IMDb रेटिंग
5.9/10
28 हज़ार
आपकी रेटिंग
अलीज़ेह और अयान, न्यूयॉर्क में मिलते हैं और दोनों गेहरे दोस्त बन जाते हैं. वहाँ से वो दोनों प्यार, जीवन और दिल टूटने का अनुभव करते हैं.अलीज़ेह और अयान, न्यूयॉर्क में मिलते हैं और दोनों गेहरे दोस्त बन जाते हैं. वहाँ से वो दोनों प्यार, जीवन और दिल टूटने का अनुभव करते हैं.अलीज़ेह और अयान, न्यूयॉर्क में मिलते हैं और दोनों गेहरे दोस्त बन जाते हैं. वहाँ से वो दोनों प्यार, जीवन और दिल टूटने का अनुभव करते हैं.
- पुरस्कार
- 25 जीत और कुल 41 नामांकन
फ़ीचर्ड समीक्षाएं
Ae Dil Hai Mushkil (2016): This movie is one if the most hyped movies of 2016.Karan Johar,the master who invented clichéd Bollywood moments(except My Name is Khan) directed this movie after 4 years.His previous venture Student of the Year is overly clichéd dud.But Ae Dil Hai Mushkil created good buzz because of its brilliant trailer and music.Even the chemistry between Ranbir Kapoor and Aishwarya Rai is largely discussed.SO how is this Ae Dil Hai Mushkil??
Plot: A story about unrequited love - the shapes it takes, the ways it changes us and the exhilarating and often heartbreaking ride it takes us on. It is the journey of three characters, Ayan (Ranbir Kapoor), Alizeh (Anushka Sharma) and Saba (Aishwarya Rai Bachchan), as their lives intertwine and they navigate life, love and heartbreak.
Plus Points:
1)Performances: Everyone has acted so well especially Anushka Sharma. She stole the show with her brilliant acting skills. The chemistry between Ranbir and Anushka was what I loved the most.Ranbir Kapoor is super at being charming, but has developed a specialization in cluelessness, and both sides shine through in this winning, woeful performance.Aishwarya is stunningly gorgeous and gave decent performance.Fawad Khan is good.Lisa Hayden is irritating.
2)Music: Music is the major plus point of the movie.All the songs are brilliant and well placed. "Channa Mereya" "Ae Dil Hai Mushkil" "The Breakup Song" are my favorite tracks in the list.BGM also played a good part in few scenes.
3)First half: Though nothing much happens in first half except some crazy antics by Ranbir and Anushka,it is lot of fun because of their mind blowing chemistry.It has lot of hilarious and feel good moments.
Minus Points:
1)Second half Second half is overly clichéd and dragged a lot.The scenes between Aishwarya and Ranbir are stretched too long.
2)Climax: Here comes the most clichéd moment in the movie.They tried to give a tragic end but we are not at all surprised or moved by that cause.Even the bald head make up looked so fake.
So,Ae Dil Hai Mushkil is overly clichéd typical movie with brilliant performances from Anushka and Ranbir and best soundtracks of the year.
My rating 6.5/10
Plot: A story about unrequited love - the shapes it takes, the ways it changes us and the exhilarating and often heartbreaking ride it takes us on. It is the journey of three characters, Ayan (Ranbir Kapoor), Alizeh (Anushka Sharma) and Saba (Aishwarya Rai Bachchan), as their lives intertwine and they navigate life, love and heartbreak.
Plus Points:
1)Performances: Everyone has acted so well especially Anushka Sharma. She stole the show with her brilliant acting skills. The chemistry between Ranbir and Anushka was what I loved the most.Ranbir Kapoor is super at being charming, but has developed a specialization in cluelessness, and both sides shine through in this winning, woeful performance.Aishwarya is stunningly gorgeous and gave decent performance.Fawad Khan is good.Lisa Hayden is irritating.
2)Music: Music is the major plus point of the movie.All the songs are brilliant and well placed. "Channa Mereya" "Ae Dil Hai Mushkil" "The Breakup Song" are my favorite tracks in the list.BGM also played a good part in few scenes.
3)First half: Though nothing much happens in first half except some crazy antics by Ranbir and Anushka,it is lot of fun because of their mind blowing chemistry.It has lot of hilarious and feel good moments.
Minus Points:
1)Second half Second half is overly clichéd and dragged a lot.The scenes between Aishwarya and Ranbir are stretched too long.
2)Climax: Here comes the most clichéd moment in the movie.They tried to give a tragic end but we are not at all surprised or moved by that cause.Even the bald head make up looked so fake.
So,Ae Dil Hai Mushkil is overly clichéd typical movie with brilliant performances from Anushka and Ranbir and best soundtracks of the year.
