog was boring of coarse, to me it felt more real than most other movies in the genre.
A lot of story probably got cut along the making process. There were several things I felt was left out that could have lifted the story.
The actors did a solid job, specially Katia Winter was really god portraying a tough skinned spy with a conscious. Simon Quaterman did a good job as the "out of his comfort zone"-wimp but were struggling at times when some purer emotions where required.
I enjoyed this movie, but I probably wont see it again.
The somewhat dorky dialog evolves as the characters warm up to each other. Some would say the dialog was boring of coarse, to me it felt more real than most other movies in the genre.
A lot of story probably got cut along the making process. There were several things I felt was left out that could have lifted the story.
The actors did a solid job, specially Katia Winter was really god portraying a tough skinned spy with a conscious. Simon Quaterman did a good job as the "out of his comfort zone"-wimp but were struggling at times when some purer emotions where required.
I enjoyed this movie, but I probably wont see it again.
- mattias-68850
- 25 जून 2022
- परमालिंक
This was interesting, where it was almost a how-to or how-not-to "spy".
Who and what to trust (no one!) and why.
There were no real surprises, as I watch a lot of these type of movies, but I like watching women kick butt! :) What was the most disappointing in this video, is how BAD the sound was - most especially on the female lead.
As she's having conversations in the same frame with other actors, THEY can be heard all right, but her sound is SO LOW!
Such a poor choice, as she's doing MOST of the talking.
I'd give the video a lower score JUST on this, but I don't want to rob the actors of their kudos for their efforts.
The acting was pretty good, over all.
Who and what to trust (no one!) and why.
There were no real surprises, as I watch a lot of these type of movies, but I like watching women kick butt! :) What was the most disappointing in this video, is how BAD the sound was - most especially on the female lead.
As she's having conversations in the same frame with other actors, THEY can be heard all right, but her sound is SO LOW!
Such a poor choice, as she's doing MOST of the talking.
I'd give the video a lower score JUST on this, but I don't want to rob the actors of their kudos for their efforts.
The acting was pretty good, over all.
Was drawn into seeing 'Negative', with a cool poster/cover, a promising trailer, an intriguing premise and as someone with a general appreciation for drama/thrillers. That it was low-budget, which from frequent personal experience is rarely a good sign due to that there are so many poor ones out there, made me though apprehensive.
It is sadly however yet another film seen recently, hence some reiteration because the exact same strengths and flaws are here present in those films, that to me was incredibly disappointing considering its potential which it doesn't do anywhere near enough with. 'Negative' is lacklustre, with so many huge flaws and doesn't do enough with its potential, which was hardly small. There is not much to recommend in 'Negative'.
Lets start with the positives.. The scenery is atmospheric and spooky, and is surprisingly well shot.
'Negative' also starts off promisingly, it does intrigue and it does have creepiness in parts.
There is the odd assured directing touches and Katia Winter is quite good.
Going on to the negatives, the story does feel over-stretched and some of it comes over as vague and under-explained in the last third where the film especially became duller, more predictable, more senseless and less unsettled and never gaining momentum. Too many characters are too sketchy and with nowhere near enough to make one want to endear to them. Their annoying and illogical decision making and behaviours frustrates.
Making the film feel bland and forgettable with not enough heart put into it. The effects are ropy at best, the sound quality is obvious and utilised cheaply (being too loud in the build ups and people's reactions) and excepting the quite good Katia Winter the acting isn't great, Sebastian Roche coming off worst, and the chemistry is bland.
Dialogue can be stilted and rambling while the pace and film drags on forever after such an intriguing start and doesn't recover. Even the ending however is botched, due to being so afterthought-like and with no sense of how to end it. Found too many of the supposedly shocking moments not surprising or scary and the supposedly creepy atmosphere dreary, due to the excessive obviousness, a lot of dumb and vague moments and explanations and the lack of tension and suspense.
A lot of 'Negative' has underdeveloped plot elements and often nonsensical and confusing character motivations, while too many of the things to make you shocked are far from creative or unsettling.
There is not enough threat here and what there is of it tends to be used poorly, while it is unimaginative and is more odd than scary or suspenseful, completely failing to show any sense of horror. Some badly sagging momentum too and a lot of weirdness. The direction is uneven, with some assured moments but a lot of ill-at-ease ones too.
