Kishibe no tabi

Kishibe no Tabi is a hauntingly beautiful and melancholic film that explores themes of love, loss, and the lingering presence of the past. The story follows a woman who is unexpectedly reunited with her deceased husband, embarking on a surreal journey together to visit the places and people he cared about before his death. The film blends reality and the supernatural in a quiet, understated way, making it feel both eerie and tender at the same time. The cinematography is stunning, with serene landscapes that mirror the emotional depth of the story. It's a slow, contemplative film that gently examines the complexities of grief and the healing process. If you're looking for a quiet, emotional journey, Kishibe no Tabi is a deeply moving experience.

I heard good things about director Kiyoshi Kurosawa, I heard his movies are works of art and tear at the emotional heartstrings like a cat through newly decorated wallpaper.

The premise is beautiful, the performances aren't bad and I had such high hopes but came away unfulfilled. I'm not saying Journey To The Shore is a bad film, I'm just saying they took a great concept and neutered it.

Telling the story of a widow going on a road trip with her late husbands ghost I found myself struggling to care about the characters and simply not understanding the rules to ghosts and their connection to this world.

The last time I was this confused about ghosts in a movie it was the Paranormal Activity series and the thing I was confused about was why in the blue hell I was watching them!

I spent 15 minutes on this and was about to kick the bucket, so boring it was.

I wonder, are those japanese so empty of emotions in real life too? Like dolls, never show fear, joy, just walk, talk, sleep... This is so wrong.

The idea is interesting but the plot is somehow illogical. No explanation how and why dead guy is coming back and act like he is alive, no sign of anything interesting except the fact he is dead. Woman is literally pathetic. You can slap her with a dead fish and she would show no more emotions than the fish. I am not sure to laugh or cry.

I had never heard about "Journey to the Shore" (aka "Kishibe no tabi") before stumbling upon it here in mid-2019. But it being a Japanese movie was more than sufficient to make me sit down and watch it, as I have a big interest and love for the Asian cinema.

"Journey to the Shore" was a mixed experience for me. First of all, the movie was way, way too slow paced. It literally felt like you got almost nowhere during the 2 hours and almost 10 minutes that the movie ran for. That was a massive hindrance for the enjoyment of the movie. And with its unfathomably slow pace, the movie was also burdened by a storyline that offered very little to the audience.

The movie does, however, have some really good acting performances. And the movie was so phenomenally carried by Eri Fukatsu, playing Mizuki. Just a shame that the movie was holding her back, because she definitely have some talent to her craft.

"Journey to the Shore" is not a movie that will appeal to everyone out there. It is something of an acquired taste. And you must have a great patience and a liking for pseudo-avantgarde drama with very little happening throughout the course of the entire length of the feature.

It was a test of my mettle to sit through "Journey to the Shore", but I persevered and stuck with it to the end. Was I entertained? No, not particularly. And I found the overall movie to be less than mediocre, actually. And that is why I am rating "Journey to the Shore" a mere four out of ten stars. If the movie had more contents to the storyline and a more upscaled pacing, then it would have been so much better. This is definitely not a movie that I will watch a second time.

I'm surprised at the amount of mixed reviews 'Journey to the Shore' has. It's true that it differs from his acclaimed and popular thrillers, but Kiyoshi Kurosawa still manages to create the same kind of mysteriousness and atmosphere of his previous films. The ambient soundscapes are mostly absent and the score has been replaced by a lush, romantic score. Although only used sparingly, it is reminiscent of a score from the 50's. Its slow pace and philosophical edge is one you'd find in a Stanley Kubrick or Andrei Tarkovsky film, but Kiyoshi Kurosawa blends fantastic lead performances, atmospheric imagery and hypnotic long shots to create a truly breathtaking, innocent, meditative and haunting drama of life and death.