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The House That Jack Built

  • 2018
  • A
  • 2 घं 32 मि
IMDb रेटिंग
6.8/10
1 लाख
आपकी रेटिंग
लोकप्रियता
1,892
268
Matt Dillon in The House That Jack Built (2018)
The story follows Jack, a highly intelligent serial killer over the course of 12 years and depicts the murders that truly develop Jack as a serial killer.
trailer प्ले करें0:24
3 वीडियो
99+ फ़ोटो
अपराधडार्क कॉमेडीड्रामासीरियल किलरस्लैशर हॉररहॉरर

कहानी जैक का अनुसरण करती है, जो बारह वर्षों के दौरान एक अत्यधिक बुद्धिमान सीरियल किलर है।कहानी जैक का अनुसरण करती है, जो बारह वर्षों के दौरान एक अत्यधिक बुद्धिमान सीरियल किलर है।कहानी जैक का अनुसरण करती है, जो बारह वर्षों के दौरान एक अत्यधिक बुद्धिमान सीरियल किलर है।

  • निर्देशक
    • Lars von Trier
  • लेखक
    • Lars von Trier
    • Jenle Hallund
  • स्टार
    • Matt Dillon
    • Bruno Ganz
    • Uma Thurman
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.8/10
    1 लाख
    आपकी रेटिंग
    लोकप्रियता
    1,892
    268
    • निर्देशक
      • Lars von Trier
    • लेखक
      • Lars von Trier
      • Jenle Hallund
    • स्टार
      • Matt Dillon
      • Bruno Ganz
      • Uma Thurman
    • 544यूज़र समीक्षाएं
    • 275आलोचक समीक्षाएं
    • 42मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 11 जीत और कुल 17 नामांकन

    वीडियो3

    Official Trailer
    Trailer 2:44
    Official Trailer
    Cannes Teaser Trailer
    Trailer 0:24
    Cannes Teaser Trailer
    Cannes Teaser Trailer
    Trailer 0:24
    Cannes Teaser Trailer
    Official Trailer
    Trailer 2:31
    Official Trailer

    फ़ोटो328

    पोस्टर देखें
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    पोस्टर देखें

    टॉप कलाकार36

    बदलाव करें
    Matt Dillon
    Matt Dillon
    • Jack
    Bruno Ganz
    Bruno Ganz
    • Verge
    Uma Thurman
    Uma Thurman
    • Lady 1
    Siobhan Fallon Hogan
    Siobhan Fallon Hogan
    • Lady 2 (Claire Miller)
    Sofie Gråbøl
    Sofie Gråbøl
    • Lady 3
    Riley Keough
    Riley Keough
    • Simple
    Jeremy Davies
    Jeremy Davies
    • Al
    Jack McKenzie
    Jack McKenzie
    • Sonny
    Mathias Hjelm
    • Glenn
    Ed Speleers
    Ed Speleers
    • Ed - Police Officer 2
    • (as Edward Speleers)
    Emil Tholstrup
    • Young Jack
    Marijana Jankovic
    Marijana Jankovic
    • Female Student
    Carina Skenhede
    • Little Old Lady
    Rocco Day
    Rocco Day
    • Grumpy
    Cohen Day
    Cohen Day
    • George
    Robert Jezek
    • Police Officer 4
    Osy Ikhile
    Osy Ikhile
    • Military Man
    Christian Arnold
    • Man 1
    • निर्देशक
      • Lars von Trier
    • लेखक
      • Lars von Trier
      • Jenle Hallund
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं544

    6.8101.1K
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    फ़ीचर्ड समीक्षाएं

    4TheVictoriousV

    When you're so unique it becomes boring.

    Does anyone else miss pre-depression era Lars von Trier? I still give him Antichrist and even Melancholia, but the "just because" stylistic choices of the tedious Nymphomaniac made me yearn for a time when he had enough thought behind his unconventionality to give us his wonderful Dancer in the Dark, and enough humor to give us Riget. He was always nasty, defiant, and upsetting like only he knows how, but something has changed.

    Now we have The House That Jack Built; another film that, despite how different it is from every other movie out now, still manages to be predictable if you know your Trier. I often defend strange decisions and rule-breaking in film, as with Michael Haneke's Funny Games, but Von Trier somehow manages to make clear that the only reason he's breaking the rules is that he's Von Trier, the supposed arthouse emperor. See what I did with that shot? Aren't these title cards weird? Look at how oddly edited everything is!

    We get "more of the usual" in other departments as well. The documentary-esque camera work (à la Dogme 95), the super-slow-motion bits, the jump-cuts, the lengthy lecture-like conversations, and the controversial scenes of violence and mutilation. The villain protagonist, OCD-ridden serial killer Jack, narrates the film nigh constantly, and despite sometimes doing us the favor of explaining to us what he's thinking and feeling, I don't know that he ranks among the greatest, most complex killers of cinema.

