Xiu chun dao

The international title is very fitting, though I can't tell you what the original title means. If you like Eastern movies, and especially the ones with swords involved in the action, you will like this too. The action is amazing and you can tell it's never easy to shoot and make those fights as believable as we see them here.

The story is pretty decent and easy to follow (maybe to easy for some, but you can't always have complex stories). It's about Honor, love and betrayal, so some might call it overly dramatic in its structure, but you have to have some pillars to build your story around. And then have the fighting mean something: Great stunts and good enough acting overall

This movie has some awesome action scenes. It is centered around Imperial Assassins being caught in the crosshairs of corruption. It is literally a tale where you can't win for losing. There's some drama to it that was sorta "blah" but the action scenes make up for it. I enjoyed it.

This is one of the best Chinese period movie by far. The tale has enough plot twists to hold the audience's interest, the action is not too CGI wirefu, the persistent theme of brotherhood in Woo's movie is well-executed, the acting is low key and believable. Can't understand the low ratings, except perhaps there's disappointment in anticipating more choreographed action.

The tale of corruption, ruthlessness and court intrigues sets the backdrop for the historic fall of the Ming Dynasty to the Manchurian Qing Dynasty. The chaos, killings, double betrayals, etc. characterize the perils of a realm in decay, and the ascend of an external threat. The movie is stronger for not shying away from the portrayal and in offering an uncomfortable end.

For once, the plot, characters and the historic backdrop actually held my interest more than the swordplay. For this I awarded a higher rating to mitigate the down votes from those expecting a wuxia blood splattered wirefu action and were disappointed to see mediocre bladework.

Brotherhood of Blades is a very entertaining wu xia movie. It combines dynamic martial arts and sword fights with historical costumes and settings and a dramatic dose of suspense in form of complex conspiracies. The greatest thing about the movie is that its outcome is quite unpredictable. Until the final fifteen minutes, it's not exactly clear who is friend and who is foe. This is a welcome change to Hollywood films featuring a lone wolf protagonist who fights his corrupted superiors. Until the final scene, it remains a mystery who is going to survive or not. Once again, this is a great change from Hollywood movies featuring a protagonist who is going to survive against all odds. This film will keep you on the edge of your seat until its dramatic resolution.

The story revolves around three Imperial Assassins who are charged to eliminate powerful eunuch Wei who has become a nuisance for the young Ming dynasty emperor. However, the leader of the trio decides to spare the eunuch and accepts a bribe instead without telling his colleagues. Back in the capital, the three sworn brothers are both tracked down by the eunuch's numerous followers who want them to take their secret to the grave and by suspicious government officials who realizes something is afoul. As if that weren't enough, they have to face numerous personal challenges. The youngest of the trio has fallen in love with the local pharmacist's daughter, the second assassin wants to buy the freedom of a prostitute who despises him for having participated in killing her family and the oldest assassin is tricked into getting promoted to be under constant surveillance. The trio decides it must flee the capital city in order to save their lives but their enemies give everything to try to prevent their escape.

Aside the fascinating story, the movie convinces with a gloomy and tense atmosphere that brings the dying Ming dynasty back to life. The emotional acting performances are very solid and show three overall sympathetic protagonists with strong moral compasses but quite a few personal weaknesses as well which makes them dynamic and round characters. The fight choreographies are intense and not as exaggerated as one is used to from numerous other wu xia movies. This approach suits the film's more authentic tone.

Brotherhood of Blades might not reinvent the genre but is one of the very best movies of its kind in recent memory. Especially the plot is truly intriguing while the film's atmosphere, settings, acting and choreographies are other positive elements. The movie became such an unexpected success that it spun off a prequel released three years later. If you like Asian cinema, you can't go wrong with Brotherhood of Blades.

Well acted, scripted and directed, there's nothing to not like about this film.