My rating 6.5/10
It's a movie for the heart broken or the poem lovers. Some of the lines are hilarious, witty, poetic, and has the depth of Oscar Wilde's quote. It is to the extent that I cohered with one dialogue in the movie, "did you rehearse those lines
" This movie has dealt with human emotions with near perfection, with each character having its degree. None of the characters were written naively; they had their gray shades, marred with resistance and vulnerability. The chemistry was extraordinary, in particular between Anushka & Ranbir. I doubt young ones would be able to absorb such nuanced seepage of emotions.
However, the plot is weak. No doubt about it. Also, this movie is awfully feminist. Here a private-jet rich kid is being used by two women, err three women, with Aishwarya being the third. And Aishwarya's ex-husband doesn't have a problem with her relation with Ranbir. He goes on to justify it with cheesy one-liners.
Having stated above; the movie had his heart in the right place. It's nowhere near 500 days of summer, but if you are a heartbroken person, you might reckon to add it to your library.
However, the plot is weak. No doubt about it. Also, this movie is awfully feminist. Here a private-jet rich kid is being used by two women, err three women, with Aishwarya being the third. And Aishwarya's ex-husband doesn't have a problem with her relation with Ranbir. He goes on to justify it with cheesy one-liners.
Having stated above; the movie had his heart in the right place. It's nowhere near 500 days of summer, but if you are a heartbroken person, you might reckon to add it to your library.
Sorry, Karan Johar as always puts more stress on the gloss rather than the substance, and the result is mostly a shallow film that would hardly ever ring true to thinking viewers. Obviously, it's the material that's quite lacking to begin with but the treatment is way worse. First, the incredible number of references to Johar's own films was absolutely annoying. That penchant for self-glorification has become quite a tedious motif in his films, and by the way, so have the other references to other Hindi films such as Chandni and the likes.
Above all, the biggest glitch here is the banality of the writing and particularly the portrayal of the relationships, all of which completely strain credulity. Not a single one of them rings true - not Ranbir's with his girlfriend, not Anushka's with her husband, and certainly not the friendship between Ranbir and Anushka, which is supposed to form the basis for the entire story but is highly unconvincing. The film tries to sell us an age-old formula of two people who are good friends, but one of them wants more, and it doesn't gel and lacks depth.
So what's the problem here? That I personally, and I'm sure many others, won't buy for a minute that a chance encounter in Europe and a few fun days spent together would turn two strangers into such good friends. Actually, even if it is possible, the script doesn't give it justice; the strangers' shared experience should have been much deeper than what this film showed us (more or less dancing to Hindi films and hardly one serious conversation) to establish a true, year-long camaraderie as required by the story. Eventually, it just doesn't make sense and lacks heart and realism.
The portrayal of the obsession, which is what this film essentially deals with (indeed, it's more about obsession rather than unrequited love), is handled much better. And even better is the entrance of a new character into this story, which helps refresh the entire mood of the film. But the film is twisted to no end, which isn't a compliment, and as expected, typically overlong. Moreover, some of the twists towards the end are so cliché and lacking in credibility it feels the director hasn't learned a thing about the growing sophistication of his potential audience.
Where the film does score is on the technical front, where everything is handled professionally. The locations and music are, as always in Johar's films, stupendous, and make for a fun cinematic experience despite the flaws. Ranbir Kapoor and Anushka Sharma sink their teeth into their half-baked roles and give much more than they get. The ultimate saving grace however is Aishwarya Rai, whose charismatic presence gives the film so much of what it lacks. It's not just her dazzling beauty, it's the depth in her eyes. I wish the film had more of this depth.
Above all, the biggest glitch here is the banality of the writing and particularly the portrayal of the relationships, all of which completely strain credulity. Not a single one of them rings true - not Ranbir's with his girlfriend, not Anushka's with her husband, and certainly not the friendship between Ranbir and Anushka, which is supposed to form the basis for the entire story but is highly unconvincing. The film tries to sell us an age-old formula of two people who are good friends, but one of them wants more, and it doesn't gel and lacks depth.
So what's the problem here? That I personally, and I'm sure many others, won't buy for a minute that a chance encounter in Europe and a few fun days spent together would turn two strangers into such good friends. Actually, even if it is possible, the script doesn't give it justice; the strangers' shared experience should have been much deeper than what this film showed us (more or less dancing to Hindi films and hardly one serious conversation) to establish a true, year-long camaraderie as required by the story. Eventually, it just doesn't make sense and lacks heart and realism.
The portrayal of the obsession, which is what this film essentially deals with (indeed, it's more about obsession rather than unrequited love), is handled much better. And even better is the entrance of a new character into this story, which helps refresh the entire mood of the film. But the film is twisted to no end, which isn't a compliment, and as expected, typically overlong. Moreover, some of the twists towards the end are so cliché and lacking in credibility it feels the director hasn't learned a thing about the growing sophistication of his potential audience.
