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Juste la fin du monde

  • 2016
  • 1 घं 37 मि
IMDb रेटिंग
6.8/10
26 हज़ार
आपकी रेटिंग
Juste la fin du monde (2016)
Bande-annonce [OV] देखें
trailer प्ले करें1:35
4 वीडियो
98 फ़ोटो
Drama

अपनी भाषा में प्लॉट जोड़ेंLouis (Gaspard Ulliel), a terminally ill writer, returns home after a long absence to tell his family that he is dying.Louis (Gaspard Ulliel), a terminally ill writer, returns home after a long absence to tell his family that he is dying.Louis (Gaspard Ulliel), a terminally ill writer, returns home after a long absence to tell his family that he is dying.

  • निर्देशक
    • Xavier Dolan
  • लेखक
    • Xavier Dolan
    • Jean-Luc Lagarce
  • स्टार
    • Gaspard Ulliel
    • Marion Cotillard
    • Léa Seydoux
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.8/10
    26 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Xavier Dolan
    • लेखक
      • Xavier Dolan
      • Jean-Luc Lagarce
    • स्टार
      • Gaspard Ulliel
      • Marion Cotillard
      • Léa Seydoux
    • 67यूज़र समीक्षाएं
    • 171आलोचक समीक्षाएं
    • 48मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 19 जीत और कुल 39 नामांकन

    वीडियो4

    Bande-annonce [OV]
    Trailer 1:35
    Bande-annonce [OV]
    Bande-annonce [OV]
    Trailer 1:35
    Bande-annonce [OV]
    Bande-annonce [OV]
    Trailer 1:35
    Bande-annonce [OV]
    It's Only the End of the World
    Clip 1:27
    It's Only the End of the World
    It's Only the End of the World
    Clip 1:58
    It's Only the End of the World

    फ़ोटो98

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 92
    पोस्टर देखें

    टॉप कलाकार13

    बदलाव करें
    Gaspard Ulliel
    Gaspard Ulliel
    • Louis
    Marion Cotillard
    Marion Cotillard
    • Catherine
    Léa Seydoux
    Léa Seydoux
    • Suzanne
    Vincent Cassel
    Vincent Cassel
    • Antoine
    Nathalie Baye
    Nathalie Baye
    • La mère
    Antoine DesRochers
    Antoine DesRochers
    • Pierre Jolicoeur
    • (as Antoine Desrochers)
    William Boyce Blanchette
    • Louis (15 ans)
    Sasha Samar
    Sasha Samar
    • Chauffeur de taxi
    Arthur Couillard
    Arthur Couillard
    • Petit garçon - avion
    Patricia Tulasne
    Patricia Tulasne
    • Hôtesse
    Emile Rondeau
    • Louis (5-6 ans)
    Théodore Pellerin
    Théodore Pellerin
    • Antoine (16-22 ans)
    Jenyane Provencher
    Jenyane Provencher
    • Jeune fille - trampoline
    • निर्देशक
      • Xavier Dolan
    • लेखक
      • Xavier Dolan
      • Jean-Luc Lagarce
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं67

    6.825.8K
    1
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    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    miaandruf

    Insultingly Bad

    Somehow even worse than your run-of-the-mill terrible movies. "Waterworld" and "Catwoman" are basically benign. Xavier Dolan, with his big name cast, his pretensions of art-house cinematography, his maudlin dialogue, and his iMovie sound mixing, really insults the moviegoers. He thinks we'll eat up this kind of crap-- and, if Cannes is any indicator, we totally have.

    I really think that the only real pleasure anyone can derive from watching this Lifetime-Movie-knockoff of a film is by turning around in your seat and watching everyone try to maintain the 'studious cinephile' straight face while watching a slow-motion tear fall from Vincent Cassel's eye. There's also a winning bit with the "Numa Numa" song played over images of children frolicking through a field at dusk. Nostalgia.
    10trekhyon5

    A mediocre play adapted with the vision of a genius

    I read Jean-Luc Lagarce's play "Juste la fin du monde" a while back and it didn't really make an impression on me. So I was quite intrigued and just a tiny bit worried when I learned that Xavier Dolan, possibly my favorite contemporary film director, was adapting this to me impenetrable text into a movie.

