They Look Like People

Is the terribly troubled Wyatt (MacLeod Andrews) a complete nut job or are there really diabolically disguised monsters all about us intending to take over our planet? This is the unusually intriguing and engagingly executed premise driving the indy horror drama "They Look Like People".

Virtual feature flick newcomers Andrews, Evan Dumouchel and Margaret Ying Drake are uniformly superb as the main characters. They're manner of speaking and interaction is entirely innate and natural, when the scenes don't skew toward the SUPERnatural, that is.

This is a consistently compelling story being told here. One that serves to substantiate that we are all psychologically fragile to some degree and in our own way. It is how well we deal with these frailties, or moreover how those who care about us help us contend with our instability, that so often times determines the capacity to not just cope with, but ideally overcome, our individual challenges.

First time full-length film director Perry Blackshear writes and directs along with having a hand in just about everything else there could POSSIBLY be to do in making a movie. I suggest you put him on your radar. If "They Look Like People" is any sort of indication, this is a crazy creative talent we'll be seeing and hearing a lot more from in the years to come.

I'm not sure how to feel about this movie, mainly because I don't think it belongs in the horror genre. Two long-lost brofriends have a brounion and bro down for a while before Handsome Bro realizes that Beardo Bro is having some kind of mental breakdown. Or is he? Maybe. Or IS he? Yes. Probably. OR IS HE? You get the idea. And it just kind of goes on like that for a while until it eventually ends. I guess it's really a story about friendship? I don't know. But I didn't hate it. And I have to give Handsome Bro props -- not just because he's handsome. That bro is a good dude, man.

It's a psychological drama that dips its toe into psychosis that is just about interesting enough to make you stick with it.

While this film has an intriguing premise, the pacing and overall writing is slightly bland. Writers tend to believe that realism, has to be boring. I'm not 100% certain what the overall take of this movie was supposed to be but did enjoy the element of trust, with someone you love, through thick and thin. Thought it was a heartwarming display that love & trust can get you through anything. Found it refreshing that a film like this, didn't end in horror (for once). Definitely worth a watch but this is no Spielberg, IMAX experience. It is a very slow indie film, that I recommend you go in with low expectations, for the best experience. Not the greatest film of the year but Perry Blackshear has talent and a promising career (if he's willing to acknowledge his flaws asa filmmaker). 5.8/10.

There are many low budget films that simply come off as vanity projects for those involved. Then there are low budget movies that are obvious labors of love, and that make every effort to work with their small budget to achieve something fresh, new and unique. This is definitely one of those films. The premise is simple, if a bit clichéd; A man with low self-esteem helps a friend (who is very sure of himself) during a time of need. The thing is, this friend believes that people are being replaced by monsters, and that a secret war is raging that no one but him is aware of.

The film does a great job in balancing the more outlandish elements of the premise with some very real and entertaining interaction between the two male leads. These men are great at what they do, and their chemistry is wholly evident in the ease in which scenes transition from lighthearted play to tension-filled dread. These two obviously got along during the production of this film, and it clearly shows in the final product (The one aspect in which many of these types of movies fail is not having a chemistry between their actors).

The special effects are sparse but work within the context of the film, and the direction might be simple, but again, I believe the film benefits from it. There are no fancy techniques, no crazy camera work to be found; this is a director working with a very select few talented people, and focusing on their interactions and reactions to the events in the film.

That being said, I am most impressed by the comedic elements, as they not only added a sense of levity to an otherwise somber film, but the actors were so convincing, you could not help by smile at their antics (Sock Wars brought a healthy dose of nostalgia). In the end, the film does what many others do not; it removes ambiguity, and allows the viewer to better understand the message behind the movie without the dreaded, "What was the point of all that?" that plagues many film endings.

Overall, this film is not going to win anyone over, as it does not do anything particularly well enough to garner the "art-house psychological horror" sub-genre any more fans, but to those of us that enjoy these types of movies, it is a welcomed addition. A solid effort all around, and the casting agent should be commended for choosing such a talented and charismatic ensemble.