अपनी भाषा में प्लॉट जोड़ेंSomething has surfaced in Tokyo Bay. As the Prime Minister of Japan pleads with the public to remain calm, a horrific creature of tremendous size makes landfall in the city, leaving death an... सभी पढ़ेंSomething has surfaced in Tokyo Bay. As the Prime Minister of Japan pleads with the public to remain calm, a horrific creature of tremendous size makes landfall in the city, leaving death and destruction in its wake. Then it evolves.Something has surfaced in Tokyo Bay. As the Prime Minister of Japan pleads with the public to remain calm, a horrific creature of tremendous size makes landfall in the city, leaving death and destruction in its wake. Then it evolves.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 13 जीत और कुल 10 नामांकन
फ़ीचर्ड समीक्षाएं
PROS:
- The acting was great as a whole, comprising of much seriousness and focus, typical of the exigency of a nation-wide disaster, in the top politicians of the diet.
- It is full of political irony, satire of the Japanese government's and bureaucracy's indecision and red-taping. There is great intelligence imbued into movie, and it shows that much research has been done prior to filming. It also shows the way in which foreign and indigenous affairs have been interwoven together in governmental decision-making. I greatly appreciate this as a whole, as the narration is full of meaning and subtlety.
- The special effects of Godzilla were absolutely wonderful, portraying both scale and grandeur in Godzilla's size and style. I greatly enjoyed the four main scenes where Godzilla made its appearance, especially its climax at the latter two.
- The pacing was fast-paced, and little time was wasted. A lot of content had been packaged into a duration of just 120 minutes. While watching, I thought that the film lasted for 4 hours, as there were so many occurrences!
- The style and pace also remains true to the original Godzilla classics. So is the provenance of Godzilla.
CONS
- Ishihara would not have fooled us into thinking that she is a Japanese-American English speaker!
- Overall, it is very dialogue-heavy. This is both a strength and weakness. A strength as there is much character development, but also excessive to the point that it sometimes can be dreary and draggy. This is the greatest setback of the film, and could have been further streamlined. Minus 1 star for this.
CONCLUSION:
- As a whole, I rate it 9 out of 10, and will watch it again.
- Most people who have an appreciation for subtlety and nuance, and also of vivid storytelling will like this film.
- However, those who prefer a CGI roller-coaster like Independence Day 2 or 2012 may be turned off by the extremely heavy dialogue.
At present in Japan, there is an ongoing debate as to whether or not Japan should amend it's constitution to allow for an offensive military and this Godzilla film plays to exactly how powerless Japan would be in making it's own decisions during an attack of any kind. The reality is that the Japanese Prime Minister would have to ask for permission from the United States President before making an offensive move against a foreign threat and this film plays to that hard reality.
This new Godzilla starts out as an homage to its former man in a monster suit so that when you first see Godzilla, you'll disbelieve what you're seeing, but this Godzilla evolves into something majestic and utterly awe inspiring in its power.
What's more, this film makes it clear people die. In the Japanese release there's a lot of word play about how the government officials up high (on the fifth floor) make decisions that get passed down to people on lower floors that eventually hurt the people. I'm not sure how much will be translated, but the film is deliberately showing the disconnect between the political and day to day realities.
Overall, the performances are good. There is one character who they, for whatever reason, decided to make speak English in odd an inappropriate times.
This isn't a film for US audiences. The aesthetics will turn off a lot of non-Japanese young people accustomed to CG reality. But if you're open to learning about another culture, this is an excellent film, one of the best kaiju-films you'll ever see.
Japan just went through a nation-wide Earthquake that took more than 15,000 lives, and triggered the second worst nuclear meltdown in history, both just five years ago. And this is a clear satire on the sociopolitical events since.
The film takes us through what goes on in the government when a unprecedented crisis hits the nation. It's a bunch of long meetings, finger-pointing, paperwork, and slow decision-making. It is the epitome of dysfunctional bureaucracy.
On top of all that, you start to see the US government and other UN nations start to poke their heads into the matter, treating the hometown of 15 million Japanese people like just another battleground for just another war.
There are no clear-cut heroes; Just a group of normal people who are experts in their own fields, doing their best to contribute and put this disaster to an end. They have to fight the politics more than the actual monster.
The reality of all of this is astonishing, and completely believable. It starts to feel like a crisis simulation film.
But of course, the center of it all is Godzilla:
Godzilla himself is truly awe-inspiring in this film. What they have done with the monster is totally new, different from any of the Godzillas in the past (be careful of spoilers out there on the web if you want to experience the amazement). It's personally my favorite by far. Throughout the film, Godzilla is dubbed as "The truly perfect organism", "The most evolved being on the planet", and "A god". So that is the level which you should expect. His crazy power is far beyond belief, so you can safely immerse yourself into this fictional monster.
The tag-line for "Godzilla Resurgence" in Japan reads: "Reality(Japan) V.S. Fiction(Godzilla)". So you are witnessing the fault line between reality and fiction.
When Godzilla is turning the city of Tokyo into rubble, the Japanese don't see fiction. They see the events of 2011/03/11. The director clearly took measures to parallel the tsunamis, the rubble, and the fear of radiation to the events in real life.
Put that together with the bureaucratic mess, the international politics, and terror/awesomeness of the devastating monster Godzilla; The result is this masterpiece. It's a movie clearly wouldn't have come out from the Hollywood scene.
It does have it's faults (like Satomi Ishihara's cartoonish character), but the impact and significance of the film far surpasses its faults.
A must-watch.
New Horror Releases in August 2025
New Horror Releases in August 2025
क्या आपको पता है
- ट्रिवियाThe film has a rare 3.1 sound mix.
- गूफ़The drug that the government uses to kill Godzilla is described as something that will "disable his internal cooling system". After the drug is used at the end, Godzilla freezes. If the drug was supposed to disable his internal cooling system, it would have overheated him, not frozen him. But it's a bit more complex than that... In fact, in the movie the drug actually does manage to disable Godzilla's cooling system, but in stead of overheating him this triggers a SCRAM-shutdown (=Safety Control Rods Activation Mechanism) as a kind of involuntarily overreaction-thus freezing him in the procedure. By freezing himself temporarily, Godzilla is able to survive this potentially critical trauma.
- भाव
Hiromi Ogashira, Deputy Director of Nature Conservation Bureau: Man is more frightening than Gojira.
- क्रेज़ी क्रेडिटThe Toho logo appears as the 1950s color version to homage गॉडज़िला (1954)'s era.
Godzilla's stomping and roar is heard, which also happened in गॉडज़िला (1954).
- कनेक्शनFeatured in The Late Show Con Karim Musa: Godzilla; Tutti i film, in poche parole (2017)
- साउंडट्रैकPersecution of the Masses
Written by Shirô Sagisu
Lyrics by Mike Wyzgowski
Soprano vocals performed by Catherine Bott
Alto and Mezzo-Soprano vocals performed by Deborah Miles-Johnson
Tenor vocals performed by Andrew Busher
Bass vocals performed by Michael George
Orchestra by London Studio Orchestra
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- गॉडज़िला रिसर्जेन्स
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $19,18,403
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,58,342
- 16 अक्टू॰ 2016
- दुनिया भर में सकल
- $7,80,53,145
- चलने की अवधि2 घंटे
- रंग
- पक्ष अनुपात
- 2.39 : 1