अपनी भाषा में प्लॉट जोड़ेंA family at a remote farmhouse is attacked by an unseen animal, but as the night stretches on, the father begins to transform into something unrecognizable.A family at a remote farmhouse is attacked by an unseen animal, but as the night stretches on, the father begins to transform into something unrecognizable.A family at a remote farmhouse is attacked by an unseen animal, but as the night stretches on, the father begins to transform into something unrecognizable.
- निर्देशक
- लेखक
- स्टार
सारांश
Reviewers say 'Wolf Man' offers a fresh take on the werewolf genre with a realistic transformation and strong atmosphere, but suffers from a predictable story and slow pacing. Practical effects and sound design are lauded, while the creature design divides opinions. Christopher Abbott's performance is praised, but Julia Garner's role is criticized as underutilized. The film attempts innovation but struggles with narrative and character depth.
फ़ीचर्ड समीक्षाएं
From the director of The Invisible Man comes a reboot of yet another Universal Classic Monster, this time offering a modern spin on the studio's lycanthropic franchise. But unlike his impressive last feature, Wolf Man fails to create any sort of intrigue or interest, is formulaic & forgettable in every possible way, and makes for a bland, banal & boring offering with nothing worth investing into.
Co-written & directed by Leigh Whannell (Insidious: Chapter 3 & Upgrade), the premise is paper-thin, characters are poorly sketched & devoid of personality and the plot is predictable from afar with not many (or any) surprises in store. And if that's not enough, the sappy melodrama & lame dialogues don't do the film any favour either. And the ride is furthermore hampered by its lack of suspense.
There is no sense of direction to where the plot is headed, the family unit isn't developed enough and the horror set pieces also lack the expected ferocity & flesh-tearing carnage. Performances are lifeless, and even the werewolf design fails to impress. Whannell intended to address themes of parenting, marriage, sickness & death here but for those to work, the fundamentals needed to be solid which isn't the case here.
Overall, Wolf Man is ineffective in its storytelling, flat in its execution and underdeveloped as a whole. Terribly directed, shoddily scripted, tediously paced & weakly acted, there's nothing that clicks here nor is there anything to latch onto, thus resulting in a finished product that has no bite. An uneven, uninspiring & underwhelming reimagining that's not only devoid of tension & scares but is also lacking in narrative & emotional depth.
Co-written & directed by Leigh Whannell (Insidious: Chapter 3 & Upgrade), the premise is paper-thin, characters are poorly sketched & devoid of personality and the plot is predictable from afar with not many (or any) surprises in store. And if that's not enough, the sappy melodrama & lame dialogues don't do the film any favour either. And the ride is furthermore hampered by its lack of suspense.
There is no sense of direction to where the plot is headed, the family unit isn't developed enough and the horror set pieces also lack the expected ferocity & flesh-tearing carnage. Performances are lifeless, and even the werewolf design fails to impress. Whannell intended to address themes of parenting, marriage, sickness & death here but for those to work, the fundamentals needed to be solid which isn't the case here.
Overall, Wolf Man is ineffective in its storytelling, flat in its execution and underdeveloped as a whole. Terribly directed, shoddily scripted, tediously paced & weakly acted, there's nothing that clicks here nor is there anything to latch onto, thus resulting in a finished product that has no bite. An uneven, uninspiring & underwhelming reimagining that's not only devoid of tension & scares but is also lacking in narrative & emotional depth.
A January horror movie. You never quite know what you're going to get. More times than not it's where studios dump their worst of the year. I don't think that's going to be the case with 'Wolf Man' though. It's nothing special, but it's a passable 103 minutes.
The film gets off to a very slow start. There was an intriguing opening scene which I had high hopes for, but it never really went anywhere interesting and was more just an extended way to explain the set up for the film.
From there we are introduced to the characters of the family and I thought this was too drawn out and not done in an interesting way. There were some lengthy dialogue-heavy scenes and it was hard not to check out, because they were just done in such a dull way.
Finally we then get into the meat of the movie. Leigh Whannell is a talented director and there are some well done scenes in here. There is one jump-scare that was very well executed. The problem for me though was it felt very safe. This didn't feel like a horror film where anything could happen at any moment.
'Wolf Man' was filmed in New Zealand so there is some beautiful scenery to look at in a few scenes. It's a well made film but ultimately I think it will be pretty quickly forgotten. 6/10.
The film gets off to a very slow start. There was an intriguing opening scene which I had high hopes for, but it never really went anywhere interesting and was more just an extended way to explain the set up for the film.
From there we are introduced to the characters of the family and I thought this was too drawn out and not done in an interesting way. There were some lengthy dialogue-heavy scenes and it was hard not to check out, because they were just done in such a dull way.
Finally we then get into the meat of the movie. Leigh Whannell is a talented director and there are some well done scenes in here. There is one jump-scare that was very well executed. The problem for me though was it felt very safe. This didn't feel like a horror film where anything could happen at any moment.
'Wolf Man' was filmed in New Zealand so there is some beautiful scenery to look at in a few scenes. It's a well made film but ultimately I think it will be pretty quickly forgotten. 6/10.
I appreciated the simplicity of the story which allowed the directing, atmosphere, cinematography and soundtrack to really be at the forefront in their storytelling.
