अमेरिकी सैनिकों के एक छोटे समूह को, डी डे से पहले सरहद पार के आतंक का पता चलता है.अमेरिकी सैनिकों के एक छोटे समूह को, डी डे से पहले सरहद पार के आतंक का पता चलता है.अमेरिकी सैनिकों के एक छोटे समूह को, डी डे से पहले सरहद पार के आतंक का पता चलता है.
- पुरस्कार
- 2 जीत और कुल 7 नामांकन
फ़ीचर्ड समीक्षाएं
I saw this film at the Philadelphia Film Festival and I had a good time watching it. It's a very intense movie with a lot of action throughout; it never has a moment where it calms down. I like that aspect of it but I can definitely see it being sensory overload for a lot of people. It's also quite graphic, and sometimes it's a little gratuitous and overly gory. I think the film relies a little too much on jump scares but the atmosphere is pretty creepy anyway. I think towards the end the film gets pretty over-the-top and silly, but I think it's an interesting setting and it's very well-shot and the VFX are pretty good.
Overlord is one of those films that starts as one thing but then becomes something else. Following some Allied paratroopers as they land behind enemy lines toward the end of WW2, they come across a small town next to their target - a church with a radio tower on it. With the help of a local family, they must somehow get in there and take it down. However, they soon discover that the building also houses something far worse than Nazi soldiers...
I must say I was genuinely surprised by how good this film actually is. I was expecting the war aspect to be little more than a backdrop to the horror, but even during the build up this actually has a stab at being a decent war film in its own right. Then the horror starts and the film loses none of its intensity, action or pacing. The story is interesting, the characters are believable and the special effects are actually really good. Imagine if the modern Wolfenstein video games were made into a film - that is pretty much what this feels like and I thought it was far better than it has any right to be. Give it a go!
I must say I was genuinely surprised by how good this film actually is. I was expecting the war aspect to be little more than a backdrop to the horror, but even during the build up this actually has a stab at being a decent war film in its own right. Then the horror starts and the film loses none of its intensity, action or pacing. The story is interesting, the characters are believable and the special effects are actually really good. Imagine if the modern Wolfenstein video games were made into a film - that is pretty much what this feels like and I thought it was far better than it has any right to be. Give it a go!
It's D-day. A squad of paratroopers are tasked with destroying a radio tower on top of a church. Their plane is shot down. After their leader gets shot by the Nazis and one steps on a landmine, four survivors remain. They find refuge with a scavenger named Chloe. The Nazis are experimenting on the locals at the church.
It's a horror story within a historical event. It has a good amount of action and thrills. The characters are compelling. It's always nice to have Nazi villains. It may not be completely new. It is not trying to be break new ground. It's a well-made B-movie and that's commendable.
It's a horror story within a historical event. It has a good amount of action and thrills. The characters are compelling. It's always nice to have Nazi villains. It may not be completely new. It is not trying to be break new ground. It's a well-made B-movie and that's commendable.
I initially thought of that other movie (Frankenstein's Army) when I heard the story of this one.
It was quite enjoyable at times, but it still got stuck in the B segment.
This one looks a lot more serious and the film immediately starts off strong with the landing scene, which is very well executed and even after that the film doesn't really let up for a moment.
The tension is built up well, the camera work is very good and the gore is plentiful with good acting from almost everyone.
This is the second mix of army and horror and both were pretty good so bring on some more
100% better than expected and a successful mix between war and horror.
It was quite enjoyable at times, but it still got stuck in the B segment.
This one looks a lot more serious and the film immediately starts off strong with the landing scene, which is very well executed and even after that the film doesn't really let up for a moment.
The tension is built up well, the camera work is very good and the gore is plentiful with good acting from almost everyone.
This is the second mix of army and horror and both were pretty good so bring on some more
100% better than expected and a successful mix between war and horror.
If you want to go in to watching this film without seeing the trailer, then don't read any reviews - including this one. There are no spoilers beyond what the trailer shows.
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
क्या आपको पता है
- ट्रिवियाOverlord's first sequence, which sees the soldiers jumping from a burning plane, was done by rigging a plane on a gimbal, actually blowing up the front, tilting it as if it were actually falling through the air, and sending stuntmen tumbling through real fire.
- गूफ़During the credits, a mock 1940s newsreel shows a United States flag with 50 stars when Jovan Adepo is credited as Boyce. The flag had only 48 stars from 1912 until 1959.
- इसके अलावा अन्य वर्जनAfter the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas.
- कनेक्शनFeatured in Projector: Overlord (2018)
- साउंडट्रैकBridging the Gap
Written by Ansel Collins (as Ansel George Collins), Nas (as Nasir Jones), Winston Riley (as Winston Delano Riley), Dave Barker, Salaam Remi (as Salaam Remi Gibbs), Olu Dara, Muddy Waters (as McKinley Morganfield), Melvin London (as Melvin R. London) and Bo Diddley (as Ellas McDaniels)
Performed by Nas feat. Olu Dara
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Operación Overlord
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,80,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,17,04,844
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,02,02,108
- 11 नव॰ 2018
- दुनिया भर में सकल
- $4,16,57,844
- चलने की अवधि
- 1 घं 50 मि(110 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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