My Father Die

Society is going down a drain.

Once again, another so called cult film resorting to human sewage to try and cause an emotional impact because, it seems, audiences are so desensitized that in order to keep them awake they have to be fed vile and despicable imagery.

I wonder what makes directors and writers to film a scene where a teenager masturbates while watching other teens having sex. How authorities allow this to happen? This is worse than porn because in porn the actors are not supposed to be underage.

After that, I could not stomach to sit through monstrosity. I fast forwarded pausing every now then to sample what was going on, and, of course, what one sees is a succession of human depravity, deviancy and the usual depiction of human misery.

Skip it. I believe watching a dead cat rot in an alley has more entertaining value than this aberration.

This film failed on so many levels, especially at delivering a single coherent thought.

They allegations of bucket loads of blood and gore are overstated. As a revenge action flick it has enough action to keep most people happy. The reflections on the past add pathos.

Some of the characterizations are a little thinly drawn, but fortunately for us not the main roles; which are all filled with conviction. The violence though extreme occurs in context and without unduly being dwelt on.

Other reviewers really should try to be dispassionate and honest about there own sensitivities if they seek to achieve their presumed goal of guiding over people in their movie choices.

I would have given this a 6 but raised it to a 7 because the main roles are played well. The script isn't too shabby and the pace and length of the film was well considered in the edit.

This is good B movie action by any honest brokers standards.

This was part of Frightfest 2016 and it was really good. Now it has quite a few flaws overall, but just the rawness and the way it deals with things plus the way it is framed and filmed, all make up for it. Some may feel it is too "arty", especially the black and white shots of it (flashbacks) will be the target of that criticism.

But it all makes sense (well apart from starting something and crazily enough not having finished it ... then again that creates a sort of magic aura that transcends this into a different dimension) in the end. And it is based on Freud partly of course. In the sense that sons want to replace their dad. In this case, the dad is not a nice one at all.

A lot of violence and a lot of crazy things happening, but all with a purpose

Asher is deaf and mute, but he wasn't always it was his abusive father that caused it to him when he was twelve, around the same time that his pops killed his brother for reasons of a sexual jealousy nature.

Ivan – the father then has to do his time in the State Pen etc. We join them on Ivan's release and how Asher now all grown up, and bursting for revenge, has decided that his daddykins is a boil that needs lancing.

Now that is a brief synopsis and this is essentially a violent thriller that did well at Frightfest. I thought it was excellent, some have complained it to being a bit 'arty', never a problem in my book and it is violent and depraved and dirty and even existentialist but all in a contextual way.

This is written, directed and has a bit part for Sean Brosnan (son of Pierce) but this is no vanity project. I found the cinematography to be well thought through and the timing of the 'action' just spot on. The actors all do a brilliant job and the story itself is as griping as it can be repulsive, so all in all some feat to have made so many differing aspects work together and work so well – one I can recommend completely.