    I had confidence in Dolan's genius and was rewarded beyond expectations. The film is as magnificent as anything Dolan has created before. He has said in interviews that at first reading Lagarce's language- also off-putting for me- didn't impress him but that he discovered its power on second random reading. I'm grateful he did and that he has now shared this discovery with his audience with the aid of some truly superb acting performances.

    The very first scene establishes everything with narration by protagonist Louis (Gaspard Ulliel), a successful author who is flying to see his family for the first time in over a decade. Louis is dying. Dolan hides Ulliel's face with shadowy lightning and a cap as well as utilizes close-ups so extreme you can't get a proper feel of a face. The close focus continues in the following scenes of Louis's family, only to very gradually move away as the film progresses.

    Greeting Louis are his extravagant mother Martine (Nathalie Baye), his coolly detached younger sister Suzanne (Léa Seydoux), his dominant yet socially awkward older brother Antoine (Vincent Cassel) as well as Antoine's shy, even more socially awkward wife Catherine (Marion Cotillard).

    Dolan tends to depict extreme personal conflict in his work, uniting his fiercely dramatic, richly colored and always unique visuals with raw scripts that seem to channel Ingmar Bergman's best work. This also occurs in "Juste la fin du monde".

    If you looked at the movie without sound you could mistake it for a regular- if exceptionally well shot and acted- drama about a family uniting with the result of old wounds and conflicts emerging and taking over the scenes. This is indeed what basically happens here, but the dialog, to me so difficult to digest from the pages of a book, makes it all about what is left unsaid. Because even as extreme emotion takes over the characters and bursts out they still can't communicate with each other. Lines that one would expect to convey full, sincere, angry honesty are expressed through awkward, even incomprehensible dialog that only hints at the apparently troubled history of these people.

    Louis, as mellow and conciliatory as he acts, seems to be a dangerous catalyst for his family, an antigen they all defend their nest against. This is endlessly fascinating and sold so well by the actors, each and every one of them marvelous. The title becomes darkly ironic, as Louis soon seems to find his impending death a minor problem in his severely dysfunctional family. He connects with Catherine, another outsider and someone who he hasn't met before this one day during which the whole film occurs. "How much time?" Catherine asks Louis, a question that together with the offhand mention of Louis's first boyfriend having passed away from "cancer" establishes the fatal backdrop of the AIDS epidemic.

    At first glance "Juste la fin du monde" might seem like a melodramatic shouting match that emerges unfocused and aimless, but I ultimately find it urgently compelling and even insightful through its sustained aversion to a genuine unmasking of characters.

    Lagarce wrote the original play in 1990, reportedly to examine his own mortality. He was dying himself at that time and finally succumbed to AIDS in 1994. There is a touching dimension to the script's nightmarish reunion as we sense Louis's need to come full circle, to rediscover his childhood and adolescence, even to assure himself that his already estranged family can survive after he's gone. Death is ever present, and instead of trivializing the personal conflicts it elevates them, because they are if nothing else moments of vitality for people not truly living.
    7t-dooley-69-386916

    French Canadian Life Drama

    This is the latest film from Xavier Dolan who continues to surprise with his very human stories. This time he has gone for an 'A list' of French talent. The story is from the stage play of the same name and is about Louis (Gaspard Ulliel 'A Very Long Engagement') who is a successful writer; he has not been home for twelve years and has now only returned to announce that he is dying – but he does not know how to do it.

    On arrival at his home he is met by his family, mother, older brother and much younger sister. His brother, Antoine, played by Vincent Cassel is a man who seems to have got more than his fair share of life's anger but has married a shy creature – Catherine – played by Marion Cotillard in a way that she owns the role, it is completely convincing. The whole day is played out in linear format as the characters stumble into each other always seeming to be on the edge of imploding.

    This is not an easy to watch movie as the tension can be uncomfortable but that makes it a better film for it. This is real 'Arthouse' in that it takes a different path to many that have gone before and is becoming a welcomed trademark of Xavier Dolan.

