The Bad Batch

I went against my instincts when it came to watching 'The Bad Batch'. Every nerve in my body was telling me it would be dreadful, but the words cannibals, Jim Carrey, Keanu Reeves and Giovanni Ribisi kept repeating over and over in my head until I finally gave in and made the fateful mistake of watching it. My god, how is it possible to make a story this boring out of cannibals? Every single thing it tries to make itself interesting with completely falls flat. When you manage to get a completely dull and forgettable performance out of Jim Carrey you know you're doing something terribly wrong.

The film tries to be thought-provoking (at least it seemed like that was what it was going for) but none of the concepts it presents are in any way actually worthy of a second thought. It also goes for a lot of style, however it again falls short. In a futuristic desert wasteland setting there a thousand different concepts you could use to create an interesting story. For some reason 'The Bad Batch' chooses a story that could have been told in any setting and in any time period. That's about as lazy as story-telling gets. If you do make the mistake of selecting this one up on Netflix brace yourself for a long and painful couple of hours.

After watching this film for the first time, I decided to wait a while before saying anything about it. After two months, I watched it again and decided that this was well worth a second view.

The story is pretty typical for the genre of undesirables exiled to a wasteland. Yes, some felt compelled to resort to cannibalism as the easier strategy. And yet, there's a haven of sorts, if one is willing to find it.

The lead character, played by Suki Waterhouse, does an admirable job - but Jim Carrey is the real surprise - dramatically entertaining in a completely unexpected role. Even Keanu Reeves' portrayal of a dubious but benevolent "desert sultan", replete with breeding harem. is spot on. An agreeable fellow who is just too smooth to be truly likable. Jason Momoa's character remains an unpredictable cut-throat who may or may not turn out to be one of the most depraved amongst these outcasts.

I would be tempted to rate the film higher if the story had been a little more imaginative. Kudos to the director for coping with the harsh environment - and the in-camera special effects that largely took care of the scenes that required them. I'll be happy to upgrade my rating in future, if I find that the film continues to grow on me.

This is my first, and possibly only, review on IMDB. Felt I needed to come out in defense of this film which I regrettably put off watching for so long. There was initially two things that put me off after I'd seen A Girl Walks Home and wanted more Ana Lily Amirpour: cannibals and Jason Momoa's eyebrows (seriously, those things are straight out of a comic book). Anyway if you can get past a little gore and the f'd up concept of cannibalism this film is a worthy, bigger budget follow up to AGWHAAN. Suki Waterhouse creates an icon with the role, Keanu's character will come at you like a curveball, and everyone else is diggable yet understated.

I love Amirpour's pacing and the breath she allows into films. To sum up, you get some dystopian sci-fi, a little horror, and a really good movie about compassion and heart. Watch this film, and keep The Dream alive!

Hoo boy. This movie requires some effort. What starts off as a brutal exploitation flick, surely to weed out the meek, evolves into an absorbing treatise on primal human conditions in a barren, deserted wasteland.

While Ana Lily Amipour's sophomore effort contains pulpy roots, littered with outrageous characters and circumstances, it also tackles some grand topics. Our white trashy heroine Arlen is unceremoniously turfed out of society to fend for herself behind a Texan fence, where lawlessness and depravity are the rule of the day. She is soon captured by a tribe of cannibals, and mayhem ensues.

Dystopian futures as these don't seem all that far fetched any more. "The Bad Batch" may serve as a warning, but chiefly it serves as dusty entertainment. Much like the "Mad Max" franchise, it is a world full of crazies scrambling to survive in glorious sunbaked vistas.

Sporting a primo porn stash, Keannu Reeves pops up as a bizarro, robe clad cult leader. Giovanni Ribisi slips in several rambling, asylum escapee diatribes, but it is an unrecognizable Jim Carrey who absolutely steals the movie as a wizened bag man.

"The Bad Batch" has the art junk, lost inhibition, drug and music orgy feel of Burning Man, and because it's stealthily asking tough questions, has much more going for it than the cheap veneer may indicate.

This film tells the story of a young woman who is captured by Cannibalistic tribe in the desert.

I cannot believe how bad this film is. The first word is spoken at the twenty minute Mark. The film is constantly provides close ups of amputees, so much that it almost feels like it's a fetishistic thing. There is almost no story, and the only so called story is just to provide reasons for more amputation. The film is beyond terrible. I don't know how it attracted three big actors.