Concluding, lacklustre but not without its moments. 4/10 Bethany Cox
It is sadly however yet another film seen recently, hence some reiteration because the exact same strengths and flaws are here present in those films, that to me was incredibly disappointing considering its potential which it doesn't do anywhere near enough with. 'Negative' is lacklustre, with so many huge flaws and doesn't do enough with its potential, which was hardly small. There is not much to recommend in 'Negative'.
Lets start with the positives.. The scenery is atmospheric and spooky, and is surprisingly well shot.
'Negative' also starts off promisingly, it does intrigue and it does have creepiness in parts.
There is the odd assured directing touches and Katia Winter is quite good.
Going on to the negatives, the story does feel over-stretched and some of it comes over as vague and under-explained in the last third where the film especially became duller, more predictable, more senseless and less unsettled and never gaining momentum. Too many characters are too sketchy and with nowhere near enough to make one want to endear to them. Their annoying and illogical decision making and behaviours frustrates.
Making the film feel bland and forgettable with not enough heart put into it. The effects are ropy at best, the sound quality is obvious and utilised cheaply (being too loud in the build ups and people's reactions) and excepting the quite good Katia Winter the acting isn't great, Sebastian Roche coming off worst, and the chemistry is bland.
Dialogue can be stilted and rambling while the pace and film drags on forever after such an intriguing start and doesn't recover. Even the ending however is botched, due to being so afterthought-like and with no sense of how to end it. Found too many of the supposedly shocking moments not surprising or scary and the supposedly creepy atmosphere dreary, due to the excessive obviousness, a lot of dumb and vague moments and explanations and the lack of tension and suspense.
A lot of 'Negative' has underdeveloped plot elements and often nonsensical and confusing character motivations, while too many of the things to make you shocked are far from creative or unsettling.
There is not enough threat here and what there is of it tends to be used poorly, while it is unimaginative and is more odd than scary or suspenseful, completely failing to show any sense of horror. Some badly sagging momentum too and a lot of weirdness. The direction is uneven, with some assured moments but a lot of ill-at-ease ones too.
Concluding, lacklustre but not without its moments. 4/10 Bethany Cox
- TheLittleSongbird
- 3 जुल॰ 2018
- परमालिंक
A negative rating for Negative.
I'm not sure what accomplished director/producer/cinematographer Joshua Caldwell was thinking taking on this project.
This film has got to be the epitome of terrible writing and should be a classroom example of 'what not to do' when writing a screenplay. Why would Joshua take on (clearly) amateur writer Adam Gaines script is beyond me. Even his good directing and excellent cinematography could not save this disaster.
Aside from the super obvious plot holes and very poor story overall, the dragged-out unnecessary dialogue made this film unbearable and extremely boring. The way too long 1h 39min film length felt like 4 hours and I found myself saying "get on with it already, who cares!" when the two leads would just ramble on about nothing relevant. This movie may have been interesting if it was a 30 min short film (which oddly enough is the only minimal writing experience Adam Gaines has).
The acting was decent and Katia Winter was very easy on the eyes to look at, but her chemistry with Simon Quarterman was very unconvincing. Maybe it was the boring dialogue they had that made their chemistry absent.
Even the maybe total of 10 minutes of action scenes were overly dragged out. The rest of the film was primarily useless garbage dialogue with absolutely no point to the story - start to finish.
Don't waste your time with this one. See the trailer, and that's all the good and interesting parts you'll need to see.
This gets a 3/10 strictly for the directing and cinematography.
I'm not sure what accomplished director/producer/cinematographer Joshua Caldwell was thinking taking on this project.
This film has got to be the epitome of terrible writing and should be a classroom example of 'what not to do' when writing a screenplay. Why would Joshua take on (clearly) amateur writer Adam Gaines script is beyond me. Even his good directing and excellent cinematography could not save this disaster.
Aside from the super obvious plot holes and very poor story overall, the dragged-out unnecessary dialogue made this film unbearable and extremely boring. The way too long 1h 39min film length felt like 4 hours and I found myself saying "get on with it already, who cares!" when the two leads would just ramble on about nothing relevant. This movie may have been interesting if it was a 30 min short film (which oddly enough is the only minimal writing experience Adam Gaines has).
The acting was decent and Katia Winter was very easy on the eyes to look at, but her chemistry with Simon Quarterman was very unconvincing. Maybe it was the boring dialogue they had that made their chemistry absent.
Even the maybe total of 10 minutes of action scenes were overly dragged out. The rest of the film was primarily useless garbage dialogue with absolutely no point to the story - start to finish.
