अपनी भाषा में प्लॉट जोड़ेंAn existential comedy about a Spanish man trying to apostatize from the Catholic Church.An existential comedy about a Spanish man trying to apostatize from the Catholic Church.An existential comedy about a Spanish man trying to apostatize from the Catholic Church.
- पुरस्कार
- 2 जीत और कुल 9 नामांकन
Rafael Rodríguez Hidalgo
- Guitarrista
- (as Rafael Rodríguez 'El Cabeza')
फ़ीचर्ड समीक्षाएं
We know why Martin Luther affixed his note to the church door, but we don't know why our hero here is so adamant to have his baptismal record removed from the registry. Would be nice to know, to give some continuity to the story.
The middle of the story seems to be just everyday happenings, except for his mother's chiding about how his apostasy would hurt the family name. In the final analysis, our hero achieves his objective, but in a rather crude way. I guess he deserves a BRAVO for that...
Almost missed this gem if it were for the poor rating it has on imdb. Also some of reviews here completely miss the point, in my opinion. It is not about religion or brueaucracy (as also advertised in the title summary). It is a beautiful story about learning curves. Soundtracks and shot transitions are also worth watching. I have ambivalent thoughts about the duration of the movie. One part of me wishes it were longer and told more in depth; yet this might have undermined the engagement and afterthought it offers quite well.
The film shows you how hard it is in Spain to excommunicate yourself from the catholic religion. This film may be some kind of slow, i must admit I enjoyed it a lot of times. The main actor is excellent. The film is based on his life. He co scripted the film. Esthetically, the film has some weaknesses. I recommend it more for the profoundness and the absurdity it shows. Or for anyone in search to discover the new Spanish cinema. Next film should be even better. I watched it at hamburg festival with some friends. half of us really enjoyed the film, the other half less... I hope the film will be distributed in Germany. The film has been to many festivals.
Well actually not really. This is a very strange movie. Coming of age, believe and whatnot. Our main character has identity issues and I do believe that taps into a general feeling, something the viewers may be able to understand. Speaking of understanding though, there is a lot of .. well let's call it mystery surrounding the movie.
And its story too of course. We do get a lot of symbolism and there is a lot of dialog and I guess the ending does make sense, when you think about the main character and what he "wants". Is it explaining and telling us or rather answering our questions? Not really, that is not what the movie does. So if you don't mind a movie being mysterious, you may enjoy this more than others do
And its story too of course. We do get a lot of symbolism and there is a lot of dialog and I guess the ending does make sense, when you think about the main character and what he "wants". Is it explaining and telling us or rather answering our questions? Not really, that is not what the movie does. So if you don't mind a movie being mysterious, you may enjoy this more than others do
Although the main theme of the film is religious apostasy, it is nowhere near as deep and solemn as that might imply. Free-thinking philosophy student Gonzalo has decided he wants to leave the Catholic Church for various reasons, some religious, some more profane. He starts the process in the correct way but becomes caught in a Catch-22 / The Trial / Schrödinger's cat world, with no clear way out. Worse, his decision brings him into conflict with his mother, who has carefully maintained the fiction that he is academically successful, while his intelligence will not allow him to give the exam answers that will confer his qualification after years of knockbacks. Alongside this run parallel stories of romance and an uplifting relationship with a boy he tutors.
I notice that the lead actor was responsible for the original idea, and wonder how much of his real history he has plundered. This could help explain the slightly unconvincing way that women seem irresistibly drawn to him. There are a few other flaws and undeveloped ideas, such as a scene that stops abruptly before he wakes with a start in the back of a car, leaving a vague thought that perhaps what went before was a dream. His tutee's mother is not happy that he lends the child a dictionary, saying he should make do with the one supplied by his school, but is later delighted when Gonzalo gives him a new dictionary of his own. We can overlook these things and take comfort that our protagonist was not made into a 'slacker' cliché.
At eighty minutes, the film does not outstay its welcome and seldom drags despite its leisurely pace. There is little to dislike, unless you find the religious aspect challenging. Gonzalo's mother is the only unsympathetic character, but we can understand her motives even if we disagree.
Overall, an easy film to enjoy and a low-key ending that nonetheless invites a quiet cheer under our breath and lets us walk away happy.
I notice that the lead actor was responsible for the original idea, and wonder how much of his real history he has plundered. This could help explain the slightly unconvincing way that women seem irresistibly drawn to him. There are a few other flaws and undeveloped ideas, such as a scene that stops abruptly before he wakes with a start in the back of a car, leaving a vague thought that perhaps what went before was a dream. His tutee's mother is not happy that he lends the child a dictionary, saying he should make do with the one supplied by his school, but is later delighted when Gonzalo gives him a new dictionary of his own. We can overlook these things and take comfort that our protagonist was not made into a 'slacker' cliché.
At eighty minutes, the film does not outstay its welcome and seldom drags despite its leisurely pace. There is little to dislike, unless you find the religious aspect challenging. Gonzalo's mother is the only unsympathetic character, but we can understand her motives even if we disagree.
Overall, an easy film to enjoy and a low-key ending that nonetheless invites a quiet cheer under our breath and lets us walk away happy.
क्या आपको पता है
- ट्रिवियाPremiered at the Toronto International Film Festival on Sept. 11th, 2015.
- साउंडट्रैकRomance Pascual de Los Pelegrinitos
Written by Federico García Lorca
Performed by Federico García Lorca & La Argentinita
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- The Apostate
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 20 मिनट
- रंग
- पक्ष अनुपात
- 1.66 : 1
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