अपनी भाषा में प्लॉट जोड़ेंCharlotte accepts a job at a large country home to watch a couple's cat whilst they are away. However the Gothic old house may contain more than just a cat, as seemingly supernatural forces ... सभी पढ़ेंCharlotte accepts a job at a large country home to watch a couple's cat whilst they are away. However the Gothic old house may contain more than just a cat, as seemingly supernatural forces take hold of Charlotte's mind and body.Charlotte accepts a job at a large country home to watch a couple's cat whilst they are away. However the Gothic old house may contain more than just a cat, as seemingly supernatural forces take hold of Charlotte's mind and body.
फ़ीचर्ड समीक्षाएं
Is bad acting subjective, I don't think so, but it seems that a lot of reviewers don't know what bad acting is, I've been watching movies for 40 years and I know bad acting when I see it, I read the reviews of this movie and I've come to the conclusion that a quite a bit of them are written by people with mental issues, having said all that this isn't that bad and is worth a watch, I gave it a 5 which makes it a fairly average, but not bad, like I said most of the reviews are by people with hang ups or they just don't know what they're talking about, sorry kinda went on a rant, but judgemental people shouldn't do reviews, they can't be objective.
The movie just for looking at the actress, (she's completely beautiful) would be a 10. It's about demons or how much would a person be into a sexual relationship with that demon. After being forced the initial contact, she then goes after the demon to get some action...or was it she was dreaming it??? idk I got lost looking at the actress Aisling Knight. Also thru out the movie there's an underlying issue of this chicks boyfriend pressuring her into sex. So maybe the demon sex was just her sexual frustrations which then makes it an even more interesting movie. I guess it's all how u look at it. One way, ridiculous, the other way and there's something there that many movies have not touched on. By the end the movie does lean toward the sexually frustrated part, bcuz we all know there r really no demons lol.
'Darkness Wakes' drew me into seeing it, with a cool poster/cover, an intriguing if not particularly original premise and as someone with a general appreciation for horror. That it was low-budget, which from frequent personal experience is rarely a good sign due to that there are so many poor ones out there, made me though apprehensive as well as the low rating and poor reviews.
It is sadly however yet another film seen recently, hence some reiteration because the exact same strengths and flaws those films have are present here, that to me was incredibly disappointing considering its potential which it doesn't do anywhere near enough with. 'Darkness Wakes' is terrible, with a plethora of problems (huge ones too) and doesn't do enough with its potential, which was hardly small. There is next to nothing to recommend.
Lets start with the sole positive. The setting is atmospheric and spooky.
Unfortunately, it is not done justice by the rather direct to video schlocky way it's shot and edited and the drab colour palette, so much so it was hard to appreciate it, it was very clear that the film was made in a rush with no care or enthusiasm. In particular, the camera work was a nauseous assault on the eyes with its excessive amateurish-ness.
Going on further to the negatives, the story does feel paper thin, disjointed and over-stretched and some of it feels vague, under-explained in the last third where the film especially became duller, more predictable, more senseless and less scary. Too many characters are too sketchy and with nowhere near enough to make one want to endear to them. Their annoying and illogical decision making and behaviours frustrates.
Making the film feel bland and forgettable with not enough heart put into it. The effects are ropy at best, the sound quality is obvious and utilised cheaply (being too loud in the build ups and people's reactions) and it's best not mentioning the uniformly lumbering and histrionic acting that shows a huge indifference to the situation and what is going on and extremely awkward prolonged pauses.
Dialogue can be stilted and rambling, with lots of clichés, lots of unintentional humour that makes some of the film play like a really bad spoof and no depth whatsoever, while the pace goes to a standstill very quickly and drags on forever with very little going on worth caring about and useless padding, never recovering. Found too many the supposedly shocking moments not surprising or scary and the supposedly creepy atmosphere dreary, due to the excessive obviousness, a lot of dumb and vague moments and explanations and the lack of tension and suspense. Would not have minded the lack of originality (the film is extremely derivative and in a dumbed and watered down way) if the story and atmosphere were at least alright in execution, in reality they were both very poorly done.
A lot of 'Darkness Wakes' has underdeveloped plot elements and often nonsensical and confusing character motivations, while too many of the things to make you jump or shocked are far from creative or scary and are pretty tame. The ending makes the film finish on an incomplete and confused whimper.