Don't waste your time with this one. See the trailer, and that's all the good and interesting parts you'll need to see.
This gets a 3/10 strictly for the directing and cinematography.
- Top_Dawg_Critic
- 19 सित॰ 2017
- परमालिंक
I watch a lot of movies and I like to give them all a chance just in case there is something interesting or exciting to warrant a viewing Unfortunately this movie has none of these features it is pointless and offers nothing in the way of story line,acting or direction The plot is non-existent with the actors just going through the motions and the dialogue is sooo boring its embarrassing. I wish the previous reviewers had posted earlier as this would have saved me 95 mins of my time
- pensterlab
- 20 सित॰ 2017
- परमालिंक
Crap, crap and totally crap. Did I mention this film was totally crap? Well, it's totally crap 👎
- oleingenaess
- 30 नव॰ 2018
- परमालिंक
Not a bad movie, typical 'on the run ex-agent' movie with a reasonable storyline. The acting is a bit one dimensional but, at least where Katia Winter is concerned, that seems more down to the script that has her talk like an automaton for the first 75% of the movie. I get get it, she's supposed to be a ruthless professional but it sounds too strained. The single most annoying thing that really spoils the movie though is the male 'lead'. Seriously, a more pathetic excuse for an individual you've never seen, immature, gutless and pathetic he literally does nothing but whinge and bleat throughout the entire movie. Obviously the story needs this individual to be 'normal' and in awe of Natalie but his 'total 24/7 wimp' persona was way overdone and makes him outright annoying to the point of spoiling the movie which would otherwise have been OK, but no more than OK.
The guy still used a cheap, out-dated film camera took pictures? Still got dark room with red light to develop his films? Wow, if the story background is in the 80', I might buy the whole story more willingly. As to the storyline itself, that guy just took pictures randomly in the street, and he randomly took a picture of a woman in the park, then went home to develop what he took that day. Then the woman just showed up, knocked his apartment door and asked him to give her the negative. This is when I WOWed again. Then the so-called two killers, one male and one female Columbian Cartel, just like her showed up at this guy's apartment. Then well, she forced this guy to run away with her to Phoenix, Arizona. The storyline and the scenarios simply got so many loopholes that even a moron would find it difficult to swallow. She had already burnt and dumped everything she used to have, credit cards, phone, SIM card, passports, flash drive...whatever, there's no electronic chip planted under her skin, so why these two Columbian killers could still so easily follow up her trail? Why the British intelligence got to do business with the Columbian Cartel? Why she had to force this deadbeat so-called photographer to run away with her? Just because if without taking a male on the road trip and two assassins chasing after her, the story simply would become impossible to develop?
Bad movies are always full of holes without any logic, this film, although shot with some beautiful road scenes, sunrise and sunset, desert....yet the whole story was just based on a ridiculous ground. The two leading roles, the so-called British agent (Spy? For what?!) and the down-and-out photographer, actually performed pretty good, but again, if the premises of the storyline are ridiculous, there's no way to make them great. When films have to force the viewers to abandon their I.Q. and basic logic senses, they are just BAD films, and this one is no exception.
Bad movies are always full of holes without any logic, this film, although shot with some beautiful road scenes, sunrise and sunset, desert....yet the whole story was just based on a ridiculous ground. The two leading roles, the so-called British agent (Spy? For what?!) and the down-and-out photographer, actually performed pretty good, but again, if the premises of the storyline are ridiculous, there's no way to make them great. When films have to force the viewers to abandon their I.Q. and basic logic senses, they are just BAD films, and this one is no exception.
- MovieIQTest
- 18 सित॰ 2017
- परमालिंक
I rarely stop watching a movie although how crappy it is. Well for this one I made an exception since its beyond boring. I cant leave long reviews so this is it.. SKIP IT
- whatismaddy
- 15 अप्रैल 2018
- परमालिंक
Katia Winter star in this understated, psychological thriller about a British operative who ends up having to confiscate a negative from a freelance photographer of a picture he took of her in order to remain as a ghost from those who are seeking to kill her. In the process, both she and the reluctant photographer find themselves on the run. Directed by Joshua Caldwell who also directed Be Somebody (2016), a comedy romance drama that also happens to echo a similar understated tone and offers a refreshing diversion into a more realistic interplay between characters that Negative presents. Negative together with Jennifer Lawrence in Red Sparrow (2018) and Daryl Hannah in The Job (2003) allow female assassin or professional agents that emphasize the psychological drama over the intensity of special effects, explosions, and action scenes of over the top mass killings or hand to hand combat in a choreographed martial arts. At the same time, the sustainability of audience's interest is made much more difficult, especially with the marketing of Negative's trailer with emphasized the action portion of the movie much to the disappointment of a good segment of the audience.
