Marseille

As an American of European descent I loved these series. All lead actors put out great performances. Depardieu didn't disappoint. May be french audience is giving it poor ratings, but as someone who doesn't speak or understands French, I loved it. I always watch foreign movies, including this one, in original language with English subtitles. I also loved Borgen, the Danish political drama series. Well done, both Marseille and Borgen.

Though I'm not french I've been living in France for almost 10 years and I speak french. I think I can understand why french people is hating this series. I presume they're looking into details that non- french speakers won't take notice: accents, way of acting, rhythm, dialogues, etc. The french viewers and filmmakers are used to other kind of stories and language (in addition, french people love to take down their own work! You won't never hear them saying "this is good", they will say "it's not bad/c'est pas mal")

The series is worth the watch. There's an evolution in the characters that might have been done better, but acting and script it's not as bad as critics have said. Not the best series I'll see this year, but I've loved it as it radically changed from most of the other options you have on Netflix: American or British productions.

I hope there'll be a 2nd season.

The script is born to mimic other political scripts. And be fateful to the nanny state state school indoctrination. Nothing original. Or creative. Stock characters in a stock story. The acting is so and so. The dialogue is crap. So it's hard to blame the actors. And the writers and producers are so in need of information! It is the French white middle class view on both the very low and the very high placed people in their society. A fairy tale about life in the ghetto or the political games. Probably a series about catholic syndicate men (not women), say the railway or the teachers, extorting more money from the rest of the society would have turned out far more engaging.

Contact me with Questions, Comments or Suggestions ryitfork @ bitmail.ch

Great show. Triste pour la France. If the writers/producers or the people in charge of the translation are reading, please contact me. I would very much enjoy giving your translators French lessons. This show is urban. This show is social. It is also very political. Proper translation is in order to convey the message and honor the writers. Too often do we see TV shows suffer from poor conduit. It has nothing to do with opinions on any of the subjects displayed in the show itself. Simply to honor both languages. The cultural effect might suffer. the slangs, idioms, and social language is quite simple to fix. Language carry the weight of social and cultural change.

This was supposed to be a French version of something like House of Cards. It is about the rivalry between two candidates for the political leadership in Marseille. Both Gérard Depardieu and Benoit Magimel are two good, and very different, actors for the main characters. This creates an interesting dynamic between the two.

Still, the drama feels quite flat and stereotype in its execution. Actors are overplaying at the expense of nuances, subtleties and leaving basically nothing left to the imagination of the viewer. The storyline feels very linear and predictable, there are too few twists that keeps the interest up. Also it seems like very boring politically correct approach where the good folks always are on the left side and the bad ones always on the right side of politics.

The series could have been so much more than it was. A pity with so strong casting.

No surprise that it was cancelled after two seasons.