The Book of Henry

I had no expectations going into this movie. I knew I like the director, the leading actress and it had an interesting premise. However, I was pleasantly surprised by this under-the-radar film and am sure general audiences will as well. The Book of Henry is an emotionally affecting film with a few fine messages about parenthood and altruism.

The movie actually surprised me. Perhaps it's because I had no prior knowledge about it, but the twist (I don't think it's supposed to be a twist per se) in the movie is reminiscent of Psycho, in that the seeming protagonist has an interesting cinematic journey. That provides the basis of our catharsis. It's actually very solid writing. We become invested in this character who has a charm and wit about him that's irresistibly likable and we fall for him. We become invested in his relationships with his mother, his little brother and his neighbor. The plot is already in motion and then the twist happens.

After this twist, the true protagonist comes to the forefront and we become invested in her because we feel for her and root for her cause. The only issue - her cause happens to be literally unbelievable and predictably improbable. However, we find ourselves nearly believing it. I mean, there's a sequence that's utterly Hitchcockian, when there's cross editing between two separate scenes. One scene is used as the musical background for the other and the tension is palpable. It's reminiscent of the concert scene in The Man Who Knew Too Much. It all comes to a satisfying ending that we all knew was coming and yet, isn't any less smile inducing.

The performances are very good. Naomi Watts is one of our generation's most consistent actors and the youngsters Jacob Tremblay and Jaeden Lieberher hold their weight and then some. However the score and direction deserve a lot of credit. The film is very well paced and switches between tones so seamlessly. Never are we pulled out of the film because it gets boring or it goes too quickly or it switches between genres.

A lot of reviews are bashing the film. Don't get me wrong, it has its flaws. The foundation of the character is never told and is a glaring hole. A few plot elements are improbable, definitely. However, those are forgivable in the grand scheme. This film has charm and intrigue. I believe it'll go down as one of those films where critics and general audiences just don't agree. With that said, I give this movie 3 out of 5 stars and recommend it for ages 10 to 18. It can be seen at a local theater when it opens June 16, 2017.

Reviewed by Willie J., KIDS FIRST! Film Critic.

Sometimes things are not always what they seem, especially in the small suburban town where the Carpenter family lives. Single mother Susan Carpenter (Noami Watts) works as a waitress at a diner, alongside feisty family friend Sheila (Sarah Silverman) . Her younger son Henry Carpenter (Jaeden Martell) is a playful 8-year-old. Taking care of everyone and everything in his own unique way is Susan's older son Henry (Jacob Tremblay), age 11. Protector to his adoring younger brother and tireless supporter of his often self-doubting mother - and, through investments, of the family as a whole - Henry blazes through the days like a comet. Susan discovers that the family next door, which includes stepfather Glenn (Dean Norris) and Henry's kind classmate Christina (Maddie Ziegler) , has a dangerous secret - and that Henry has devised a surprising plan to help. As his brainstormed rescue plan for Christina takes shape in thrilling ways, Susan finds herself at the center of it. Never leave things undone !.

A sensitive and enjoyable film with nice acting, though a bit slow, the story results to be some boring. The history blends a strange mixture of silly family comedy, melodrama, realism, suspense, cuteness and terror with uneven results. The film is acceptable and passable and the final half hour elevates it quite a bit. The family plot line is simplistic , though it has some twists and turns, and so various characters are predictable, but it is a good entertainment. Decent interpretations from Noami Watts as the protective and sensitive mother, Jacob Tremblay as the intelligent, wise older son, Jaeden Martell as the naive younger son, Sarah Silverman as the likeable friend, Dean Norris as nasty stepfather, Lee Pace as Doctor Daniels and special mention for Maddie Ziegler as the charming dancer at her big screen debut.

It packs a colorful and brilliant cinematography by cameraman John Schwartzman, as well as vibrant and rousing musical score by Michael Giacchino, both of whom are Colin Trevorrow's regulars .The picture was professionally written and directed by filmmaker Colin Trevorrow and shot in 36 days . Trevorrow is a fine craftsman , he wrote and directed "Home Base" that became one of the early viral successes on the internet. His first feature film was the succesful "Safety Not Guaranteed" and following Jurassic World (2015) this quickly became one of the largest grossing in the year because it gives audiences exactamente what they want , only more so and following this The Book of Henry (2017). Rating : 6/10. Acceptable and attractive but no notable film.

