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During WWII she had her own radio program as the voice of "The Revelry Girl" who woke the GI's up with up-to-date news.

Resourceful, redheaded, Texas-born "B" western heroine trained in dance from age 2 and discovered by Universal. She appeared in about a dozen 1930s oaters starring such established cowboy heroes as Johnny Mack Brown, Bob Steele and Tim McCoy.

According to "Variety", she is survived by a daughter.

After her film career was for the most part over, she played the unbilled part of the Emerald City manicurist in "The Merry Old Land of Oz" segment of The Wizard of Oz (1939).

In the late 1930s and early 1940s, Lois was working in nightclubs and such Broadway musicals as "Yokel Boy" (1939) and "High Kickers" (1941).

[Texas is] near the border. A few feet south and I would have been a Mexican! It was a one-horse town then - but a resort town now! My mother wanted to be out here in California. We went for a visit, returned to Texas, then the family moved to California.

Noel Madison was in the now-cult film The Pace That Kills (1935) with me. The working title, 'The Pace That Kills,' was a better name. Of course, at Universal, Junior Laemmle [Carl Laemmle Jr.] chased me. He was a little skunk. I hated him. You just take it in stride. Lucille Lund also had trouble with him - she asked me how I handled it, and I told her about joking with them.

[on her contract with Universal] That's how I got the role in the Reb Russell western, Arizona Bad Man (1935). Universal farmed me out. They did those westerns on the backlot, way up in the hills of Canoga Park. I worked with the same cowboys over and over. They'd keep calling me back to do another picture.

Being from Texas, I knew horses. I loved them and I was not afraid of them. However, in one of the movies - either with Fred Scott or Johnny Mack Brown - I was not able to handle a great white horse. I rode fast in front of a posse. I was supposed to pull the horse up at the door and get off. I couldn't make that horse stop! Because of time and budgets, you could only do one or two takes. I halfway slid off - it could have been a bad accident, but luckily I never had one.

Universal taught you everything - I was in a lot of their big movies, but only in small parts. I never looked at showbiz as a career. I never thought of it as a business. I had fun, fun, fun; otherwise, I could have gone further. But I enjoyed what I was doing. I didn't drink, smoke or fool around. I lived with my family - they were supportive of me in every way.

The Affair of Susan (1935) - $200 /week

Life Returns (1935) - $200 /week

Embarrassing Moments (1934) - $200 /week

The Human Side (1934) - $200 /week

Let's Be Ritzy (1934) - $200 /week