There is not enough threat, and what there is of it tends to be used poorly, it is completely unimaginative and more odd than creepy, completely failing to show any sense of horror or creativity. Everything here is neither creative, suspenseful or nail-biting. Some badly sagging momentum too. The direction is leaden and like their heart was not in it or ill at ease, with the chemistry between the characters and actors coming over as constantly random and aggressive with the subtlety of an axe.
Overall, awful with no redeeming value apart from an element that is difficult to appreciate with it being complemented so badly. 1/10 Bethany Cox
It is sadly however yet another film seen recently, hence some reiteration because the exact same strengths and flaws those films have are present here, that to me was incredibly disappointing considering its potential which it doesn't do anywhere near enough with. 'Darkness Wakes' is terrible, with a plethora of problems (huge ones too) and doesn't do enough with its potential, which was hardly small. There is next to nothing to recommend.
Lets start with the sole positive. The setting is atmospheric and spooky.
Unfortunately, it is not done justice by the rather direct to video schlocky way it's shot and edited and the drab colour palette, so much so it was hard to appreciate it, it was very clear that the film was made in a rush with no care or enthusiasm. In particular, the camera work was a nauseous assault on the eyes with its excessive amateurish-ness.
Going on further to the negatives, the story does feel paper thin, disjointed and over-stretched and some of it feels vague, under-explained in the last third where the film especially became duller, more predictable, more senseless and less scary. Too many characters are too sketchy and with nowhere near enough to make one want to endear to them. Their annoying and illogical decision making and behaviours frustrates.
Making the film feel bland and forgettable with not enough heart put into it. The effects are ropy at best, the sound quality is obvious and utilised cheaply (being too loud in the build ups and people's reactions) and it's best not mentioning the uniformly lumbering and histrionic acting that shows a huge indifference to the situation and what is going on and extremely awkward prolonged pauses.
Dialogue can be stilted and rambling, with lots of clichés, lots of unintentional humour that makes some of the film play like a really bad spoof and no depth whatsoever, while the pace goes to a standstill very quickly and drags on forever with very little going on worth caring about and useless padding, never recovering. Found too many the supposedly shocking moments not surprising or scary and the supposedly creepy atmosphere dreary, due to the excessive obviousness, a lot of dumb and vague moments and explanations and the lack of tension and suspense. Would not have minded the lack of originality (the film is extremely derivative and in a dumbed and watered down way) if the story and atmosphere were at least alright in execution, in reality they were both very poorly done.
A lot of 'Darkness Wakes' has underdeveloped plot elements and often nonsensical and confusing character motivations, while too many of the things to make you jump or shocked are far from creative or scary and are pretty tame. The ending makes the film finish on an incomplete and confused whimper.
There is not enough threat, and what there is of it tends to be used poorly, it is completely unimaginative and more odd than creepy, completely failing to show any sense of horror or creativity. Everything here is neither creative, suspenseful or nail-biting. Some badly sagging momentum too. The direction is leaden and like their heart was not in it or ill at ease, with the chemistry between the characters and actors coming over as constantly random and aggressive with the subtlety of an axe.
Overall, awful with no redeeming value apart from an element that is difficult to appreciate with it being complemented so badly. 1/10 Bethany Cox
Charlotte (Aisling Knight) takes a job as a cat sitter for a creepy wealthy couple and, immediately after they leave, she begins hearing strange noises coming from upstairs. Perhaps their dead son isn't so dead after all and still lives in the house?
Director Simon Richardson knows how to shoot a movie and build up a reasonable level of tension at times, but his screenwriting skills leave a lot of be desired. The story could be described as House of the Devil, but with a ton of unnecessary padding. Charlotte has a best friend character who could easily have been made for an extra slaying for the body count, but she ends up being pretty useless altogether except for one well done jump scare towards the middle of the film.
Thanks to this and other detours along the way, The Sitter feels endless at about 100 minutes and could benefit from a little editing. At least 10 or 15 minutes could be cut including a few visual interesting but pointless dream sequences that appear to exist only to remind you that you're watching a horror film.
If The Sitter wasn't so well produced, perhaps its story crimes would be forgivable, but it's so obvious that the production team put such great effort in making this as polished and visually pleasing as possible which makes you wonder why they didn't spend as much time on the script.
