अनास्तासिया स्टील के छोड़े जाने के बाद क्रिश्चियन ग्रे को बुरे सपने आने लगते है. जैसे जैसे वो अपने जीवन को ठीक राह पर लाने की कोशिश करता है वैसे वैसे एना का संपादक जैक हाइड और क्रिश्चियन की ... सभी पढ़ेंअनास्तासिया स्टील के छोड़े जाने के बाद क्रिश्चियन ग्रे को बुरे सपने आने लगते है. जैसे जैसे वो अपने जीवन को ठीक राह पर लाने की कोशिश करता है वैसे वैसे एना का संपादक जैक हाइड और क्रिश्चियन की पुर्व प्रेमी लेला उन दोनो की ज़िन्दगी में समस्याएँ पैदा करते हैं.अनास्तासिया स्टील के छोड़े जाने के बाद क्रिश्चियन ग्रे को बुरे सपने आने लगते है. जैसे जैसे वो अपने जीवन को ठीक राह पर लाने की कोशिश करता है वैसे वैसे एना का संपादक जैक हाइड और क्रिश्चियन की पुर्व प्रेमी लेला उन दोनो की ज़िन्दगी में समस्याएँ पैदा करते हैं.
- पुरस्कार
- 3 जीत और कुल 13 नामांकन
फ़ीचर्ड समीक्षाएं
It's not just the non-existent plot and hammy acting that let this film down, although they were major factors, the chemistry between the two leads was like watching two planks of wood getting together. None of what I saw made me believe he was an irresistible sex god with a dark side. And with Ana, let's just say biting ones lip every time something is suggested gets a bit old.
Furthermore, without wanting to spoil, is her IQ supposed to be about 50? I have to ask because she pretty much agrees to everything he says, and not in a dom/sub kind of way, more just because she doesn't seem to have the mental ability to argue. You have to wonder how she's employed in the first place.
I've seen some absolutely dire films but I can honestly say this is the worst film I've ever seen.
Him: "I'm not good with people because I'm mysterious."
Her: "I like mysterious, but I'm scared cause I'm fragile."
Him: "Don't be afraid, I'm the one who is afraid... of hurting you."
*Have Some Sex*
Her: "You're so thoughtful, maybe I misjudged you. Now I want to be hurt... just not emotionally."
Him: "I always hurt people, but I would never hurt you... unless you wanted me to."
Her: "Ouch, you hurt me. Now my feelings are hurt and I'm sad and my whole life hurts."
Him: "I'm sorry if I hurt you. I'll try harder, but I don't think I'll ever change.'
Her: "I'm gonna pretend like I didn't hear that, but please don't hurt me again. I trust you to change for me- projects are fun."
Him: "Put these things in your ass."
Her: "No." Him: "Okay, I'm not good with people because I'm mysterious."
*Have Some Sex Again*
Aaaand Credits
I have to admit I didn't notice much different with the change of directors. It does seem to follow on fairly logically from the first film, but if you're stepping in for the first time, you shouldn't have too many problems picking up the gist of things. I'd never try to argue the storyline is all that deep.
Dakota Johnson makes the film for me. She is a very appealing Ana and carries off the the vulnerable/strong character thing really well. Unlike some of the other reviewers around these parts, I think she succeeds in displaying plenty of chemistry with Christian. And speaking of that well-known male dominant, let me just add that I think Jamie Dornan plays that part quite well. Yes, he does appear kind of wooden and emotion-lite, but that's the way Christian is written in the books. And as many are aware, author EL James had a very big influence in the adaption of her books to the screen. For a start, her hubby Niall Leonard, is the sole script writer! All those expecting a vastly different screen persona of Christian are just whistling into a gale of a wind.
It was fun seeing Kim Bassinger turn up playing Elena, considering she starred in Nine and a Half Weeks, back 30 years or so ago and that film kicked up the same sort of reaction from critics as 50 Shades etc. ( It was also a commercial hit.) I'd never try to deny that the films all share great similarities. But that's Hollywood for you! What goes around, definitely comes back around!
Now about those little balls ...
क्या आपको पता है
- ट्रिवियाAna says "I expect you to call me Ana. I don't expect you to fetch me coffee unless you're getting some for yourself, and um, the rest we'll just make up as we go along." Melanie Griffith, Dakota Johnson's mother, said the same thing in Working Girl (1988).
- गूफ़In Christians apartment, several 'set' items changed from the first movie. Even though the writers want you to believe the second film's story picks up shortly after the end of the first film's ending. The art piece on the window wall changed. The large table in front of the window where in the first film he states that he's "Fifty shades fucked up" changed. Most visually obvious was the fireplace. This second film has a much larger one and now there's a TV above it where there was none in the first. The design of the staircase changed dramatically. The door to the playroom was white, but now it's dark.
- भाव
Anastasia Steele: [while they are in a supermarket, Christian is pushing the cart, looking uncomfortable] When's the last time you went shopping?
Christian Grey: Houston. A week ago.
Anastasia Steele: What'd you buy?
Christian Grey: An airline.
- क्रेज़ी क्रेडिटIn the theatrical & home media releases, the brief teaser trailer for Fifty Shades Freed (2018) is shown halfway through the closing credits. On the HBO version, the trailer is deleted to go to straight into the shortened Perfect World Pictures logo.
- इसके अलावा अन्य वर्जनThe running time quoted by IMDB, "1h 58m," is for the theatrical release. There is also an extended, unrated version, running about 13 minutes longer. The unrated version includes more sex and nudity and also alternate, more explicit takes, with 2 extended sex scenes plus 1 additional one, wherein the couple engage in sex after a game of billiards. It also has two scenes with Jennifer Ehle as Carla, Dakota Johnson/Anastasia's mother. Ehle is thus only credited in the unrated cut.
- कनेक्शनFeatured in Film '72: एपिसोड #46.1 (2017)
- साउंडट्रैकThe Scientist
Written by Guy Berryman, Jon Buckland (as Jonathan Buckland), Will Champion (as William Champion), Chris Martin (as Christopher Martin)
Performed by Corinne Bailey Rae
Produced by Corinne Bailey Rae & SJ Brown
Corinne Bailey Rae appears courtesy of Good Groove Recording
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Cincuenta sombras más oscuras
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $5,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $11,45,81,250
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,66,07,250
- 12 फ़र॰ 2017
- दुनिया भर में सकल
- $38,15,45,846
- चलने की अवधि
- 1 घं 58 मि(118 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1