जीवनी

26 फ़रवरी · होनोलूलू, हवाई, संयुक्त राज्य अमेरिका

Mark Alan Dacascos

5′ 9″ (1.75 मी)

Cropped black hair and lean, muscular physique

Is of Irish, Japanese, Chinese, Spanish & Filipino descent.

Holds a 4th degree black belt in his father's art; Wun Hop Kuen Do. He has also extensively studied Muay Thai, Capoeira with Amen Santo, and Wushu.

American actor, martial artist & TV personality.

[on filming "The Crow"] Things were a bit intense during the filming of the pilot. There was a lot of pressure on everybody. Several executives were on the set for the first few days of shooting and here I was still trying to figure out the physicality of The Crow and of Eric. The cast and crew were also getting to know each other and trying to jell. Fortunately we did and, I thought, rather quickly.

[on being cast as Eric Draven] Ed Pressman and one of his partners approached my representatives and asked if I would possibly doing the series. And I wanted absolutely. So I had a full on screen test with wig and make-up, actually it was a 4 hour screen test. I did three different things and a week later they called up and said I had the part. That's a fantastic role because I think Eric Draven has so much heart and Brandon did a good job portraying him.

[on his favorite movie] All around, all time, I would still have to say...".Enter the Dragon". "Enter the Dragon" is probably the number one. And then as far as beautiful movement I think that Jet Li's "Shaolin Temple" was extraordinary. And then, "Snake in the Eagle's Shadow", Jackie Chan, still love that one.

[on "Drive"] There were many changes in the producers 's version, which is very different from the director's cut by Steve Wang, that I prefer. They know I do not like their version, I told them. Even if the director's cut won at the Toronto Asian action movie Festival and in Japan, they insisted on their own version. I do not understand why. They changed the music. They cut out a whole part of the story, which means that you do not understand the motivations of the characters. They just put all the action scenes all together, without even thinking of the coherence. The original version was dealing with a whole story, with a very touching sensitivity.

While I was doing Brotherhood of the Wolf, I had many conversations with the producer Sammy Hadida, who I worked with on "Only the Strong" and "Crying Freeman", about a possible sequel to Only the Strong, but he is very busy and the rights are tied up with a couple of other producers and Twentieth Century Fox.