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Media watchdog GLAAD released its Studio Responsibility Index on Thursday, using its annual ranking of queer representation in mainstream films to stand with striking unions SAG-AFTRA and the Writers Guild of America.

Convening in-person at the Los Angeles LGBTQ Center’s Ed Gould Plaza in Hollywood, leadership from both show business unions, queer talent and GLAAD CEO Sarah Kate Ellis spoke of the dangers that work stoppages from the strikes pose to inclusive storytelling.

“The fight for worker empowerment and the fight for authentic LGBTQ plus representation in media is all part of the same struggle,” said Duncan Crabtree Ireland, chief negotiator for the actors union. Crabtree Ireland’s profile has risen significantly since he appeared alongside SAG-AFTRA president Fran Drescher at their fiery strike announcement press conference in July. He took the GLAAD event as a moment to make the personal political.

“I’m here on behalf of our...

GLAAD has released the 11th installment of its Studio Responsibility Index, an annual study that tracks “the quantity, quality and diversity” of LGBTQ characters in films released in a calendar year by 10 Hollywood distributors.

The results found that of 350 titles released in 2022, 100 films, or 28.5 percent, featured an LGBTQ character, marking the highest number recorded in the time GLAAD has conducted the study. It should be noted, however, that in today’s peak content landscape, the number of films tracked has also increased, per GLAAD.

In those 100 films, there were 292 LGBTQ characters including 117, or 40 percent, characters of color. Of the 292, 163 were men, 119 women and 10 nonbinary. Seven of the women characters and six of the men were transgender. The showings marked a record number of nonbinary characters. Also a record: 12 of 350 films included a transgender character. Eleven LGBTQ characters were counted with a disability, also a high.

While the data showed gains for LGBTQ representation,...

Exclusive: Shades of Blue creator Adi Hasak has a new series. Margeaux, an international drama about the Munich Olympic massacre, hails from Scandinavian Svod service Viaplay and Leaving Neverland distributor Kew Media.

The drama is told from the point of view of an Israeli Mossad psychologist as well as the Palestinian co-ordinator behind the attack. The series will be produced in multiple languages, including Hebrew, Arabic, English and German.

Margeaux, which is set to set production this fall, is the latest straight-to-series order for the Netherlands-born, Israeli-raised Hasak. It follows the Jennifer Lopez-fronted cop drama Shades of Blue, which ran for three seasons on NBC, as well as Hasak’s adaptation of Norwegian crime thriller Øyevitne as Eyewitness for USA Network. He is also developing a U.S. remake of German drama The Last Cop with Red Arrow Studios International and Universal Television. Additionally, Hasak has teamed up with Dynamic TV for a U.