Dharam Sankat Mein

The film is about a person raised as Hindu, who discovers he was born Muslim. Its always difficult to present a film, which deals with sensitive topic such as religion. Its remarkable that the film appears, very much justified in its approach. The story of main character swings as a pendulum to find a balance between both religion's, his family and quest to discover his biological father.

The film has a very good approach to the conclusion it wants to convey to audience. There are humorous factors to which a person can relate to, if not all of them. Various element's such as friendship and family values are presented well.

I would recommend this film to every fellow human.

rating: 7.5/10

Love of humanity follows no caste or creed. The main message of this beautiful film emphasizes this. The central character of this film Dharam Pal(Paresh Rawal) finds out upon the opening of a safe deposit box left by his late mother - that he is a child adopted from a Muslim couple.

Having been raised as a Hindu for so long, this comes as a rude awakening to him. He is left in a moral dilemma - whether to confide in his wife or not. He opts not to tell his wife, but confides his secret to his next-door neighbor Nawab Mehmood Shah(Anu Kapoor), who is a lawyer by profession. Nawab Shah helps him to find his real biological father.

Upon learning that his father has been found and is seriously ill, Dharam Pal rushes to meet him, but he is stopped by the Imaam who is taking care of his father.

He tells Dharampal that if his father saw that his only son has been brought up as a non-Muslim, it could cause severe damage to his health. Therefore, he tells Dharampal to learn how to become a true Muslim and come back to meet his father once he is ready.

Watch this excellent film to find out what happens next...

The film also stars veteran actor Naseeruddin Shah in the role of Neel Anand Baba.

Paresh Rawal Films To See: Woh Chokri, Sir, Sardar, Naam, Kshana Kshanam (1991), Money (1993), Money Money (1995), Govinda Govinda (1994), Rikshavodu (1995), Bavagaru Bagunnara (1998), Shankar Dada M.B.B.S. (2004), and Teen Maar (2011), Shiva (1990), Tamanna (1996), Chachi 420 (1997), Hera Pheri (2000), Phir Hera Pheri (2006), Deewane Huye Paagal (2005), Bhool Bhulaiyaa (2007).

Anu Kapoor: Utsav, Mr. India, Tezaab, Chameli Ki Shaadi, Arjun, Ram Lakhan, Main Azaad Hoon, Ghayal, Yodha.

Naseeruddin Shah: Tridev, Woh Saat Din, Pestonjee, Mirch Masala, The Perfect Murder, Hum Paanch, Masoom, Jalwa, Paar, The League Of Extraordinary Gentlemen(LXG), Khamosh, Hero Hiralal, Khoj, Vishwatma, Mohra, Albert Pinto Ko Gussa Kyoon Aata Hai, Sarfarosh, Chinagate, Sir, Panaah.

An official remake of the 2010 British comedy film titled The Infidel, 'Dharam Sankat Mein' is a well-intentioned, honest film, but sadly, its not very entertaining. Reason? The half-baked Screenplay, which appeals only in bits.

'Dharam Sankat Mein' Synopsis: At the age of 55, a Hindu man discovers that he was born Muslim and adopted by a Hindu family. Chaos follows...

'Dharam Sankat Mein' has a terrific premise & to an extend, the film works. The narrative is nicely paced until its first-hour, where its protagonist gets into a series of unexpected events. But, the same can't be said about the preachy second-hour. All of a sudden, this light-comedy becomes a drama about the Hindu-Muslim conflict & the depiction of god-men in a bad taste, seems to be getting repetitive now. First OMG, then P.K & now 'Dharam Sankat Mein', have been primarily based on religion & god-men. The only difference between the previous 2 films, were, that they were extremely well-made, but 'Dharam Sankat Mein' falls short on expectations.

The Screenplay begins with skill & even the dialogue are clever, but the second-hour is strictly a no-no. Fuwad Khan's Direction is fair. Cinematography is standard. Editing is fine. The Songs, however, add nothing to the narrative.

Performance-Wise: Paresh Rawal can never be doubted. And although he has enacted a similar part in OMG before, the screen-legend enacts the central part with amazing ease. He's delightful all though as the man in question. Annu Kapoor, also, is in fantastic form. His scenes with Paresh, work very well. Naseeruddin Shah, as an exaggerated god-man, hams. His performance stands out like a sore thumb.

On the whole, 'Dharam Sankat Mein' is certainly made with noble intentions, but as a cinematic experience, its strictly okay!

This movie I played as casual watch; but while watching it made me to feel worthy of the movie.

Movie starts with a brahmin family man, how he lives in the society; and all of sudden he realized that he is an Islamic person by birth and grown as Brahmin. Movie shows that he tried to see his father and how he faces all the problems; at the end, he met his father and he pulled out the back ground plot of a swami ji and family unites again, and thus movie gets over.

