The Kitchen

When you watch this movie for the very first time, you will soon realize that you are facing a very bizarre but brilliant atmosphere . Somewhere is London possibly but in the future.

The Idea of this movie is quite attractive, it will engage your mind and your guts in a very emotional way and it tells a story about people's challenges and difficulties as n a different era, it is future and people are changed but not in a good way except technology.

However, it is a shame the director of this movie was not able to deliver the same quality of the initial idea . It is the shame that the DOP work was disastrous, lack of stage direction, lack of right camera movement, incorrect framing , lack of actors direction and not even a good engaging editing . This movie could have been positioned one of the top 30 movies in the world , this movie could have been compared with blade runner at some point but the movie director wasn't chosen wisely and did destroy the whole work.

Finally the production design team did a very good job and it was right for purpose of this movie.

The Kitchen portrays a destitute community grappling with eviction and poverty, with the protagonist, Izi, employed at a funeral home. It is here that he encounters Benji and takes him under his wing. Izi's aspiration is to transcend the challenges of the Kitchen and secure a more promising dwelling, and the film delves into the evolving dynamics of Izi and Benji's relationship.

Despite its dystopian backdrop, the movie's futuristic elements predominantly influence its visual aesthetics rather than substantively shaping the narrative. Without these futuristic elements, it could easily have been an episode on Top Boy.

Throughout the film, the lack of a cohesive direction leaves viewers disconnected from the characters. The conclusion, in particular, proves to be notably unsatisfying, offering little resolution to pivotal events that transpired earlier.

Jedaiah Bannerman's portrayal of Benji suffers from lackluster acting, exacerbated by dialogue that comes across as uninspired. In contrast, Hope Ikpoku Jnr, in the role of Staples, stands out as the one actor who excels within the constraints of limited screen time.

Regrettably, the film falls short of expectations, and it is hoped that both the director and the writers can refine their storytelling skills to deliver a more engaging cinematic experience in the future.

The Kitchen is a black ghetto in a dystopian near-future London. Izi works in a futurist funeral home where the dead are turned into plant food. Each family is given a plant which will be used in reforesting. Benji is a 12 year old saying goodbye to his mother. Izi recognizes her and stops to attend the funeral. With no family left, Benji believes that Izi is his long absent father, but Izi insists that he's not.

This sets up an interesting world and an interesting budding relationship. It does leave me a little cold. It's a bit too slow. I want the plot to do more. It's a debut indie for many involved. I see potential in these actors and filmmakers.

I had a very different idea about the film after watching the trailer. But it didn't disappoint and in a way depicts today's London even though it's supposed to be dystopian as I agree with most of the comments.

However most people don't really understand the metaphorical depiction that actually people are classified, alienated, pushed out of their homes and zones and left in poverty by the system.

I know stories of people and I can also relate to the housing problems and neighbourhoods that are neglected and crime becomes increasingly apparent. Not as much as they describe in the film but pretty soon all this and much more can become the truth.

Not just people of colour but more diverse and low income groups are all in the same boat.

This isn't a real reflection of London now but still explains the system and what may come to pass if things aren't improved and more humane.

The Kitchen had so much potential with it's premise but ultimately falls victim to a slow moving script and frustrating story. The film depicts a bleak dystopian futurist society in 2044 London where people are seperated by wealth gaps. The pros of this film are the visuals/cinematography and performances. The Kitchen can't make up it's mind what type of story it wants to be which will cause confusion by the viewer. During it's short run time I felt like this movie was over 2 hours long but was only a little over one hour 30 minutes. The ending is also very unsatisfying and leaves up to interpretation. I was interested within the first 5 minutes of the movie but it quickly derails. The Kitchen gets 5 stars out of 10 from me.