Deutschland 83

I was in the US Army in '83 and intimately involved with the PII deployment and Able Archer. This perspective, from the East and West German point of view, is both reminiscent of my own experience and an enhancement of it. Well acted, produced, and an accurate account of the times. I had many German friends at the time, but due to my position I avoided talking politics as much as possible, but I hear their views echoed here.

Still, I was very aware of my friends reluctance to allow the PIIs and Cruise Missiles into their country. It wasn't until some years later that I discovered how Able Archer was perceived in the East, and this series recounts much of what I learned. It's been said that '83 was on par with the Cuban Missile Crisis in terms of edging toward nuclear war.

So to find a series that takes a piece of my past and twists and supplements it is very interesting. That is very well done makes it a must see for me! There are elements of the plot that get a bit overblown at times, but add to the intrigue and suspense (it is a fictional account, so that's OK). I'm very glad to have found this and would recommend it!!

This show is just awesome! They capture the feel of the 80's in a great way. I was not in East or West Germany but the older guys I worked with were and this show is as described. A people on the edge....

I really like the German actors and actresses, but especially the younger ones. The star, Jonas Nay, is awesome. A sense of innocence, youth, determination, and bravery even though he is the EG spy. It is great! Nikola Kastner is really great too. She conveys my memory of an 80's woman, from wherever so well.

The intrigue is great. Reminiscent for me of The Americans...kind of places a stress on you to watch as you get involved with the characters.

I think the only drawback for some viewers would be the subtitles. I don't mind at all.

You know, I want to know the model of that EG car that the mother drives!

I may be biased as reading, movies, and artifacts from the cold war era are a hobby of mine.

They really place you in it.....a good feel for what happened I think.

I was in that business around that same time, in West Germany. The details in this production are amazing, right down to two Trabis on the same street in the East, and no Mercedes in the Stasi parking garage. I love the fact that Americans speak with a slight American accent, and use English words -- though not necessarily the ones a German would use. This takes me back, to the uniforms, buildings, concerns of a different time. One I sincerely hope will disappear forever.

The problems of sending an East German to the West reflect the problems we had sending a Westerner east. The 1,001 ways to be tripped up brings back memories of complex plans that felt good, but you knew had huge holes in them no one had noticed. The risk to the actual agent cannot be downplayed, and this series (after only seeing #1) seem to lock in tight on that vital element of spy games.

IF you already like the series "The Americans", remember the 80's and don't mind subtitles.

It is a nice German spy adventure involving the youth in the German states that had been divided since the end of WW2.

I was 28 years old at the time this story takes place so... there were more than a few sentimental moments for me. It can be a lot of fun if, like me you are old enough to remember songs like "99 Luftballons". Or maybe you remember that sensation first time you ever used that "new" Sony Walkman? WOW!

Obviously this is a TV series so it isn't Shakespeare but... I found the writing more than adequate. Actors were good too. I found it easy to follow even while reading subtitles. (I only understand a tiny bit of German).

Watching as a U.S. citizen is a real bonus too. I do remember most of the historical events depicted but... from a much different perspective. It was eye opening to finally consider what it must have been like for the people living in Europe during this period.

Refreshing to watch the beginning of this series on Sundance Channel, a foreign language entry that catches a moment in recent German history without the usual quintessential archetypes and funny accents of any random American production involving Germans. The tables are turned in fact because it is the American characters speaking German who seem a bit less than convincing. English subtitles are no major distraction, because the script is terse and direct.

As in most German cinema, nothing is left to the imagination. If a character is destined to be a hero or a saint (or something in between) that element is telegraphed in advance by the director's emphasis on a frown, an arched eyebrow, a look of confusion, or a surreptitious stage movement. We know where the series is going by the end of the first episode, yet we identify with the young man at the center of the story irrespective of his opening attitude. There is none of the ambivalence or inchoate suspense found in one of John Le Carré's filmed spy novels.

I am looking forward immensely to viewing the remainder of the series in spite of not believing, really, that many of the easy coincidences, arch villains, clandestine meetings in the woods, and other stereotypical story devices could have actually happened.