We Are the Flesh

This film right here, it's by far one of the most surreal, nihilistic, & sexual theatrical experiences i've had. And that's kind of what makes it good? Aside from the confusing story, where this film takes the crown is it's unpredictability and it's cinematography. We Are The Flesh is just as confusing as it is shocking & beautiful. That being said, the plot itself lacks substance and an actual direction. If the ending could clear up how all of this takes place a little more, it'd make this experience a lot more complete.

This is a strange movie to say the least. I read some choice words from the director after I watched the movie and I'd still say that there is more to it than just the flesh you'll get to see. And you are going to see a lot of flesh and skin. This is very explicit to say the least. The three main characters have a strange relationship to each other and our main older guy is coming off as a creep.

But as I stated before, this was done to shock and also to appall, but also to really mess people up. You probably will have mixed feelings about the movie or just downright hate it. A movie that can create such passion in the viewer might be onto something. It's not about enjoying what you watch (especially the scenes of sexual nature are not really there to arouse, but rather to make one uncomfortable), but being taken someplace you don't want to be. It feels like this tries to convey a state of society that has gone way too far ... or maybe I'm reading too much into it ...

How can I like and not this film at all. I just don't really know what to say about this. Siblings feed into the depravity of humanity, by some insane man for food. That's the supposed story that can be deduced to. I felt emotionally disconnected to the proceedings after the movie veers off into an incoherent narrative. The insane man, Mariano, had something interesting to him, but, suddenly, we are plunged into supernatural incoherence. Lots of sex and symbolism kinda makes this film look pretentious. I wouldn't even want to say 'pretentious', because the film is pretty solid in its imagery and cinematography. But it's pretty much lacking in emotional resonance. Well, the symbolism could be that of insanity through pleasure, and how one would eat themselves and others while delving into insanity. One thing is that, I was not emotionally moved by the story. It was pretty confusing, and pretty insubstantial to warrant the need for another viewing to fully comprehend the narrative. Only, if there was one.

After seemingly wandering a ruined city for years in search of food and shelter, two siblings find their way into one of the last remaining buildings. Inside, they find a man who will make them a dangerous offer to survive the outside world.

For me, this film is all about the rich color of the cinematography (from Yollótl Alvarado), the depth of the sound (from Esteban Aldrete), and the overall atmosphere. I could have used a bit less dizzying camera movement, however, though it does have an underlying purpose. Whether you appreciate the plot and situations or not (and many will not), there is no denying the craft of the camera and sound.

Variety noted that the film was an "extreme Mexican fiesta of incest, cannibalism and explicit sex that should earn detractors and fans in equal measure." Other reviewers have called it simultaneously boring and shocking. It really is all these things... some moments were too much for me to really enjoy the picture, as the shock factor seemed gratuitous -- unlike the extremes of "Visitor Q" or "Salo", which have a clear satirical purpose.

Now, to be fair, "We Are the Flesh" does have its satirical moments. It has digs on "blind patriotism" and attacks the ritualism of religion, specifically Catholicism. As the film progresses, more of this is evident and we realize how much the social conventions and expectations are turned on their head. (Some of the most subtle moments are not even realized until we learn the "names" of the characters from the credits!)

"We Are the Flesh" made quite the impact during 2016 on the festival circuit. I had my first opportunity to see it at Montreal's Fantasia. There was never any doubt that it would be picked up for distribution, though it comes as a surprise that the ones who came along were Arrow Video. Arrow is without question one of the best film distributors in existence, but their focus tends to be classic cult, not contemporary.

Regardless, Arrow pulls all the stops with their Blu-ray. We have new interviews with the director and cast, as well as a highly enlightening visual essay from critic Virginie Sélavy, where she explains easily-overlooked symbolism and draws parallels to the work of Alejandro Jodorowsky. Perhaps best of all ,the disc has two other short films from director Emiliano Rocha Minter: "Dentro" and "Videohome", to really round out the experience.

I read a lot about this film before seeing it, and not many people had anything nice to say about it. It's being regarded as a crime against humanity! With that, I don't agree. I found the beginning to have been very well acted and the theme was setup well.

Then, it just goes off the rails in some surrealist artsy-fartsy direction that loses grip on what it was about in the first place (freedom = exploring the dark corners of your mind and embracing your taboo). It's not nearly as controversial as Serbian Film or Nekromantik, so if that's the hangup, people need to get over themselves. You spend 59 minutes of the 79 minute film not really knowing what is going on. All you can do is take in the pretty camera-work, which I thought was excellent. The musical selection was also really good. Basically, I wanted to hate this, but I'm able to easily find some noteworthy aspects to prevent me from throwing it away altogether.

This film is a bold slap in the face to the big studios who put out the same exercises in banality week after week. When you see the same romantic comedy and superhero movie over and over again, filmmakers tend to try to shock to get attention. Clearly We Are The Flesh accomplished that in spades with a mediocre film.