Queen of Katwe

Loved it well made and well acted. Teary in parts. It has been a while since a movie has had all the components of this movie. It captures how privileged we are in the west and out of pure will and following your passion you can come to be whom you really are against all odds.

The actors portrayed the story with great depth and conviction. I loved the end and hope all true story's have the chance to show (Those that are still living) their real persons as I felt it adds a realness to the story and movie final. Well directed as well.

There is a star in the making with actress Madina Nalwanga i am sure we will see allot more of her out standing performance.

This film tells the story of a teenage girl from a Ugandan ghetto. She is discovered by a chess teacher to be brilliant in chess, and hence she embark on a journey on international chess championships to lift her out of the ghetto.

"Queen of Katwe" tells a story that inspires people across the socioeconomic spectrum. Phiona and her family struggles to make ends meet, and yet she does something that is not conventionally economically active. The hardship of living in a ghetto is well depicted in the film, especially in the eviction scene and the car accident scene. The story is touching, especially when it tells how Phiona is under pressure. I notice how they depict Phiona under pressure during a chess game, and the opponents looking confident by staring fiercely into Phiona. This adds dimension to the story.

Mira Nair returns to Uganda once again, three decades after she made Mississipi Masala. This is a much better film. While Mississipi Masala centered around an upper middle class Indian-Ugandan family, Queen of Katwe is set in the slums of Uganda. Nair doesn't attempt to go easy on the slum visuals here. The filth and squalor are in your face here, from beginning to end. I haven't seen a film depicting poverty in this way for a long time. Even Slumdog Millionaire wasn't so strong. Otherwise Queen of Kawate is a fairly predictable story of an under-privileged girl rising to success against the odds. The medium of her rise is chess. She's the pawn who turns into a queen, as sometimes happens in chess. The performances are uniformly good, especially given that most of them are child actors (Mira Nair's first film was Salaam Bombay and she is pretty good at handling children). I found the end credits rather moving, where the real characters pose with the actors who played them on screen. All in all a very warm, watchable film.

Here is another beautiful film by Mira Nair who made 'Monsoon Wedding'. The cinematography captures the true colors and life in a slum of Uganda, Africa. The characters were really believable and the acting was excellent. Madina Nalwanga's acting was very convincing and true to her heart. She understands how to portray her emotions in front of the camera. The children in the film were brilliant and all the cast gave good performances. Some scenes were heartbreaking and moving. Mira Nair directs her actors with great skill and confidence which is visible on the screen. Its really beautiful to experience another culture and I was very happy to experience Uganda. A big congrats to Mira Nair for a good film. I met Mira Nair few years ago when she came to San Francisco for a film premiere. She was very nice and sweet lady.

Mira Nair previously focused on Uganda in 1991's "Mississippi Masala" (about an Indian family forced into exile by Idi Amin). "Queen of Katwe" is the true story of Phiona Mutesi, who started playing chess to get out of Kampala's slums. Katwe is the sort of place where you have to bribe people to do even minimal tasks. Lupita Nyong'o plays Phiona's mother, the sort of person who knows the slums all too well and isn't thrilled with her daughter's goal.

One of the most effective scenes is when the Katwe children compete against the students of King's College: the Katwe children wear the traditional Ugandan attire while the rich children wear western clothes, showing the disconnect between the social classes (a scene towards the end of "Mississippi Masala" showed something similar: when the father returns to Uganda, he looks westernized while the Ugandans wear the traditional clothes).

Admittedly, I don't know how accurate the movie is, especially since I had never heard of the story before the movie's release. Nonetheless, it's a powerful, uplifting story. The people involved in this movie deserve ample recognition for their contributions, and I hope that it draws more attention to Phiona Mutesi's achievements.