    If you liked any of his previous films then you are probably already sold on this, if you are new to him then switch off any expectations and let this film seep into your psyche, it will be worth the effort.
    9bibo-93638

    I do not agree with...

    Most of the critics did not like this movie. Their argument was that it had a great and promising cast, but that the combination didn't add up to much..a disappointment they said. Well, I do not agree at all. And after having seen "Mommy" I was convinced that the director couldn't have spoiled things going forward..if anything, he was even getting better. This is one of those movies that whispers something to you without you even knowing. A whisper about a dysfunctional family, wrong timing, memories trapped halfway between your throat and your mouth..Words left unsaid, and meanwhile, everyone eats, everyone smokes, lunch and dessert..white wine Not red. Old Home and the new.. An airport, a cup of coffee and a magazine. A song, a dance while the protagonist is standing outside looking inside himself while everyone is looking at him and staring, wondering why is he here and trying to read what he hasn't even written yet..They are all wondering whether he has the right to show up just like that after 12 years away from them. But isn't he the writer after all, the one with the burden..and the one with the choice? Should he or should he not? say something.. and why can't he leave just like he entered ...without disturbing the order of things. If only there was someone in the crowd who is able to understand his whisper, his slow gestures and his silent scream that keeps reverberating inside..and time strikes again and again. someone lifts him up under a gigantic blue sky. "Let's go for a drive". A drive down memory lane, a drive inside a family's heart, mind and soul. A highly emotional and daring movie, tensed, real, so real that it will take your breath away more than once. Highly recommended for its authenticity, great cast, pace, music, cinematography and the well deserved Jury Prize in Cannes 2016.
    10AlexKrajew

    Unexpectedly Brilliant

    Critics shouldn't be criticizing films they don't understand. Xavier Dolan's movies are extremely subtle in their acting and dialogues which I think makes it more difficult for non-French speakers to understand. This is especially true for this film since the movie is based upon the impossibility to communicate. That's probably why most of the bad reviews come from American newspapers. I mean, I'm French and I honestly admire non-French speaking fans of Dolan because subtitles aren't enough to communicate the subtlety of each word and tone. Aside from that it's only a matter of taste.

    I agree on the fact that some characters are a bit stereotyped, especially during the scenes in which the whole family is gathered. However each actor has a scene in which they speak in private with Louis and that's when their characters get interesting. The film is aesthetically brilliant and allows you to understand things only eyes can communicate. The movie constantly creates an emotional tension, something I've rarely felt.

    इस तरह के और

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    6.2
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      First film directed by Xavier Dolan with only French actors in the cast. His previous films were all starred by Canadian actors. This film, however, was shot entirely in Canada.
    • भाव

      Antoine Knipper: We think silent people are good listeners. But I shut up so people leave me alone.

    • कनेक्शन
      Featured in Xavier Dolan: à l'impossible je suis tenu (2016)
    • साउंडट्रैक
      Home Is Where It Hurts
      Written by Camille, Dominique Dalcan, Matthew Ker

      Performed by Camille

      Published by Blonde Music and Balulalo

      Authorized by Warner Music Canada for Parlophone Music France

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is It's Only the End of the World?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 21 सितंबर 2016 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • कनाडा
      • फ़्रांस
    • आधिकारिक साइटें
      • Diaphana Films (France)
      • MK2 Films (France)
    • भाषाएं
      • फ्रेंच
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • It's Only the End of the World
    • फ़िल्माने की जगहें
      • Sainte-Dorothée, Laval, Québec, कनाडा(house interiors)
    • उत्पादन कंपनियां
      • MK2
      • Diaphana Distribution
      • Sons of Manual
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    बॉक्स ऑफ़िस

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    • बजट
      • €69,00,000(अनुमानित)
    • दुनिया भर में सकल
      • $92,31,823
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 37 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Juste la fin du monde (2016)
    टॉप गैप
    What is the Hindi language plot outline for Juste la fin du monde (2016)?
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