Where the film does score is on the technical front, where everything is handled professionally. The locations and music are, as always in Johar's films, stupendous, and make for a fun cinematic experience despite the flaws. Ranbir Kapoor and Anushka Sharma sink their teeth into their half-baked roles and give much more than they get. The ultimate saving grace however is Aishwarya Rai, whose charismatic presence gives the film so much of what it lacks. It's not just her dazzling beauty, it's the depth in her eyes. I wish the film had more of this depth.
I found Ae Dil Hai Mushkil thoroughly disappointing. Nothing about this movie connected to me. In my opinion, Karan Johar's Kabhi Alvida Na Kehna was the worst. However, ADHM manages to top even that!
Ranbir Kapoor and Anushka Sharma spend the first half imitating characters from Johar's previous movies and movies from the 80s while the second half looks like a retelling of Ranbir's own Rockstar (what with Ranbir eventually becoming a singer and the terminal illness track of Anushka)! Just disappointing! I think anyone could have played the role of Aishwarya Rai-Bachchan's Saba. There was nothing spectacular about her performance. However, I think she lets her eyes do most of the talking which is why Johar picked her for the role. She has this incredible talent of emoting with her eyes without saying a word which most actresses of today fail to do. Even her shayaris had no depth whatsoever. Not to mention she struggles with the Urdu portions. I don't think her role was even necessary as she appears in a 15 minuteish role. Ditto for Fawad Khan whose presence in this movie created such a furor prior to its release! Fawad is wasted in a role with which he could have done wonders with. Fawad lets himself to be overshadowed by Ranbir in some of the scenes that they share.
Performance-wise, it's Ranbir and Anushka's film. They own every scene that they have. However, it's the script that lets them down that they find themselves imitating characters from various old Hindi films! It's Ranbir Kapoor who rises over an inane script, leaving his own stamp in each scene which could have fallen flat in a lesser actor's hands. But then he has experience from his own movie, Rockstar where he also played a similar role, playing a lovelorn boy to the hilt. Anushka Sharma is good but finds herself trapped in a role that was done-to-death before a billion times in Bollywood!
On a final note, ADHM is just a one-time watch for Karan Johar and Ranbir Kapoor's fans. I felt like Johar cheated us by creating suspense about the plot of the film before its release. There's nothing novel about the plot of ADHM!
Ranbir Kapoor and Anushka Sharma spend the first half imitating characters from Johar's previous movies and movies from the 80s while the second half looks like a retelling of Ranbir's own Rockstar (what with Ranbir eventually becoming a singer and the terminal illness track of Anushka)! Just disappointing! I think anyone could have played the role of Aishwarya Rai-Bachchan's Saba. There was nothing spectacular about her performance. However, I think she lets her eyes do most of the talking which is why Johar picked her for the role. She has this incredible talent of emoting with her eyes without saying a word which most actresses of today fail to do. Even her shayaris had no depth whatsoever. Not to mention she struggles with the Urdu portions. I don't think her role was even necessary as she appears in a 15 minuteish role. Ditto for Fawad Khan whose presence in this movie created such a furor prior to its release! Fawad is wasted in a role with which he could have done wonders with. Fawad lets himself to be overshadowed by Ranbir in some of the scenes that they share.
Performance-wise, it's Ranbir and Anushka's film. They own every scene that they have. However, it's the script that lets them down that they find themselves imitating characters from various old Hindi films! It's Ranbir Kapoor who rises over an inane script, leaving his own stamp in each scene which could have fallen flat in a lesser actor's hands. But then he has experience from his own movie, Rockstar where he also played a similar role, playing a lovelorn boy to the hilt. Anushka Sharma is good but finds herself trapped in a role that was done-to-death before a billion times in Bollywood!
On a final note, ADHM is just a one-time watch for Karan Johar and Ranbir Kapoor's fans. I felt like Johar cheated us by creating suspense about the plot of the film before its release. There's nothing novel about the plot of ADHM!
ADHM is a wonderful movie for "romantics", especially those who have gone through unrequited love. And if you are past mid-30s you may not relate to the places where love "flows" . Most songs are in set up in glitzy clubs from London to Vienna
It is not "in your face" love story – sure it is shot with typical KJo brand of colorful rich upper class people – but it is definitely a love story of cerebral kind.
It is also not a classy or realistic one – nowhere like say "Lootera" or "The Lunchbox" – two good romantic movies which are on par with Hollywood classics like "Before Sunrise" series or "Eternal Sunshine".
It is more a commercial entertainer like "Silsila" or "JTHJ" but what is unique about ADHM is it only focuses on characters in love. Four people, in love and there is no distraction of parents or bothers or sister or other relatives. It is a remarkable achievement for a commercial Hindi movie to do away with unnecessary supporting cast which ails most of our Indian movies in guise of comedy or family relationship melodramas. Sure there are good supporting cast like Lisa Haydon but they do are intertwined appropriately with the story.