Director Simon Richardson knows how to shoot a movie and build up a reasonable level of tension at times, but his screenwriting skills leave a lot of be desired. The story could be described as House of the Devil, but with a ton of unnecessary padding. Charlotte has a best friend character who could easily have been made for an extra slaying for the body count, but she ends up being pretty useless altogether except for one well done jump scare towards the middle of the film.
Thanks to this and other detours along the way, The Sitter feels endless at about 100 minutes and could benefit from a little editing. At least 10 or 15 minutes could be cut including a few visual interesting but pointless dream sequences that appear to exist only to remind you that you're watching a horror film.
If The Sitter wasn't so well produced, perhaps its story crimes would be forgivable, but it's so obvious that the production team put such great effort in making this as polished and visually pleasing as possible which makes you wonder why they didn't spend as much time on the script.
The Sitter has quite a few ingredients that usually make for a mindlessly entertaining horror movie: there's a pretty girl in peril, a shower scene (actually, two shower scenes and a bath!), a cat scare, crazy locals, a dream within a dream (actually, I think there were two of those as well), some sex, and one of the characters says "I'll be right back", which means that they won't. Unfortunately, despite all of this, the film doesn't really succeed because they forgot one very important thing: a decent plot.
After psychology student Charlotte (Aisling Knight) has accepted a three day stint as a cat-sitter for a strange couple who live in a remote country house, the film goes absolutely nowhere for most of the remaining running time. The three days pass (slowly), with Charlotte suffering restless nights and hearing strange noises in the house, but otherwise nothing very notable happens (except, of course, for Charlotte's ablutions, and her sexy scene with boyfriend Seth, which are a welcome diversion from the tedium). Then, when the three days are up, Charlotte is abducted and tied up by the religious weirdos that live next door, who say that the girl is in great danger from the couple who hired her.
Charlotte escapes from her captors, only to find out that they were telling the truth: her employers turn out to be crazy cultists who intend to offer her to their hideously deformed son, who looks as though he might be possessed by a demon. At this point, I wonder why we had to wait three days for any of this to happen: if the couple had wanted to offer Charlotte to their son, why not do it straight away? Likewise, why did Charlotte's rescuers leave it three days before trying to whisk the girl to safety? And if they knew what was going on, why didn't they just call the police?
It's lazy writing and makes for a frustrating watch, a shame because Knight isn't a bad actress and deserved to be in a better film.
4.5/10, rounded up to 5 for IMDb.
After psychology student Charlotte (Aisling Knight) has accepted a three day stint as a cat-sitter for a strange couple who live in a remote country house, the film goes absolutely nowhere for most of the remaining running time. The three days pass (slowly), with Charlotte suffering restless nights and hearing strange noises in the house, but otherwise nothing very notable happens (except, of course, for Charlotte's ablutions, and her sexy scene with boyfriend Seth, which are a welcome diversion from the tedium). Then, when the three days are up, Charlotte is abducted and tied up by the religious weirdos that live next door, who say that the girl is in great danger from the couple who hired her.
Charlotte escapes from her captors, only to find out that they were telling the truth: her employers turn out to be crazy cultists who intend to offer her to their hideously deformed son, who looks as though he might be possessed by a demon. At this point, I wonder why we had to wait three days for any of this to happen: if the couple had wanted to offer Charlotte to their son, why not do it straight away? Likewise, why did Charlotte's rescuers leave it three days before trying to whisk the girl to safety? And if they knew what was going on, why didn't they just call the police?
It's lazy writing and makes for a frustrating watch, a shame because Knight isn't a bad actress and deserved to be in a better film.
4.5/10, rounded up to 5 for IMDb.
क्या आपको पता है
- ट्रिवियाThe film was shot in a house in Oxfordshire that has been notoriously haunted since the 1920s.
- गूफ़As Farrow shows Charlotte around, he enters the kitchen and points to his left, saying "Fridge". He is pointing at the cooker, and there is no fridge anywhere close to it.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Sitter?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- £18,50,000(अनुमानित)
- चलने की अवधि
- 1 घं 37 मि(97 min)
- रंग
- पक्ष अनुपात
- 1.78 : 1
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