Arès

Ares is not the kind of film I'd normally watch, I've just had a spate of good luck with French cinema lately so hoped for the best.

It tells the story of a struggling futuristic France where 15 million people are unemployed and even more homeless. Prize fighting has become big business and our story follows a washed up fighter reeled back in by big pharma and their legal enhancement supplements.

Despite the subject matter this isn't the brainless macho action feature you'd expect, it's fairly smart and paints a grim dystopian future where people are desperate while the top 1% manipulate them.

I appreciated everything they did here, though it's certainly not my kind of film that made something out of a very played out formula.

Good writing saves it to a degree and I'd say this is a watchable affair for anyone who likes their action films with a hint of intelligence.

The Goood:

Well written

Fairly smart little film

The Bad:

The brainless aspects still exist

Not as polished as it could have been

Like Blade Runner it's a dystopian future, and in this is mass human experimentation by heartless corporations, as well a brutal prize fighting. But it's not a martial arts movie. It's a movie about the sacrifices that one man makes to try to save his family. I thought it extremely well done and compelling, and somewhat sad. There is a hint of the original French revolution throughout, which is interesting. The setting is Paris.

I'm always interested in new plot ideas and this one was different. My main gripe was that it was pretty slow. It really didn't pick up until the last 20 minutes and then ended super quick. It was a short movie and there wasn't a lot of dialogue so I didn't mind the subtitles at all.

Ares is a movie falling into the category of dystopian stories, which seem to be quite popular lately. In it, we find all traditional elements of a dystopia: super rich elite and starving, homeless masses, evil corporations willing to do whatever it takes to increase profits, violent entertainment - here in the shape of a particularly violent type of boxing in which everything goes - drugs, and general hopelessness. The protagonist is an ex-boxer, who helps the regime until he is forced to go back in the ring.

Right up to this point I was certain this was going to be yet another movie about a brave individual beating the regime by taking part in its sick entertainment. And just when I was starting to feel truly bored, the movie became much grittier and much darker than I expected. This second part of the story is really well crafted and it is able to say a few important things about our modern society.

The acting is really good and I would say it is one of the best aspects of the movie. I especially liked Ola Rapace as Ares, as he was able to convey both the character's love for his family and his violent nature. Also, it is quite refreshing to see actors who aren't Hollywood stars once in a while.

Special effects, cinematography and editing may not be the best in the world, but they are quite good, especially for a European movie. The brightly-colored CGI generated skyscrapers not only look pretty good, but they also add a lot to the general atmosphere of the movie.

To sum up, Ares may not be the best dystopian movie in the world, but it is a solid production nonetheless. It's quite ambitious and may surprise a viewer expecting another bloody and violent action movie. I know I was surprised by how good the movie is.

Amazingly well done. An excellent example of what genuine quality writing and story telling can do, without having to rely on big budget CGI and cliché' gimmicks.

The premise of the film is not at all implausible, and much of the precursor elements that are the core criteria of this story are readily observable in current times.

If anything, this darkish glimpse into a foreboding near future realm may be a bit too realistic for some, who are already keenly aware of these precursor elements in their current form.

Stylistically, it does have some hints of the original Blade Runner tone to it, though not nearly as far into the future realm that BR portrays. The premise of Ares is much more gritty, down to earth, immersed into the frailties and challenges of the human condition, extruded through the mandrill of a dystopian near future world of crushing economic disparity mapped against corporate intrigues and corruption with a particularly ironic twist, the relevancy of which becomes immediately apparent within the first few minutes of the film.

This is one of those productions which could have turned out very badly, if mishandled with clumsy direction or cheesy cardboard characters, which has become all too common in typical Hollywood productions.

Thankfully, however, this is not one of those examples, but rather a refreshingly rare example to the contrary.

Aside from a couple of minor plot holes, which the viewer can discover for themselves, I give this production a very solid 9 out of 10 stars.