    Matt Dillon is good in the role but like many a recent Trier character, Jack rarely partakes in any particularly human-sounding interactions or monologues. It's difficult to emotionally connect with the characters of Trier lately, especially when they start reciting whatever opinion or observation was on the director's mind while he was writing and felt the need to vent.

    The movie supposedly alludes to his fiasco at Cannes. You know, that time when he apparently "understood Hitler"? I didn't notice this when I saw the film myself but I believe in the critics (there's definitely a sequence where he congratulates himself on his filmography and dubs himself misunderstood). It's nice that he got to screen another film at the festival after all, but the film in question may have made his future at Cannes uncertain.

    In the movie, Jack retells a number of "incidents" from the past 12 years of his life, where he would slaughter women played by the likes of Uma Thurman, Riley Keough, and Siobhan Fallon Hogan - these scenes, I gather, haven't exactly countered the idea that Von Trier has weird feelings about women. I maintain that he gave us admirable female characters in pictures like Breaking the Waves and Dancer in the Dark, but who knows? Did the divorce change things?

    Listening avidly to Jack's tale is Bruno Ganz, never seen by the viewer but often heard making obvious observations, and/or notes which Von Trier no doubt really WANTS the audience to make during a given scene. Again, thanks for the assistance.

    The House That Jack Built is just not that rewarding to watch. It's amazing how a movie can be so different, so completely defiant, and yet so completely unsurprising at the same time. When you're spoonfed all emotions and themes, and you've gotten used to the cruel violence and even the persistent rule-breaking within the presentation, what's there to chew on? Towards the end, the film goes for a more surreal (albeit at times just "random") approach and I find myself interested again, although it isn't quite enough.

    Hell, the film doesn't even have Udo Kier. What kind of Von Trier film is that?
    8Samyang

    Be afraid to get scared.

    I'm not a fan of von Trier to begin with. But this movie just got in to my mind really bad. Couldn't stop thinking about it. Was it good, was it bad, if I admit I liked it does that make me half insane? It's a movie that doesn't let go of it's viewers, even though they walk away. I had to pause several times, not because of its length but because the cruelty and sickening things and the anticipation of what was going to happen. But I always came back. I had to see what was coming.. Those ambivalent feelings stuck so hard.. Oh boy. Both disgusted and fascinated. I have to admit that I know feel like a horrible person for liking the movie. It was somewhat pretentious, but imo quite better done than Lynch.

    Yes, you do think about LvT and what mindset he has to come up a movie like this. This movie just breaks all barriers. It is extreme. No wonder people walked out of the premiere. But it does have good actors, nice camera work, interesting scenery and a sensation of well done movie.

    It's not a movie for a easily horrified audience. Perhaps it's best to watch it alone. And to say you didn't like it or maybe even that you never seen it.
    8PEEZYEM

    Lars Looks in the Mirror.

    Lars Von Trier's 2018 film, "The House That Jack Built," transcends its surface narrative as a grimly comedic exploration of art and violence to serve as a potent dissection of its creator's own psyche.

    The film's brutal story, punctuated by the existential musings of its titular character, Jack (Matt Dillon), serves as a conduit through which the filmmaker grapples with his own artistic impulses and the expectations levied upon him by society. To understand the film in its fullest context, one needs to delve deep into Von Trier's psyche and the broader tapestry of his own work.

    Von Trier has been known for his controversial films, which often push the boundaries of societal norms and cinematic conventions. These are no casual forays into discomfort, but rather, they are systematic explorations of the human condition and the outer limits of behavior. At times, it seems as though Von Trier himself may benefit from psychoanalysis, if only to shed light on the psyche of the man who can create such unsettling masterpieces.

    "The House That Jack Built," is not merely a tale about a serial killer; it is a study of a man who progressively pushes the boundaries of his art, mirroring Von Trier's own journey in filmmaking. Jack, initially an engineer, is bound by the constraints of his profession and societal norms, but he yearns for the freedom to be an architect, seeking to build a legacy for himself; something he can achieve through his own vision - in this instance, a house.

    The pivotal moment in the film comes with the interjection of a sudden, transformative passion that sets Jack on a new path. It's a passion that steers Jack away from the norm, pushing him towards a path of greater personal significance - at least in his own eyes. This mirrors Von Trier's career, marked by a significant shift from mainstream narratives to pushing cinematic boundaries with films that provoke, challenge, and disturb.

    Initially, Jack is depicted as a haphazard executioner, but as he grows more comfortable with his new 'craft,' his art becomes more daring, creative, and experimental. In a parallel manner, Von Trier's early pieces might have seemed less refined or unpredictable to some observers. However, as he honed his craft, experimented, trialed, and tests, he has developed a signature filmmaking style that consistently provokes intense responses from viewers.

