एडवांस सर्च

A screen writer writing a new romantic comedy sees his real love life mirroring that of the characters he's created.

A drama series that traces a Spanish man's immigration to Argentina in the 1930s, and, years later, his son's return to modern-day Spain.

Natalia is a beautiful woman, the type men would kill for. She has a weak spot: she believes her dreams to be predictions. Beatriz is plotting against her by manipulating the dreams.

Victor is a man who gets to Paris to join his family around their seriously ill father, Max. As the chance of selling the family business begins to disrupt the family relationships, Victor is desperately asked for help by Max. What seems in the beginning mere delusions of an old man losing his mind, begin to show traces of some sort of real 'secret' that is troubling Max's last days. Victor decide to help his father to find that something (maybe just peace) he is searching for.

A female singer who lived better times in her singing career is reunited after ten years with the love of her life, a petty delinquent.

El Muerto is the story of a Spanish man in Argentina who one day becomes aware on the upper floor of a hospital in Buenos Aires of his approaching death. He decides to escape, to flee towards the north and across Argentina. This last cross has no specific destination. Only matters movement and sensation of extreme freedom, but above all, the feeling to leave behind only the last moment of life. Hit-man of his condition, he is intimate with death. That's why he serenely moves forward her. His long wondering, being similar by many aspects to a modern novel of cavalry. In this paradoxical movement of avoiding death while rushing towards her, he meets a women, she will be his rider. This movie is the story of a hit-man who does not murder. A story of guns that don't do fire, dogs and roads.

A young girl, who is a thief, and her crooked dad, who is in trouble, get attached to a debt collector whose life is in turmoil too. Together they hatch a plan to solve their problems.

Black comedy about labor terror and moral precariousness.

Seven "Word Attack" situations involving two people each.

Inaki is a young man living in Spain who has joined up with an elderly man to become a petty thief. A routine robbery goes awry when the old man dies unexpectedly, and Inaki finds himself on the run. He returns to Mexico to hide out for a while in the rooming house where his father Patxi lives with his brother, El Caiman; the house is run by an upbeat drag queen named Aunt Carmen. Inaki begins dating Carmen's niece, which fuels Carmen's hopes that the young man will become a doctor. But Patxi and Caiman are wise to the boys past, and soon he finds himself moving once again toward crime.

A man is in his flat and he has a leak on his ceiling, suddenly the ceiling caves in and a dead man falls through unsure of what to do he tries to take the man out of his flat but at that moment the ceiling really starts to leak, but its not water coming through...

Anica runs an agency called Animia, which offers company to lonely people. When a new client shows up (Turkin), she is surprised to recognize a fellow Alcoholics Anonymous, for whom she feels more than just fondness. So she try to get his love.

A room in Hell where demons sorely write pacts. In an internal monologue, one of them waits for the boss to visit at 3 o'clock, like every century, because he despises his workmates and wants to leave his job. Then, another one monologues.

A meek John Doe (suit, glasses) carries his groceries and decides to cut through by going through a tunnel, dodging signs about works done on it. He finds a scary long-haired man resting on a crane there. Intimidated, the protagonist offers him his wallet - but the other man wants his glasses. The protagonist tries to walk away, finding a row of groceries on the floor and, eventually, bars preventing him from leaving.