Morgan

"Morgan" is the name of an android, a piece of artificial intelligence, created in all secrecy by a team of devout scientists, in a lab somewhere hidden in a remote and forestry region. Before you start praising the downright magnificent make-up effects on the girl, bear in mind it's actress Anya Taylor-Joy's real face. She's a really good and talented young actress, but admittedly she has a bit of a weird face, which - luckily for her - helps to obtain interesting roles as the "outcast-girl" (also in "Split"). Anyways, Morgan is only five years old, but she already looks like an adolescent and she behaves like a spoiled teenager. Lately, there have been serious issues with Morgan, and she even stabbed one of her creators in the eye. Corporate headquarters sends out emotionally numb but highly professional risk-manager Lee Weathers to assess if "Project Morgan" should be terminated or not. Needless to say, Morgan's makers grew to love her as if she were a real child, and they will not accept that's she killed based on an evaluation by an outsider. Director Luke Scott (son of Ridley who made the Sci-Fi landmarks "Alien" and "Blade Runner") initially tries hard to make "Morgan" is a very ambitious, existential and emotionally challenging Sci-Fi/thriller, but he can't prevent that it turns into a rather ordinary 'stalk & slash' type of B-horror. There are a handful of terrific sequences, notably the scene with Paul Giamatti as the obnoxious auditor, but it's ultimately too lightweight to be considered a significant genre effort. Scott Jr. managed to gather an impressive cast (including Brian Cox, Jennifer Jason Leigh, Toby Jones, Paul Giamatti) and the special effects are more than adequate, but I doubt anyone will remember "Morgan" in ten years' time.

This is a very good movie. The bad reviews focus on expectations. Morgan is not a blockbuster by any stretch but it is clearly above average fair for sci-fi flick. It deserves better than the 5.8 on IMBD's scale and much better than the bad reviews listed here.

The film MORGAN is one that you'd file under decent attempt. Directed by Ridley's son, Luke Scott, you wonder if the apple doesn't fall far from the tree or the talent gets passed down trough genes, well, don't expect MORGAN to be on the same level as Ridley's "Alien," that's for sure, but again, a decent attempt is what it is, the closest to a compliment I can give the film at this point.

Kate Mara plays a corporate risk management officer, a troubleshooter, and she's sent to a top secret location to investigate and evaluate a recent accident, she's supposed to be there to find out what went wrong and judge the asset in terms of the overall profit. At this top secret location, scientists have successfully created what is perceived to be the perfect human (Anya Taylor-Joy) but turns out, she comes with her own set of unpredictable threats.

What I can appreciate about MORGAN is that it takes familiar concepts from the world of science fiction and makes it its own. Creating life out of nothing or creating a life that's flawless has always been a fascination for ages. The film has its own way of addressing that. It's not perfect but the build up, the intensity, and the way things escalate as soon as situations go sideways, they're all well-paced and shot quite nicely. Definitely the one that stands out the most is young actress Anya Taylor-Joy, she already impressed me in "The Witch" earlier this year, and so her cold, calculating, fearsome performance in MORGAN only solidifies her reputation as the latest incredible force to be reckoned with. Better watch out for that one, she's going to go places. With its ensemble cast and its emphasis on keeping you guessing till the very end while wowing you with fight sequences and a big reveal, MORGAN is just the right dose of horror/sci-fi/thriller for us fans of such films as 1997's "Cube" or "Event Horizon" -- Rama's Screen --

I don't understand why this movie garnered so much hate from some of the reviewers here. I can only assume it is as a reviewer by the name of BB mentioned, they simply don't understand it.

I'm not going to draw lengthy comparisons between Morgan and Ex Machina, or reminisce about the director's credentials. (Seriously, just go count how many butt hurt Ex Machina reviewers you can spot here. It's annoying, guys.)

I'll simply say this:

1. It's a decent movie, on it's own, and deserves a watch.

2. It's listed as a Horror movie. It is not a horror movie.

3. I guess some of the acting could be better. Overall, it's really not that bad.

4. It has elements that Ex Machina lacked. It's fast-paced and there are actual action scenes. It's not as drawn out either.

5. I am disappointed that Paul Giamatti only appears in one scene. Also, Taylor-Joy was an interesting choice for Morgan. I look forward to seeing her in the upcoming Split.

Morgan is film that failed because it didn't know what it wanted to be. It doesn't have the boldness to justify as a R-rated horror thriller, nor does it have an intelligent screenplay to accompany its themes of an AI psych thriller - both of which it was trying to go for.

In the film, Lee Weathers (Kate Mara), a "risk-management specialist", is called to evaluate whether or not the company she works for, SynSect, is to terminate a humanoid being hosted at a rural site. The project refers to the humanoid as Morgan (Anya Taylor-Joy). And from the trailer, we see that Morgan shows concerning behavioral traits - including an incident wherein she stabs one of her doctors in the eye - which is why "corporate" has to step in. The doctors all seem to love Morgan, referring to her violent actions as honest mistakes. However, Lee Weathers is only there to do a job and doesn't seem to have any interest in humanizing Morgan. She is just there to weigh the risk of keeping the project afloat.

This film is not intelligent, especially considering others films in the same genre such as Ex Machina and the brilliant HBO series Westworld which released around the same time. The characters who all take care of Morgan seem to have developed a love for her, but the direction of the film doesn't lead the viewer to contemplate the relationships between genetically created organisms and humans. This is really just about a kick-ass robot (they don't explain why it can kick ass either). It had a great cast, good action sequences, and a satisfying ending which may have been obvious and predictable to some. Also, Paul Giamatti shows up halfway through the film to do a straight up ask-questions shoot-later psych evaluation. He has an excellent performance, although given the circumstance, his character made some questionable decisions.

I admit one of the primary reasons I watched till the end was Kate Mara (yeah, I have a bit of celeb crush on her not gonna lie). She is great in the film throughout. And Anya Taylor-Joy is excellent in her role as well. She does a fascinating portrayal of a machine displaying human emotions and human misunderstanding of them. I'm thrilled to see her continue on to great lead roles. Kate Mara needs to be in more films. I especially liked her in American Horror Story: Murder House as the crazed ex-lover and homewrecking patient, Hayden.

I like to see that Ridley Scott's kids are doing their thing. I suggest they keep experimenting with the artform. That said, Morgan is an experiment that could have succeeded, but underwhelmingly failed.