The Bastard Executioner

The Bastard Executioner is an utterly brutal and uncompromising look at the price of imperialism and the inhumanity that comes in its wake.

Set in the 14th century Britain and Wales this series offers up a glimpse into the carnage and misery caused by Britain's imperialist ambitions as it seeks to conquer and pacify its neighbours, the Welsh.

Focusing on one Welsh soldier wearied by war and bloodshed we see how he like those around him is shaped by events he has little control over.

This series is an interesting premise that has a certain honesty about it. Knights and the so called nobility are seen for the murderous, sadistic thugs they really were. Indeed, this reflects the reality of what the Norman caste system was all about, entrenched, ritualized inequity and predatory economic parasitism.

The acting is of a good standard and there are a few well known faces, such as Stephen Moyer, of the True Blood series. The story is an interesting one too. That said, the extremes of violence depicted in this series may be a blood soaked trip too far for some. I have a strong stomach but even I was shocked by what I saw at times.

As it stands I'll offer up a seven out of ten for The Bastard Executioner, which I may review as the series progresses.

I see this show as proof of how much the bar has been raised in television over the last ten years. I am sure that this show would have been seen as edgy and cool a decade ago, but today it feels distinctly mediocre.

The Bastad Executioner has a few major flaws which mostly emanate from the writing. First of all, it's difficult to really feel any sympathy for any of the characters, they feel very thin. Even though horrible things happen to them, I can't really be made to care. Also, this show has a staggering amount of very brutal violence. In my experience, violence and sex is often used to distract from poor writing, and this is a good example.

Acting is fair, although the main character has the charisma of a glass of water. With a strong lead, some of the weaknesses might have been alleviated. Stephen Moyer seems to have fun, but mostly the field is quite weak. I don't usually mind Katey Sagal, but she is awful here with her forced eastern accent.

In the end, this show is very forgettable (except perhaps to those sensitive to violence) and honestly you can probably find a dozen shows more worthy of your time right now.

OMG...I'm in so much shock. Being an avid SOA fan and After so much anticipation for this show, what a let down. The first scene (dream) was an absolute waste and shouldn't have been shown at all in my opinion. That actors "war cry" was more like a welp cry. If you don't have the conviction to do it, cut it out. Ugh. And while Katey Segal was absolutely brilliant in SOA, she doesn't feel right for this part at all. Perhaps it's the bad accent? Whatever it is, she doesn't fit. Stephen Moyer is great and more natural in this (I wasn't a fan of him in Trueblood). My favourite character is the guy who loves the animals and talks to them. And let's not even get started on how poorly done that white/grey castle in the background (and up close) is. Heck, when the band came across their entire village being killed, I felt like they lost their livestock...it was so bad (especially the primary actor). This felt like I was watching a high school play. Some actors were believable, but I think the failure here is on Sutter for how it plays out in the end. I hope they flesh it out and I hope it becomes brilliant...I don't think I will keep watching it though. Just being honest. Oh, btw, Griffith is pretty hot at least lol

THE BASTARD EXECUTIONER: (FX) If you're going to steal ideas, steal from the best and that's what the Bastard has done. It out-bloodies Game of Thrones, it has the atmosphere and spectacle of Outlander and a plot devise taken straight out of The Return of Martin Guerre / Sommersby. and a cast of thousands. However, the show captures all this with a certain degree of success, if not excess. It is bloody (worth mentioning twice), gruesome, brutally violent (not for the squeamish) and all filmed in excruciatingly close close up. Basically, a good man from the 1400's turns vengeful when his family is massacred and his village is destroyed by the minions of the oppressive Baron when the people rebel against unfair taxation. He takes on the identity of another man and the wife of that man vouches for him because he displays a kinder version of the real SOB husband she had. His first duty is the execution the one man who knows who he truly is. And thus the tail begins. All the elements appear to be there. The language sounded a little artificial at first, but I guess that's the way they talked in 1400 Wales. Score: 8. It has potential.

I have been watching this series since the beginning, and find it quite well done as to costumes, scenery, production values in general. I nearly fell out of my seat, however, when Wilkin picks up a bible in the home of the executioner and says to the son something like "Exodus is my favorite book." Bibles appear in later episodes as well in the hands of lay people, and a cherished personal bible is central to one of the later episodes.

Basic history of England, folks, there were no English language bibles prior to 1380, and the fact that lay people could not read bibles, which were in Latin Vulgate, became the impetus for revolution many, many years later. By setting this in the time of Edward II, who died in the early 14th century, this plot point, minor as it may be, is a jarring anachronism.