While rating and writing reviews about more recent similar films (I'm writing this in December, 2017) like Greta Gerwig's "Lady Bird," the Julia Roberts vehicle "Wonder," and Brooke Shields' turn in "Daisy Winters" (all films about young people struggling to cope with a variety of obstacles as they try to find their place in the world), I realized I was comparing them to how I felt when I exited viewing "The Book of Henry." I hadn't realized until now just how much "Henry" has stuck with me long after viewing, so I was surprised to find in checking my list of reviews written I had rated "Henry" but not written a review of it. I'm doing so now to alert those who may be wondering whether it's worth their time that it is, as I know it has gotten mixed reviews and didn't do well financially in theaters--but I'm also going to refrain from writing about any plot points or spoilers, as I was lucky enough to see "Henry" without knowing anything about it, not having even seen an advance trailer, and I recommend the same for you as the best way to see it: knowing nothing about any of its twists or even its core story. I found the cast perfect, in an ensemble kind of way, and remember the warmth and kindness generated by the film overall as I exited the theater. It has turned out to be one of my favorite films of the year, and I want to make sure to say so here because it was so terribly under-appreciated on its initial release, and barely seen by anyone, making it one of those films that, in my opinion, many people will be discovering on streaming or on DVD, and, after then watching it and enjoying it, wondering why they hadn't heard of it when it was released in theaters. It truly fits the "under-appreciated gem" label so many of these kinds of character-study films eventually end up with.

"The Book of Henry" is definitely not for people who like taut, coherent, logical plots devoid of standard clichés. As others have noted, it's really all over the place, and its mix of silly comedy and tear-jerker tragedy, realism and fantasy, cuteness and horror, and so forth doesn't exactly pan out in the end. Still, if you enjoy films that are simply different experiences, emotionally stirring even if they require you to heavily suspend disbelief, perhaps lay it aside altogether, this film will probably prove worth seeing, and you may really love it. It certainly keeps your attention with numerous surprises and much suspense. Fine acting by Naomi Watts and just about everyone else, along with some stunning scenery of the upstate NY setting, also help this film. I am glad to have seen "The Book of Henry" and would like to give it a higher rating, but with all its issues, I just can't.

It's been a while since a trailer threw me completely. The intent of a trailer is to entice the viewer in to seeing the film, to tickle your curiosity. The trailer for The Book of Henry did this admirably. Like a magician's sleight of hand, it provided misdirection too. Having seen the film, I left thinking that that was not what the trailer implied. Hats off to  editor, Kevin Stitt.

The plot synopsis on IMDb.com, written by the distributors, Focus Features lays out the plot without spoilers:

Sometimes things are not always what they seem, especially in the small suburban town where the Carpenter family lives. Single suburban mother Susan Carpenter (played by Naoimi Watts) works as a waitress at a diner, alongside feisty family friend Sheila (Sarah Silverman). Her younger son Peter (Jacob Tremblay, who we last saw in Room) is a playful 8-year-old. Taking care of everyone and everything in his own unique way is Susan's older son Henry (Jaden Lieberher), age 11. Protector to his adoring younger brother and tireless supporter of his often self-doubting mother - and, through investments, of the family as a whole - Henry blazes through the days like a comet. Susan discovers that the family next door, which includes Henry's kind classmate Christina, has a dangerous secret - and that Henry has devised a surprising plan to help. As his brainstormed rescue plan for Christina takes shape in thrilling ways, Susan finds herself at the centre of it.

This is Colin Trevorrow's second feature and he has crafted a warm, charming, sometimes despair-filled film that ultimately brings a message of hope. Good triumphs over evil in the end, as it should in most films.  

Critics have been very harsh in their reviews. Some decry being emotionally manipulated! Is that not the whole point of going to see a film? Audience reactions are more favourable.

My reaction? I cried. Twice.

A very enjoyable and competent film: 3.5 out of 5