Lady Dynamite

Lady Dynamite is basically a cast of some of the funniest comedians, crushing it. Maria Bamford's references to mental illness are funny without making light of the struggles. This shines some real light on the relationship dynamics that exist because, well, we're all crazy! Cute innuendo throughout, like Deebag's cafe. Some of their material is so random it doesn't seem like it would be funny, but it is. Fred Melamed's character is great. Must watch... I'm binge watching this right now. One note though, the theme song basically makes me want to stick pencils in my ears and push hard. They seem to have made it even longer after the 11th episode. Gotta change that up to avoid accidental self inflicted ear injuries. Other than that great show.

I happened to love this show and have rewatched several episodes and I laugh every time. Maria is truly a complex individual. She's got absurdist humor with a touch of black comedy so if you don't appreciate that, please don't bother watching. She doesn't seem to try to sell any kind of wokism as some reviewers indicated, she just wants to be a decent person to the characters she encounters. The theme song refrain is "I don't know what I'm doing, more than half of the time". Maria struggles with mental illness but it isn't the defining characteristic of her personality. She simply understands that there is really no RIGHT way to deal with this messed up world. Personally, I find her social commentary on the show absolutely BRILLIANT.

For those advising others not to watch: just because you don't get it doesn't mean "IT" isn't there.

This show is amazing. It's certainly surreal, but the characters are well developed and every episode stands alone. The show is produced by the producers of Arrested Development and you can definitely see their influence here. Lots of puns, sight gags, and intelligent writing.

I loved the story arc of Maria's relationships and if you've ever had anxiety or known someone who did, this show is extremely relatable. It's not for everyone, but those who get it will love it. Also: Dean Cain! Patton Oswalt! Bridget Everett! Fred Melamed! It's not your typical stand-up show. I had only kind of heard of Maria Bamford before watching Lady Dynamite and now I want to see her whenever and wherever she performs. Just watch it already.

Lady Dynamite is so zany and out there that it was a little difficult to get a grasp on when I first watched it. Ironically, my difficulty with the material wasn't because there's nothing like it on TV but because I saw traces of nearly everything else on TV: The cutaways of 30 Rock, the awkward attempts at social justice statements from Master of None, the use of a comedic veneer to mask trauma that's shown on Unbreakable Kimmy Schmidt, the 4th wall randomness of Man Seeking Woman or Family Guy, and the feminist celebration of woman as proudly dysfunctional adult from Broad City. That's not even bringing up the long list of shows that feature a comedic actor playing exaggerated versions of themselves pursuing showbiz start-up that starts with the Larry Sanders Show and goes all the way up to Comedians, Difficult People and Garfunkel and Oates (all relatively stale editions of the genre because all the good plots in this genre have been used up).

Welcome to Peak TV: Where the overabundance of innovative voices on TV makes it harder to stick out and a comic voice as original as Maria Bamford is penalized for not coming out five years ago.

What's good news is that a lot of these complaints are less valid after a scattershot pilot that's loaded with every gimmick imaginable. After that, the show starts to even out and one can see some of the better creative decisions behind the show. It helps to separate the show from other entries in the "comedians playing themselves" genre in that Bamford isn't trying to advance her show business career at all. At times, she seems blissfully ignorant of exactly how well she's doing (her faux sister Susan is alarmed at how much she makes at a studio session). In another episode, she turns down Judd Apatow because in that particular episode, her new focus on life is about doing as little as possible in life. After a few episodes, one can better make the argument that this even if it's a clichéd genre, Bamford's work is the ultimate personal statement: Maria Bamford is simply figuring out her life and way of expressing it on screen as she goes along.

The show is a bit hit-or-miss on the strength of its plots but it helps that the 2nd and 3rd episodes-- dating a bisexual guy, trying to form a family band, and awkwardly attempting to be politically correct-- are winners.

It's hard to describe what this show is, so many levels of comedy and drama, but it works.

Maria Bamford suffers from bipolar disorder, and this show is a semi-coherent fictionalized depiction of her life, how her career operates, her family, and the various people she interacts with in the entertainment industry.

Flitting back and forth in time, each episode covers a specific narrative, should she date this guy, is she going to get the big movie role, is she objectively funny, etc., but each is framed in the roller coaster of emotions that make up her mental state. When she's manic, it's a little off putting, and when she's depressed, it's sad, but her support system of friends, parents, agents and various helpers sort of keep her on track, sort of.

For those unfamiliar with Maria, dial up one of her standup shows so you get some feel of who she is before you dig in to this show. She is about as "alt" as "alt comedy" can be, but she has crafted a stage show and a persona that are truly endearing and entertaining.

Unlike other entertainers who suffer from mental illness and hide it, Maria embraces it, and this show to some degree gives us the world seen through her eyes.