एडवांस सर्च

Ozan seeks legal suicide but can't due to Ekin's unconscious love. To die, he must sever Ekin's feelings for him despite never meeting her. His quest is to find a way to make Ekin stop loving him, enabling state-sanctioned suicide.

Intended as the concluding film in the trilogy on the modern history of Taiwan began with Beiqing Chengshi (1989), this film reveals the story through three levels: a film within a film as well as the past and present as linked by a young woman, Liang Ching. She is being persecuted by an anonymous man who calls her repeatedly but does not speak. He has stolen her diary and faxes her pages daily. Liang is also rehearsing for a new film that is due to go into production soon. The film, entitled Haonan Haonu, is about a couple Chiang Bi-yu and Chung Hao-tung who returns to China to participate in the anti-Japanese movement in China in the 1940s and are arrested as communists when they go back to Taiwan.

Five men plot to steal a large sum of money from the local yakuza, but everything does not go as planned and the men find themselves hunted down by contract killers.

An executed samurai takes an existential journey throughout time, space and eternity in search of bloody vengeance.

Rebellious teenager Stevie finds his mother's gun, and along with his girlfriend impulsively decides to rob a bank. The pair find themselves in over their heads as they take hostages and the FBI negotiates Stevie's absurd demands.

A small time Yakuza thug is thrown into a bloody battle after a bank robbery he was forced into goes wrong when all the men begin to turn on each other a hitch-hiking serial killing couple decide to steal their loot.

After failing her university entrance exam, Sakuko is invited by her aunt Mikie to spend summer vacation in a beautiful seaside town. Sakuko gets to know the people of the town, including Takashi, a shy relative of her childhood friend.

Edogawa Rampo is a writer whose latest work is censored by the government, deemed too disturbing and injurious to the public to be allowed to be published. However, after burning his drafts, his publisher shows him a newspaper with an account of events just like his forbidden story. As the film progresses, fantasy and reality intermingle in a tale that draws heavily on influences from Poe and Stoker's Dracula. The film's strongly Expressionistic direction skillfully combines a variety of media (animation, computer-generated imagery, grainy black-and-white fast film stock, color negatives) for artistic effect.

In the not distant future Japan has again experienced a nuclear incident and is gradually becoming uninhabitable. The entire population has to evacuate before being deluged by radiation poisoning. To achieve this a ticketing system has been implemented. Not prioritized is an immigrant to Japan whose closest friend to begin with in the dying country is not even alive.

A father, a mother, an elder son, a daughter and a younger son. A family of five. For all appearances, a perfectly normal, happy family. But none of them are related.

A film about adolescent girls who are amorous yet poisonous with a painful sting just like jellyfish, and their days which are fragile and cruel with warm love and jealousy.

In many parts of Tokyo, "redevelopment" is afoot, and the cityscape continues to change at a rapid pace. While on the surface Japan is "easy to live in," many Japanese still feel a "sense of emptiness" in the aftermath of the shattered economic bubble, a condition that prevents them from "making a change." Autumn 2006. Eight "normal" young women living in Tokyo--eight women now in the middle of "change."

A biographical film of war photographer, Taizo Ichinose.

Documentary of rise and fall of Japanese mafia Ken Eto, who was a part of Italian mafia.

Yukio is a typical high school student in every way except the fact that he's an only child in a family of six. This is due to the fact that he has four fathers, each with their own unique personalities and interests. The only thing they share in common is their love of their son. When Yukio witnesses a robbery, he becomes involved in a bizarre string of incidents involving his fathers.

On her way to Chikura to live with her son, Yasue Amami gets off at the Tateyama train station. "I want to see my old house," she explains to Akemi Tanaka, the granddaughter accompanying her. The compound, consisting of the main house with a thatched roof, a garage and a small, detached building, has a new owner, Mitsuko Kawahara, an absent landlord who intends to demolish the place and replace it with a modern new house. With Mitsuko's permission, Yasue enters her old home. Her family had rented it during World War II to escape air raids over the city, and they stayed on for a few years after the war. As Yasue visits the grounds, memories come flooding back. She sees that the small shrine to Lord Tenjin, the god of learning, still stands in a corner of the garden. She remembers looking out over the sea of Tateyama. Mitsuko's schoolgirl daughter, Rika, also has memories of the house. Bittersweet memories of her father who went missing three years ago. As the sun sets over the sea beyond the house, Yasue confesses to Akemi that she came here to recall a promise that she had made years ago. A forgotten promise. She is hoping that her visit will jog her memory.