These elements of the film made a somewhat simple story engaging and beautiful to look at on the big screen. Even for a horror movie I was surprised with the strength of the characters, family bond and overall theme of the film especially with the connection to the prior events in the past.
However, I felt the film could've been a bit more bold, took more risks and try to be inventive. Especially with the director's previous film's "upgrade" and "the invisible man" which took some risks which definitely paid off in some great and memorable moments. I just thought that the conclusion to the film teetered on lacklustre.
However, I was happy that the film did not become too over the top and cheesy in which some horror films that have come out recently have. As stated before, the simplicity of the story allowed us to focus on the characters relationship and the atmospheric setting.
All in all a solid horror film to begin the 2025 campaign however, I think a bolder final act could've made it more memorable.
These elements of the film made a somewhat simple story engaging and beautiful to look at on the big screen. Even for a horror movie I was surprised with the strength of the characters, family bond and overall theme of the film especially with the connection to the prior events in the past.
However, I felt the film could've been a bit more bold, took more risks and try to be inventive. Especially with the director's previous film's "upgrade" and "the invisible man" which took some risks which definitely paid off in some great and memorable moments. I just thought that the conclusion to the film teetered on lacklustre.
However, I was happy that the film did not become too over the top and cheesy in which some horror films that have come out recently have. As stated before, the simplicity of the story allowed us to focus on the characters relationship and the atmospheric setting.
All in all a solid horror film to begin the 2025 campaign however, I think a bolder final act could've made it more memorable.
Let me start by saying that Christopher Abbott's performance was splendid. He stepped into this role with ease, and I would recommend this film based solely on his interpretation of the titular character.
That said, there were many things in this film that failed to work for me. Addressing Julia Garner's performance, I must say I think she is a lovely actress. In fact, she tends to steal any scenes she's in when it comes to most of her other work that I've seen. In Wolf Man, however, she is less than believable in the role of wife and mother, and, along with a lack of depth in the script, I found myself less than concerned about the fate of the family.
I was especially excited to see this movie after hearing it was being written/directed by Leigh Whannell, whose work on The Invisible Man was impeccable. Wolf Man fails where The Invisible Man succeeds in the way of character development and raw emotion. When it comes to the world of fantastical creatures like vampires, werewolves, zombies, etc., I think there should be a clear direction chosen between campy/outrageous and dark/serious when telling such stories. While Whannell seems to have chosen the latter, I felt the film was too tame to affect an audience and too surface-level to reach the heart.
That said, there were many things in this film that failed to work for me. Addressing Julia Garner's performance, I must say I think she is a lovely actress. In fact, she tends to steal any scenes she's in when it comes to most of her other work that I've seen. In Wolf Man, however, she is less than believable in the role of wife and mother, and, along with a lack of depth in the script, I found myself less than concerned about the fate of the family.
I was especially excited to see this movie after hearing it was being written/directed by Leigh Whannell, whose work on The Invisible Man was impeccable. Wolf Man fails where The Invisible Man succeeds in the way of character development and raw emotion. When it comes to the world of fantastical creatures like vampires, werewolves, zombies, etc., I think there should be a clear direction chosen between campy/outrageous and dark/serious when telling such stories. While Whannell seems to have chosen the latter, I felt the film was too tame to affect an audience and too surface-level to reach the heart.
What unbreakable did for super heroes movies, Wolf-man did for werewolf movies. Its execution felt similar. But much like Unbreakable I believe the reviews will dip lower than this movie deserves to be. I remember people hating Unbreakable because of the slowness and "seeming" anti-climactic nature of it but over time people began to realize the brilliance of it. This feels similar. The tension is great and atmosphere spot on. I kept waiting for a cringy or overtop moment make me roll my eyes but it never did and stayed the course it was on. Not the modern American werewolf in London I've been searching for but definitely an emerald I didn't expect to find while mining for diamonds. Go see it.
क्या आपको पता है
- ट्रिवियाLeigh Whannell explained how he conceived the werewolf's point-of-view shots, saying: "I had this idea of the camera moving around the room and suddenly what seemed like gibberish became legible, and you realized there was some invisible wall that the camera had crossed through. I started researching wolves, how they see, the colors of their eyes. I was thinking about how animals hear. When we talk to our dogs, we all anthropomorphize our pets. I have whole conversations with my dog where I'm like, "What are you doing? Oh, you're upset. What are you upset about?" You know that he's just staring at you. They recognize tone and maybe up to 20 words. I was thinking about that. This classic Wolf Man story is a great way to use this because usually in Wolf Man stories, the transformation is very quick. I was like, what if you slowed this down and treated it more like a degenerative illness? I was thinking more of a film like "Still Alice."
- गूफ़Though the city scene is set in San Francisco, California, New Zealand traffic lights are visible.
- कनेक्शनFeatured in Jeremy Jahns: Wolf Man - Movie Review (2025)
- साउंडट्रैकLes Feuilles Mortes
Music by Joseph Kosma
Performed by Cannonball Adderley
Courtesy of Blue Note Records under license from Universal Music Enterprises
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Wolf Man?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,07,07,280
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,08,97,495
- 19 जन॰ 2025
- दुनिया भर में सकल
- $3,41,51,775
- चलने की अवधि1 घंटा 43 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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