Unlike many Hollywood movies, our Hindi movies do not spend too much time on character development and sometime you don't connect, especially during initial moments of the movie. This movie slowly grows on you, if you watch it with open mind.
Unrequited love is a difficult subject to handle, yet most of us may have gone through it during our various phase of life. While, surprisingly KJo has handled this so maturely, credit is due more with actor's performances, particularly Ranbir.
Unfortunately but NOT surprisingly, the director lets us down in last 20 mins or so – wish our Indian Directors have the courage to end the movie when it HAS TO – most of the time trimming out last 20-30 mins will be an ideal solution. I have seen bad editing of not trimming toward end of many romantic movies - from Kabhie Kabhie days (last 10 mins of botched up climax) to Silsila, KANK and JTHJ – they frustrate the moviegoers towards the end and you give an otherwise good product worse rating. I would have rated this movie 8/10, if it has ended right after powerful title song so passionately sung by Ranbir, which evokes memories of "Sadda Haq".
If you are romantic at heart, like me, please go and watch it. Chances are, you will "get it" and appreciate it.
Even if you don't, it is worth trying. It is a good movie to watch for as performances (Ranbir, Anushka, Aishwarya), Songs (Buleya, ADHM, Channa), Dialogues and glitzy production design blend well to keep you entertained. And please try to walk out after title song is over – I regret not doing so.
It is not "in your face" love story – sure it is shot with typical KJo brand of colorful rich upper class people – but it is definitely a love story of cerebral kind.
It is also not a classy or realistic one – nowhere like say "Lootera" or "The Lunchbox" – two good romantic movies which are on par with Hollywood classics like "Before Sunrise" series or "Eternal Sunshine".
It is more a commercial entertainer like "Silsila" or "JTHJ" but what is unique about ADHM is it only focuses on characters in love. Four people, in love and there is no distraction of parents or bothers or sister or other relatives. It is a remarkable achievement for a commercial Hindi movie to do away with unnecessary supporting cast which ails most of our Indian movies in guise of comedy or family relationship melodramas. Sure there are good supporting cast like Lisa Haydon but they do are intertwined appropriately with the story.
Unlike many Hollywood movies, our Hindi movies do not spend too much time on character development and sometime you don't connect, especially during initial moments of the movie. This movie slowly grows on you, if you watch it with open mind.
Unrequited love is a difficult subject to handle, yet most of us may have gone through it during our various phase of life. While, surprisingly KJo has handled this so maturely, credit is due more with actor's performances, particularly Ranbir.
Unfortunately but NOT surprisingly, the director lets us down in last 20 mins or so – wish our Indian Directors have the courage to end the movie when it HAS TO – most of the time trimming out last 20-30 mins will be an ideal solution. I have seen bad editing of not trimming toward end of many romantic movies - from Kabhie Kabhie days (last 10 mins of botched up climax) to Silsila, KANK and JTHJ – they frustrate the moviegoers towards the end and you give an otherwise good product worse rating. I would have rated this movie 8/10, if it has ended right after powerful title song so passionately sung by Ranbir, which evokes memories of "Sadda Haq".
If you are romantic at heart, like me, please go and watch it. Chances are, you will "get it" and appreciate it.
Even if you don't, it is worth trying. It is a good movie to watch for as performances (Ranbir, Anushka, Aishwarya), Songs (Buleya, ADHM, Channa), Dialogues and glitzy production design blend well to keep you entertained. And please try to walk out after title song is over – I regret not doing so.
क्या आपको पता है
- ट्रिवियाAnushka and Aishwarya's characters were Muslims and were originally supposed to be Pakistani. However, Karan Johar decided to change the character origins to Indian to avoid further trouble after the film ran into controversy over the casting of a Pakistani actor Fawad Khan.
- गूफ़The Urdu poetry book Saba (Aishwarya Rai) gives Ayan (Ranbir Kapoor) opens like an English book with the spine of the book on the left of closed book. However, since Urdu is written from right to left, it is opposite the spine is on the right.
- भाव
Ayan Sanger: It's a strange story of Love and Friendship. Love, the hero... and Friendship, the heroine.
- कनेक्शनFeatured in C.I.D.: Happy New Year (2017)
- साउंडट्रैकAe Dil Hai Mushkil
Lyrics by: Amitabh Bhattacharya
Music by: Pritam Chakraborty
Performed by: Arijit Singh
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Ae Dil Hai Mushkil?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- O Heart, It Is Difficult
- फ़िल्माने की जगहें
- लंदन, इंग्लैंड, यूनाइटेड किंगडम(location)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $42,64,983
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $21,90,042
- 30 अक्टू॰ 2016
- दुनिया भर में सकल
- $3,16,68,920
- चलने की अवधि
- 2 घं 38 मि(158 min)
- रंग
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें