Realive

This science fiction tale (with a moral standpoint and quite a few serious questions about mortality) is done really well. It may not qualify for a classic, but it's still encapsulates a lot of things that we've come to love from these types of movies. That's literally to a point, where you may recognize where some of the inspiration has been drawn from. But it has enough to say on its own too.

It may seem cliché at points in the story and you may feel like you've seen similar things before, but it's tough to be completely original. It's hard enough to be good in what you're trying to say. And this makes a lot of points about living and dying. And being able to accept things. Some things do not translate as good though and it's tough for the main actor to convey certain feelings that none of us have gone through (to that extend). Still more than solid and very gripping

It's more of a sad love story than a sci-fi!! Lack of drama, poorly written characters!!

When Marc Jarvis (Tom Hughes) is diagnosed of an incurable throat cancer, the plans his life to commit suicide and keep his body cryogenically frozen in the Progeny Company awaiting for technology to revive. In 2084, he becomes the first man to be successfully revived by Dr. West (Barry Ward) and his team. The nurse Elizabeth (Charlotte Le Bon) helps Marc in his recovery and he learns that his beloved lover Naomi (Oona Chaplin) did the same expecting to live with him in the future. However Marc finds previous fails in the project with several casualties. Further, he is losing his only belongings – his memories – and he does not recover his previous health. Out of the blue, Marc takes a decision for Naomi and him.

"Realive" is a thoughtful sci-fi by Mateo Gil, the writer of the magnificent "Abre los Ojos". The story is interesting, approaching themes like ethics, afterlife without the original memories, adaptation to a future society with different moral and behaviors and so on. However the narrative is too cold despite the intriguing screenplay and the film does not work well. Marc Javis and Naomi should have been better developed in the beginning in order to make these characters likable. The hot Charlotte Le Bon is also wasted in a very limited character. Anyway, the story is original and provides a different view of immortality that makes the viewer think. My vote is six.

Title (Brazil): Not available

Ambitious, not often successful story of a young man who made his way of life triumphantly,and who ,terminally-ill ,chooses cryogenic freeze , to be able to "realive" in the future when the science,in the shape of Dr West (a nod to the excellent "re-animator " feat. Jeffrey Combs ), is able to give him a second chance in another era .

Although there's numerous hints at religion (the Lazarus project :"lazarus ,come forth !"), the fact that immortality may make gain another world but lose your soul ;in fact ,you want to find back what you've lost , but time moves like a jet plane and it's a brand new world you have to face .

Thanks to a brand new technology ,you can record your memories (why not? A hundred years ago ,who would have thought of the computering revolution? ),but those memories are a jumble,for they come from every moment of your life ( cruelty to animals -the lizard and the hen-is gratuitous and pointless);besides , Naomi ,to do what she does ,must have experimented l'amour fou and nothing really shows it (unless a would be torrid sex scene counts);besides, Marc's impossibility to adapt himself to another way of life (the new sex lib is not that much new ,it recalls the hippies) is not fully exploited :it was already brillantly treated in Frankenheimer's sensational film ,"seconds"(1966)

This film is interesting but it is mainly a missed golden opportunity.

So, a lot of people went into this movie expecting to be dazzled by hi- tech conceptualizations of the future, and were disappointed. That's understandable. The tech is a background at best, although every character does seem to blend seamlessly with it. It is a background that is tastefully crafted, realistically employed and never flickers.

To add insult to injury, however, the 2 hour hypotech is stuffed with sentimentality and philosophy, rather than action and sex, as many sci- fi's are. For most people, action and sex are a far better filler than the heartfelt musings of a struggling soul, regardless of the context.

For those of us not seeking to escape to the future, we were treated to a salient, cerebral wine-tasting, of sorts...and a sobering one at that. The film seems to offer up so many spiritual, cultural messages, from so many vantage points, that it's impossible to label one bottle and drink from it. For the single-minded it's a mess. For others, it's an awakening to new flavors of suffering, and a perversion of our taste buds. Some things, once sweet on our tongue, now stain with an aftertaste. Other drinks, like death, may now crisply tinkle in the glass and repel us a bit less.

All I'm saying is that this film is more art than entertainment. Some people drink wine to get drunk and have sex. Others sip it carefully to explore its variety. Realive is certainly a film for the sipping class.