The more authentic characters in this movie provide the audience with a more thoughtful movie about human character though the movie struggles to balance the tension along with the somewhat superficial assumption of how these two people are so easily followed. Other similar movies have been able to incorporate rather more stylized plots or characters in their own psychological drama versions of this genre such as The Numbers Station (2013), The Tailor of Panama (2001), The American (2010), and Eye of the Needle (1981) or comedic versions of this genre such as Miss Meadows (2014), The Matador (2005), Wild Target (2010), Daisy & Violet (2011), and In Bruges (2008). Negative instead remains faithful to its depiction of what might be considered authentic humans whose live intersect in psychologically traumatic ways and how they individually and collectively cope with it.
The more authentic characters in this movie provide the audience with a more thoughtful movie about human character though the movie struggles to balance the tension along with the somewhat superficial assumption of how these two people are so easily followed. Other similar movies have been able to incorporate rather more stylized plots or characters in their own psychological drama versions of this genre such as The Numbers Station (2013), The Tailor of Panama (2001), The American (2010), and Eye of the Needle (1981) or comedic versions of this genre such as Miss Meadows (2014), The Matador (2005), Wild Target (2010), Daisy & Violet (2011), and In Bruges (2008). Negative instead remains faithful to its depiction of what might be considered authentic humans whose live intersect in psychologically traumatic ways and how they individually and collectively cope with it.
- plasmapilot-97398
- 11 जुल॰ 2022
- परमालिंक
'Negative' is a dialogue film about trust and courage presenting opposite characters on the run from a cartel. There are several well- acted scenes, and others that seem like alternative shots better left out. While some plot elements seem contrived, the direction and choreography work in the movie's favor to drive a sequence of captivating themes by way of conversation that trample the sleaziness and pretentiousness of lesser films, all with the backdrop of a majestic desert that connects Los Angeles and Arizona.
- drewwes-22314
- 21 सित॰ 2017
- परमालिंक
Well. What did I just watch ?
I'm not sure if I can find words to describe this train wreck.
So, a ramdom dude takes a photo of a random woman in a park. All the mess starts there.
The same woman knocks on the dude' door because...of convenient script. Minutes later, two people (killers) are coming to the dude's door too because of... convenient script.
No action there. Woman and dude take a car and drive away. Still nothing happens.
Half the movie, they finally met an old friend of the woman because of... convenient script.
A few stupid and useless speaking about food or dogs starts there. What's the point ? Guess it's because amateurish script.
There starts a fight between the woman and her "friend". What the what ? The man is way more muscular than her : check their arms o_O The photograph takes a little punch in the face and get instantly knocked out : but the woman can take 3 punches in the face, but no problem at all. Easy peasy because of... convenient script.
Then (because the mess isn't over yet), the two "killers" comes. They are smarter than James Bond, so they park their car in front of the entrance door, because of...convenient script.
The woman gets a plan : we run into the desert, and turn a flashlight on. This way, we will lure the baddies to an empty space. Wait. Seriously, it's your plan ?!? Finally, the photographer shoots the bad lady, because of...convenient script. The woman kills the bad guy who is telling her a few nonsense lines.
OMG. Now, they're safe, and they split. The end.
So, a ramdom dude takes a photo of a random woman in a park. All the mess starts there.
The same woman knocks on the dude' door because...of convenient script. Minutes later, two people (killers) are coming to the dude's door too because of... convenient script.
No action there. Woman and dude take a car and drive away. Still nothing happens.
Half the movie, they finally met an old friend of the woman because of... convenient script.
A few stupid and useless speaking about food or dogs starts there. What's the point ? Guess it's because amateurish script.
There starts a fight between the woman and her "friend". What the what ? The man is way more muscular than her : check their arms o_O The photograph takes a little punch in the face and get instantly knocked out : but the woman can take 3 punches in the face, but no problem at all. Easy peasy because of... convenient script.
Then (because the mess isn't over yet), the two "killers" comes. They are smarter than James Bond, so they park their car in front of the entrance door, because of...convenient script.
The woman gets a plan : we run into the desert, and turn a flashlight on. This way, we will lure the baddies to an empty space. Wait. Seriously, it's your plan ?!? Finally, the photographer shoots the bad lady, because of...convenient script. The woman kills the bad guy who is telling her a few nonsense lines.
