Carnage Park

"Brothers burn faster when they're burning together."

The only positive thing about this film was Pat Healy as the crazy ex-marine Wyatt Moss, who set up his own personal amusement park somewhere in the bone-dry desert in California where he lures lost backpackers and hunts them down as a real psychotic hunter. He gratefully uses his talent as a sniper during these chases. The few times he speaks in this movie, show that he's ready for the nuthouse. Especially the dialogue with his brother, Sheriff Moss (Alan Ruck), is a memorable moment with that intonation and those facial expressions. Wyatt gave me the chills here, acting as a real psychopath. Just because of this scene, I'm planning to watch some more films with Healy playing in it.

I also thought that the sometimes eerie soundtrack and sound clips reverberating from the megaphones weren't so bad. They emphasized the insane mind of Wyatt. But otherwise this was a meaningless crime film, starring a madman fascinated by religion, who has his own safari park where victims try to survive. Thus a typical survival film. The last victim here is Vivian (Ashley Bell). She was kidnapped by two layabouts who tried to rob a bank and ended up in Carnage Park. It isn't very original and to be honest, there isn't happening that much essentially. It's during her stumbling flight that Vivian discovers other victims. And surely you can expect some fragments that are similar to those in other famous horror movies.

The thing that amazes me every time, is the stupidity of the main character. When you take matters into your own hand, make damn sure you do it thoroughly. Such a madman wouldn't get a second chance with me. But no, Wyatt with his gas mask (which reminded me of a CD cover from "Therapy?") resurfaces once again and the cat and mouse game restarts. And a cat could well have an advantage in this game, because it was largely pitch dark in this film. Several times I checked if the power went down, because in the end I couldn't see Jack sh*t most of the time. Also, the attempt to emulate the feel of a 70's movie wasn't really successful.

Actually, you can compare this with Mickey Keating's previous creation "Pod". Also, a so-called horror with potential. Good intentions are clearly present and there are also some positive aspects can be seen, but ultimately it's all vague and disappointing. Even downright violence and bloody fragments can't prevent it's becoming pretty boring and tedious halfway. Not to mention the announcement that this film is based once again on true facts. That won't make it an exciting movie, unfortunately.

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Tries very hard to be something,it is not... the only good thing about this film is a great performance by the actress,who was also in The Last Exorcism ...the rest is very boring........

Made as an ode to flicks from the seventies this flick sadly do has it flows. It all starts pretty well with the future and the past perfectly blend into each other but the further this one goes it turns into a few problems.

I can dig the whole story so-called based on true events a bit like they did wit Texas Chainsaw Massacre (1974) even the color grading used reminded me of those good old exploitation flicks.

But it's the ending, especially in the mines that took a bit too long for me because naturally it's pitch black in mines but it's also filmed that way. So many moments the only thing you see is a black screen.

But luckily the effects used were above mediocre. There aren't that many in it but the shooting in the head and the results are really a must see for gorehounds. Don't get me wrong, it is still worth picking up but as said, the mines could have been a bit shorter, it would made it a perfect flick.

Gore 1/5 Nudity 0/5 Effects 3/5 Story 2,5/5 Comedy 0/5

I loved the '70s vibe, the old cars and style, with the sepia cinematography that doesn't always add to a film, but was amazing the way it was used here. After awhile though, it deteriorated into nothing but 'special effects' with muffled, crazy weirdness over loudspeakers that wasn't scary, then it became too dark to see anything (maybe it would be better viewed at night.) I heard a random possible gunshot here and there, but honestly I was bored through to the end. The first half was interesting, but the second was a big fat zero. I gave stars for the cinematography and the acting, which was excellent, for the first half, but ultimately, the film was a big fat disappointment. Seemed to try too hard at being "artsy" and that left a plot that fell flat, especially since it was based on a true story. I love desert horror/ thriller movies, usually. The 'Reeker' films were much more interesting to me, because they saw the plot through to the end. I'd give a sequel a chance, just in case there was a more engaging and complete plot, but would go in with low expectations.

Vivian Fontaine (Ashley Bell) has been taken captive by a bank robber. The situation is a mess. The other robber is dead. They drive onto private property. The owner is militarized hermit Wyatt Moss (Pat Healy). Vivian is passed from one captor to the next. Wyatt's brother Sheriff Moss (Alan Ruck) comes to investigate.

This is a small violent indie. It reminds me of those 70's and 80's exploitation fare. I like this for two reasons, Ashley Bell and the twist with Vivian. I really wish that they do more with the Vivian twist. There is still room to grow that plot. This is simple fun although it could have been more.