    In the end, Jack does indeed build a legacy, but not as he initially planned. His 'house' ends up being a collection of his monstrous deeds, a testament to his twisted artistic journey. Again, the parallels to Lars remain; His body of work, much like Jack's, has often been met with shock, controversy, and rejection. Despite this, or perhaps because of it, he continues to create, leaving an indelible mark on the world of cinema.

    Von Trier's "The House That Jack Built" is thus not just a film about a murderer, but an exploration of the nature of art and the struggle of the artist. It is a deep dive into the mind of an individual who defies convention, providing a provocative commentary on the creative process and the artist's role in society. It is, in many ways, a self-portrait of Von Trier himself, who, like his protagonist Jack, continually tests the limits of his artistry, undeterred by societal perceptions.
    8PeterKovacs37

    Jack's Palace

    That feeling, when you're expecting a great thriller about an intelligent psychopath, and you get a surprisingly accurate, but still egotistic social criticism, with Lars von Trier's inner demons in the middle.
    9ethancarmanmoore

    The House That Jack Built (2018) Review

    I just saw Lars Von Trier's new film 'The House That Jack Built' at the Atlantic Film Festival. I'm not extremely familiar with Trier's other work (I love Antichrist and Dancer in the dark is one of the most depressing films I've ever seen), but I've still been looking forward to this one since its premiere at Cannes. The subject matter peaked my interest and the trailer looked great. The early reviews got me even more invested as everyone was saying it was Trier's most disturbing and violent film yet.

    'The House That Jack Built' was fairly brutal, yet oddly comical (if you can look past the disturbing material) and widely entertaining. I was not expecting it to be as funny as it was considering all of the 'hype' around the film's dark brutality since its screening at Cannes. Having said that there are some extremely gruesome and disturbing scenes which are effective in what they set out to do.

    The film is divided into 5 sections plus an epilogue. A strange structure but ultimately I think that it benefited the film as we see a slight progression of Jack's character throughout. Though it can feel a bit repetitive at points, it never gets boring and is continuously engaging. Matt Dillon was excellent as the truly psychopathic serial killer Jack. It was honestly probably the best role I've seen him in (seriously, he should be in more movies).

    There are many philosophical discussions about the nature of art throughout the film. This can either come off as super pretentious or can actually add to the film. I thought it worked fine in the context of the film as it relates very much to the character of Jack and how he views himself and his, so to say, 'art'

    The film portrays the violence in a fairly realistic manner and does not hold back. At all. Seriously, the movie is not for the faint of heart. But it never came across as gratuitous or 'edgy'. It felt like Trier was just showing us what these scenarios would look like if a serial killer viewed his killings as art.

    If you're a fan of Trier's work then definitely try and see this one. Even if you're just a fan of disturbing art-films, check it out. It has a screening at VIFF in October but other than that I have no idea where you can see it. Surprisingly, the Atlantic Film Festival (Halifax, Nova Scotia) had a one-night screening for the film. Either way, try and see it if it looks interesting to you. I highly recommend it. 9/10.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film had its world premiere at the Cannes International Film Festival on May 14, 2018. It was reported that more than a hundred audience members - including some critics - walked out during the premiere, though a six-minute standing ovation followed the screening. Some of the upset audience members continued to condemn the film on social media for its extreme violence and nihilistic tone.
    • गूफ़
      In the closing credits, "Miscellaneons Crew" can be seen.
    • भाव

      Jack: The old cathedrals often have sublime artworks hidden away in the darkest corners for only God to see. The same goes for murder.

    • इसके अलावा अन्य वर्जन
      An R-rated version exists alongside the unrated 'director's cut'. The UK/Irish release is of the unrated version, as confirmed by the press invitation.
    • कनेक्शन
      Featured in ARfRA: The House That Jack Built Controversy (2018)
    • साउंडट्रैक
      Partita No. 2 in C minor, BWV 826
      Written by Johann Sebastian Bach (as J.S. Bach)

      Performed by Glenn Gould

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is The House That Jack Built?Alexa द्वारा संचालित
    • What's the name of this hit the road jack version in the ending credits ?
    • Which scene was filmed in the peak district national park ?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 17 अक्टूबर 2019 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • डेनमार्क
      • फ़्रांस
      • स्वीडन
      • जर्मनी
      • बेल्जियम
    • आधिकारिक साइटें
      • Curzon Artificial Eye (United Kingdom)
      • Hakka Distribution Page
    • भाषाएं
      • अंग्रेज़ी
      • जर्मन
      • इतालवी
    • इस रूप में भी जाना जाता है
      • La casa de Jack
    • फ़िल्माने की जगहें
      • कोपनहेगन, डेनमार्क
    • उत्पादन कंपनियां
      • Zentropa Entertainments
      • Film i Väst
      • Copenhagen Film Fund
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • €87,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $2,58,106
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $34,273
      • 16 दिस॰ 2018
    • दुनिया भर में सकल
      • $30,81,913
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    बदलाव करें
    • चलने की अवधि
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      • 2.39 : 1

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