OMG. Now, they're safe, and they split. The end.
- nogodnomasters
- 7 अक्टू॰ 2017
- परमालिंक
Everything about this screams "B" movie! The only thing missing are the seats & funny riffs from MST3K
- DrDiChadwell
- 26 दिस॰ 2020
- परमालिंक
This movie is about a little girl trying to act like a man. This only works in the movies ladies. Try it in real life and that male "hostage" would have you out cold in a heartbeat.
- SaviorsCameraMan
- 19 नव॰ 2018
- परमालिंक
- BullMooseWV
- 17 अग॰ 2022
- परमालिंक
- drewmail-44554
- 4 अक्टू॰ 2020
- परमालिंक
This is a movie that was pitched and nobody was permitted to ask questions. Such as, how does this woman find the home of a guy, how do the baddies find her so fast?
This is just in the first 5 minutes. More obvious questions arise over and over, and this is what is known as a plot hole, where nothing makes sense, it just happens.
Some cool background film settings but nothing can overcome the poor pointless dialogue. The 10 minute fight scene that's as fake as can be. More bad dialogue. Some action. The end.
This one gets one star, if only to provide a template for what can go wrong when the script writer lacks the mental capacity to think.
This is just in the first 5 minutes. More obvious questions arise over and over, and this is what is known as a plot hole, where nothing makes sense, it just happens.
Some cool background film settings but nothing can overcome the poor pointless dialogue. The 10 minute fight scene that's as fake as can be. More bad dialogue. Some action. The end.
This one gets one star, if only to provide a template for what can go wrong when the script writer lacks the mental capacity to think.
- Xavier_Stone
- 25 अग॰ 2023
- परमालिंक
Loved this movie. Joshua Caldwell actually takes the time for the audience to get to know and understand the characters so you care about them once things get tense. Most Hollywood movies could take note. The action is well done, performances are spot on and I love the little details throughout the movie that add suspense and character. Most films like this would jump straight to the next location. Instead we get to see how things develop for the characters. Very well done, beautifully shot and excellent editing as well.
- bchaffin23
- 14 अक्टू॰ 2018
- परमालिंक
Have to write to defend this... it's a perfectly decent film.
Katia Winter (Natalie) is good, captivating even, and everyone else is fine where, except for the photographer, they perform calm, minimalist characters. It fits with the mood of the film, some nice contemplative scenes, and dialog that, while others have said is weak, is also fine. Bits of mundane, predictable conversation isn't so far from real life I suspect, and I think it adds to the film, to keep it 'small'.
Not sure I know what cinematography really is, nor directing for that matter, but it seems relatively well put together.
I would agree that the weakness is the story logic, It almost worked that there was no time spent showing how the pursuers were tracking our leads, but not quite. Even a scene or two of them just asking a shop employee or two would have been enough (there was a nice moment where the male pursuer chats to a little boy tho). But ultimately, never saying how Natalie found our photographer or why it would matter so much to our pursuers kind of gnawed at me.
Katia Winter (Natalie) is good, captivating even, and everyone else is fine where, except for the photographer, they perform calm, minimalist characters. It fits with the mood of the film, some nice contemplative scenes, and dialog that, while others have said is weak, is also fine. Bits of mundane, predictable conversation isn't so far from real life I suspect, and I think it adds to the film, to keep it 'small'.
Not sure I know what cinematography really is, nor directing for that matter, but it seems relatively well put together.
I would agree that the weakness is the story logic, It almost worked that there was no time spent showing how the pursuers were tracking our leads, but not quite. Even a scene or two of them just asking a shop employee or two would have been enough (there was a nice moment where the male pursuer chats to a little boy tho). But ultimately, never saying how Natalie found our photographer or why it would matter so much to our pursuers kind of gnawed at me.
No grip in story. Pathetic acting by main actress. The guy with her more worse. If you have nothing too watch still do not watch it because it has no grip at all. Specially in one scene where they engage to help a damsel in distress looks so awful. Scenes shot are not good to be seen again. Main actor looks tired exhuasted in whole movie. Now she is taken someone along being such hot shot agent she is giving such stupid actions. So loose ends in movies that it makes me think why was it even made. So it is waste. I had to drag movie to see might at some point it be interesting but still it was draging and boring. Even dialogues seem too much annoying.
- stevegill-44313
- 20 दिस॰ 2022
- परमालिंक