I enjoyed the Paresh Rawal acts, he did it very well. His humorous speech and his facial expressions are awesome throughout the movie and made me to watch twice. Some of the comedy scenes are awesome and scored 100% marks (especially he himself gets confused how to greet the hindu priest while seeing with the mixed thinking he is being an Muslim).

Please watch the movie and you will reveal the above said lines.

Thanks, Simply the Subbu !

Hindi film industry is known to follow the running trend blindly, so here is another of those noble attempts in the newly found genre of 'religious-political satire' rediscovered post the big success of OH MY GOD! and PK. The word 'rediscovered' is being used here as the genre was always there in our cinema with films such as DHARAMPUTRA(1961), YAHI HAI ZINDAGI (1977) and more but rarely used till it was re-presented in an entertaining as well as enlightening form again in the recent years.

Coming to the latest release DHARAM SANKAT MEIN focusing on an important and burning debate that whether religion depends upon the birth or the family bringing up the child since his early childhood, the film is no doubt a brave and thought provoking attempt by its debutant director Fuwad Khan in all respects. But if only he could have stayed with the basic subject without going into the already exhausted plot of fake babas and their influence on innocent people, the film could have been another eye-opener for all those fanatic practitioners of various religions unarguably.

Revolving around a middle aged Hindu person who shockingly finds out that he was actually an adopted boy and a born Muslim, the film is an official remake of British comedy THE INFIDEL (2010) wherein the Muslim protagonist happened to be a born Jew. Now though the idea seems to be quite fresh and novel in the first look, it interestingly remains an innovative extension of many lost and found formula Hindi films only, wherein the heroes after getting lost in the childhood, get adopted and then brought up by different families practicing distinctive religions like in Manmohan Desai's AMAR AKBAR ANTHONY.

Putting it more specifically, it can also be said that DHARAM SANKAT MEIN in fact begins from where films like DHARAMPUTRA (1961) end when the lead character gets to know his real identity and religion belonging to a different family. But then the major difference here lies in the treatment which in the present times tends to become all comical instead of getting serious or deeply introspective. DHARAM SANKAT MEIN begins superbly with a scene straight away mixing Hindu, Muslim and Punjabi communities together in just 2 minutes and then its truly a treat to watch the exceptional actors Paresh Rawal and Anu Kapoor together on the screen for its next hour. The director along with his dialogue writer and actors very bravely and carefully executes many sensitive scenes related to the different traditions or religious prayers and for that they certainly need to be praised whole heartedly. For instance, as Anu asks Paresh to come into the car, Paresh questions "Kyon Musalmaan Hun Isliye?" To which Anu replies, "Nahin Tum Pareshaan Ho Isliye....."

In short it's a completely enjoyable film till the intermission with an interesting story progression and many socially relevant scenes. But as always the same cannot be said for its second half since the team is not able to maintain the quality of content and pace moving into all weird and avoidable directions in its concluding hour. Post intermission, focusing more on the fake baba (poorly played by Naseeruddin Shah) and forcibly added social-political games once again leading to a court room, the film falls apart badly and offers nothing new to the audience strongly reminding them of both OH MY GOD as well as PK in exact terms. Though few well written scenes do keep coming in at gaps in its final hour, but overall DSM completely turns into a lousy sequel of the two films mentioned above towards the end and the viewer doesn't leave the theater thoroughly impressed or entertained ruining the fine buildup made by its initial hour. Particularly when a (sanskrit) song erupts all of sudden sung by Naseer and later an utterly silly connection revealed between a Punjabi pop singer (Gippy Grewal) and the fake Baba (Naseeruddin Shah), also making a clear indication towards another Punjabi music industry icon who was allegedly caught for "Kabootarbaazi" (illegal immigration) a few years back.

In the technical department, DSM has a decent soundtrack with two catchy Punjabi based songs and one well written-composed track, "Main Kis Mitti Ka Jaaya Ve" inserted perfectly where required. Both the background score and cinematography help the film a lot to get into that pensive mood, editing makes it move at a good pace only to get disturbed by an amateurish climax, whereas the dialogue writers keep coming up with great one liners constantly till the end.

In the performances, Paresh Rawal seems to have achieved mastery in such similar roles and thus he is right there at the top with a flawless portrayal. But the one who leaves you asking for more is Anu Kapoor, once again reminding the industry about his unexplored talent not given enough chances to deliver many possible path breaking performances. Their scenes together simply become the backbone of the film along with praiseworthy supporting acts coming from Murli Sharma, Alka Kaushal and more. However the major spoilsport among these all remains the hamming act of Naseeruddin Shah, probably due to an over the top performance demanded by the director. In fact had his character not been given so much footage in the second half, the film could have reached much higher status in terms of satire as well as the message stored for the society.

Overall, DHARAM SANKAT MEIN can be seen once for its subject and all 'Anu-Paresh' sequences alone, crediting the makers for their courage shown in taking up a satirical comedy project based on such a sensitive subject in the present scenario involving 'The Original Religion'.