La pazza gioia

At first you wonder what a woman like Beatrice Morandelli Valdirana is doing in the Villa Biondi, an institution for women with mental health problems in the Tuscan countryside. She claims to be a Countess, rich, well-connected and knowledgeable. A little bit of a busybody maybe, talkative, inquisitive and demanding but clearly intelligent. It's not long however before you're wondering what on earth they are thinking letting her out to do some part-time work at a plant nursery. Are they mad?

The difference is that Beatrice seems to have hit it off with a new 'inmate', Donatella Morelli, who has been brought in after a suicide attempt. Unlike Beatrice, Donatella is silent, withdrawn and nervous, and has no social connections and only one number on her phone. When the mini bus picking them up from the nursery is late one day, the two women decide to make their own way back; the long way, with a few amusing diversions along the way.

With two inmates from a mental health institution on the loose, you might think La Pazza Gioia (Like Crazy) is going to be something along the lines of 'The Dream Team' meets 'Thelma and Louise', and indeed the film plays up the crazy angle for all it's worth, with plenty of broad humour to be had in their encounters along the road and their chases from the authorities. Principally however, La Pazza Gioia is an actor's game, and Paolo Virzi is working with two of the best here, giving them great material to work with.

Beatrice is a gift of a role for Valeria Bruni Tedeschi, who has a successful career as an actor in France and Italy and has drawn on her own aristocratic background as the writer/director of 'Il est plus facile pour un chameau...' and 'Un château en Italie'. Give her broad and she'll expand to fill the role, demonstrating the full range of her abilities from comedy to drama, from melodrama to more subtle exchanges and sensitivities. The dynamic is stretched further in the contrasting role offered to Micaela Ramazzotti as Donatella, who is searching for her son who has been taken away from her and into care. This gives the film a little more dramatic poignancy than the premise might suggest.

More then than just being a buddy comedy or a vehicle for two great actors, it's the fact that there are two great performers in these roles that gives the film the necessary balance between comedy and more serious matters that are raised. La Pazza Gioia looks at some of the problems faced by women and how those troubles are not recognised or taken seriously in the no-nonsense modern world. It's enough to drive anyone crazy.

I consider myself a fan of Paolo Virzì movies and this one did not disappoint me. And yet, I always come back with that feeling that he seems to be always just a step away from an accomplished masterpiece. Like Crazy easily passes the minimum threshold of getting one involved and watch it to the end, in fact more than that. At 2 hours it's a longish movie whose end arrives sooner than expected. There's however something not quite fully realized in it, might it be the cutting, the repetition of certain schemes, the un-natural behavior of some of the characters. It's a bit like a poem where a few rhymes don't quite rhyme or the hidden meaning doesn't quite come through. The acting is certainly not to be faulted: if this were a Hollywood movie, Micaela Ramazzotti would have undoubtedly qualified for an Oscar nomination. Bruni Tedeschi is great too but a bit over the top here and there. A better cutting would have been a great help, too as some themes are a bit repetitive. Taking away some 5 or 10 minutes would have greatly improved the flowing of the narration. What can I say, I appreciate everything Virzì has done so far, he's surely a great director but I'm still expecting and betting that his best has yet to come.

I found this film by accident and did not regret a moment watching it. Depression is a maladies of our times. Of the modern society. As well as bipolar disorder, these are some illnesses that people frown upon or are reluctant to discuss.

This movie depicts the effects of these diseases and shows more than one inconvenient truths. Balancing between the world of the ill and the real life, it shows how it is to live with a sickness like that and how little distance exists between these people and the ones that are considered healthy.

The leading actors were breathtaking. Being able to act as a bipolar in such a way is not an easy task. This movie has lessons in store for everyone that is interested in seeing what these people go through. And as far as statistics go, you probably have some people in your midst that deal or have dealt with similar issues.

This is not an easy movie. Don't get fooled by the "comedy" genre. It has some comic moments but it's mostly a punch in the stomach if you're up to the task of watching it.

What a poor, non-requested and superficial rating from @dierregi; although the best thing about this platform is that everyone can express themselves, is so sad to read that. I advice to take @dierregi's review as an example : approach yourself to this movie in the opposite way!!! This is something about depression, loneliness, the fear of being unable to be back to a "normal life", the lack of consciousness about being unstable but also the great power of realizing it (see one of the last scene when Donatella confesses Beatrice, and herself too, what happened). This is also something about forgiveness, about giving a second chance and being mentally opened and ready to face reality, even if it's cruel, terrible, frightful. This is about a very difficult social phenomenon as well as a great lesson of embracing and not refusing.

"A joyful madness" would have been a better translation for the international market. Such a surprisingly good film. Well, not entirely surprising because Paolo Virzì, from Tuscany, currently one of Italy's best directors, his movies always centred around interesting, well defined characters, masterfully mixing comedy and drama, in this case with heart breaking results. It helps that this screenplay has been written together with talented screenwriter and director Francesca Archibugi who, amongst other things, in 1990 directed Italian movie icon Marcello Mastroianni in the drama "Verso sera" (Towards Evening). Her contribution to this film must be acknowledged. The two leading actresses are excellent. Micaela Ramazzotti as the desperate mother who, amongst all sort of troubles, tries to get back in contact with her only son. Even better is Valeria Bruni Tedeschi, who is absolutely amazing as Donatella, the rich countess who struggles to cope with her mental disorders but who takes the younger Beatrice under her wing. When they run away from the psychiatric facility they are placed in by the authorities (perfectly depicted in typical human but caothic way) their foolish adventure begin. Such an intense, moving, touching film. Highly recommended.