Les témoins

French crime drama 'Witnesses' appears to take many of its cues from the superb Danish series 'The Killing': an intense, career focused, thoughtful but lonely female protagonist, with a tendency to go into dark places alone, coupled with a landscape that is always painted grey (in this case, the seaside town of Le Treport, which probably won't attract too many additional holiday makers as a result of its portrayal). Unfortuantly, there are also some problems, most notably, a complex plot that doesn't make a lot of sense. For example, it's clear that the crime under investigation involves someone seeking revenge on a retired detective, so the first thing the police do is to bring the person in question back onto the job specifically to lead the case. It's a standard trope of television detectives, of course, that they accidentally find a personal link to the case they're investigating; but it's a bit crazy to assume the reverse, that a known personal involvement would lead to someone being put in charge, especially as much of the tension in the drama comes from his own reluctance to share what he knows with his colleagues. The acting from the two leads was good, and I also liked the mood of the piece, but ultimately, the story just isn't very plausible or engaging.

The far north of France has its universally appealing quirks, as the unlikely hit film Welcome to the Sticks (Bienvenue chez les Ch'tis, 2008) exploited to excellent comic effect. But can Le Nord serve as an effective setting for more serious drama, like that emanating from much farther north? This French mystery-thriller series gives a Gallic slant to all the tropes developed to such good effect in classic Nordic Noir: weird title song in fractured English, drone shots of landscapes under oppressive skies, obsessive female cop with personal issues, etc. Nearby Normandy was settled by the Vikings, after all.

There are good things here. Marie Dompnier as the young detective Sandra Winckler is very watchable: she alone gives the series its focus and makes one care about what happens. But the plot is far too elaborate even by recent Scandinavian standards and the holes in it gape far too wide. The device of giving no answer at all to straight questions becomes seriously overused, especially in relation to Paul Maisonneuve (Thierry Lhermitte), the aristocratic, stone-faced ex-police chief with an enigmatic past. You keep on wanting to yell, "Just answer the question!" at Paul. As for Sandra, you'll repeatedly find yourself shouting, "Call for backup on your cell phone!" and when this fails, "For heaven's sake just shoot him!"

The small Channel town of Le Tréport, at the foot of chalk cliffs, has a major role as a dismal, Gothic background for the convoluted goings on. Yet Le Tréport in reality is a charming place, certainly not one known for awful weather, demented clown-faced serial killers, and rabid wolves. It might have been better to use the Broadchurch method: a sunny seaside village with magnificent cliffs as a splendid foil to the dark undercurrents.

There will of course be another series of Witnesses, as certain plot elements need to be resolved. I suppose I'll watch it, but not with high expectations. There was only just enough in this series to make me persist with all six episodes, and it's really not a patch on The Killing or Broadchurch nor on the best French cop dramas like Spiral.

As a keen follower of mostly British and Scandinavian crime dramas, I try at times to broaden my horizon and find out what other nationalities/countries have come to offer. Thanks to the site here plus Wikipedia, it is now easy to look around and see what is going on elsewhere, together with brief synopsis and comments.

As I liked Braquo and Engrenages, then Les témoins met my eye as well - and caught my attention from the very first moments. The producers are apparently the admirers of Scandinavian film noir, but this was not annoying, on the contrary - the concept, camera-work, music score and mood were catchy to follow, and the story "started working" at once, making you ponder on and over what could and would really happen. Leading characters and actors were distinct (particularly Thierry Lhermitte as former police chief Paul Maisonneuve and Marie Dompnier as police lieutenant Sandra Winckler) and the plot had interesting twists and turns, full of mysticism, but without interventions from supernatural forces; plus the nature in North-Eastern France is very different from we are used to see in French films, accentuating the similarities with Western Scandinavia and Northern England and Scotland.

All in all, a good series, and the number of episodes (6) is just right to obtain a versatile, yet not protracted and not discursive crime series.

I've just finished watching this series following its run on Channel 4 in the UK, and thoroughly enjoyed it. It has bags of atmosphere, some fabulous and very intense acting, and a great central character in the stunning Marie Dompnier. Certainly an actress to watch.

In addition, considering its 6 hour running time and novelistic structure, not to mention 2 intertwined mysteries to keep the viewer guessing, it really jogs along at quite a clip, with as much intrigue and incident per episode as many mini-series have in their entire running times.

There were a few plotting issues that lose it one point out of 10, but otherwise I thought this was as gripping as anything I've seen on TV for a while.

I liked season 1 of Witnesses but season 2 is terrible. Preposterous plot and it violates an important rule of the genre: you don't introduce new characters at the very end of the series. There were so many questions which were never answered and the main detective was so unlikeable and self-centered, it was hard to root for her. Skip this one and watch something else!