- जन्म
- मौत को प्राप्त19 जुलाई 2019 · Beetsterzwaag, Friesland, नीदरलैंड (एक छोटी बीमारी के बाद)
- जन्म का नामRutger Oelsen Hauer
- उपनाम
- The Dutch Paul Newman
- ऊंचाई6′ 1¼″ (1.86 मी)
- रटगर हौर का जन्म 23 जनवरी 1944 को हुआ था।रटगर हौर एक अभिनेता और निर्माता थे, जो Hobo with a Shotgun (2011), ब्लेड रनर (1982) और हिचर (1986) के लिए मशहूर थे।उनकी मृत्यु 19 जुलाई 2019 को हुई थी।
- पति/पत्नियांIneke Ten Kate(22 नवंबर 1985 - 19 जुलाई 2019) (उनकी मृत्यु)Heidi Merz (तलाकशुदा, 1 बच्चा)
- बच्चे
- पेरेंटTeunke Hauer (Mellema)
- रिश्तेदारLeandro Maeder(Grandchild)Sibling(Sibling)Sibling(Sibling)Sibling(Sibling)
- Frequently played sinister villains
- Clear baritone voice
- Blond hair and blue eyes
- Frequently worked with Paul Verhoeven
- His intense depictions of psychopaths
- When making his debut in the United States, he was advised to use a more English-sounding name in order to better appeal to the US public. He refused, assuming that his US career would be short-lived anyway.
- Was offered the lead role in The Boat (1981). He turned it down in favour of ब्लेड रनर (1982).
- During the late 1980s and early 1990s, Hauer became well known to the British mainstream for a series of Guinness commercials where he is clad in black. He publicly took a dislike for the drink and had to spit it out after each take. His appearance is credited for an increase in sales of Guinness.
- Had set up an AIDS research foundation called the Rutger Hauer Starfish Foundation.
- Spoke German fluently (more or less accent-free).
- "Good guy" or "bad guy", hero or anti hero; doesn't matter to me, what role I play, only the character have something magical.
- I don't know what the appeal is. I can see I've got blue eyes and I don't look like the Hunchback of Notre Dame but I can't understand the fuss.
- I have a lot of energy. I'm a lot stronger than most people.
- [on what his favorite or most memorable performance is of his own]: The deepest was ब्लेड रनर (1982), because it was the first time where I just danced with the director and, let's say, the concept and the tone: I understood, on a very strong level, what he wanted, and by instinct I gave it to him. Half the time, what the hell did I know? I was just starting out to be an actor right there. This was after an experience on Nighthawks (1981) which was pretty tough and very bureaucratic and difficult. If your creative ideas are strangled, that doesn't work for me. It doesn't mean I have to be right -- that's not the point at all. It's just there needs to be a click between the creator and you. That was Blade Runner for me. To dance along, so long and beautifully, and then for it to be reformatted so it could live another 20 years; this is something completely unique. So there's only one way to answer that question.
- Film is not a medium for actors. Everyone seems to think so, since it is the actors who get promoted to stardom. Creating stars is only a marketing ploy. It's the stars that sell a movie. The same technique is used in selling music, baseball games and hamburgers. An actor does not make or break a movie. Some of them look good on screen, but they are not important. How many extremely bad movies are there with one good or very good actor, or even two or three very good actors in the credits? I like to think of myself as a good actor, and even I made quite a lot of bad movies. Why are good actors no longer good when they play in a bad movie? And how many good movies have actors that are normally mediocre at best?
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