एडवांस सर्च

खामोशी के सिवा कुछ नहीं. एक क्रांतिकारी गीत के अलावा कुछ नहीं. हाथ की पांचों उंगलियों की तरह पांच अध्यायों में एक संपूर्ण कहानी को दर्शाया गया है.

Kang lives alone in a big house, Non in a small apartment in town. They meet, and then part, their days flowing on as before.

Multimedia artist Laurie Anderson reflects on her relationship with her beloved terrier Lolabelle.

Years after leaving her Palestinian village to pursue an acting career in France, Hiam Abbass returns home with her daughter, in this intimate documentary about four generations of women and their shared legacy of separation.

Czech photographer seeks freedom after 1968 Prague Spring suppression. Undertakes long journey to break from repressive regime's constraints.

Base on a novel of the Nobel Prize writer Orhan Pamuk 'The Museum of Innocence'. Set in Istanbul during 1975 to 1984, a story of a man who collects various objects of a woman as memory during their love period.

The story of a hitman for the drug cartels in Ciudad Juarez, Mexico.

For five teenagers living in the conflict-ridden Donbas region of Ukraine, a Himalayan expedition provides a brief escape from reality. A portrait of a generation that, in spite of everything, is able to recognize and celebrate the fragile beauty of life.

A cinematic ode to the moon, made in large part from archival sources combined with literary fragments and bound together by a haunting original score. The film steps lightly through the ideas that people through the ages have drawn from the moon - dreams of escape, myths of heaven, songs of longing and loss, odes of yearning - taking the viewer on a constantly surprising night-walk through the night sky.

In the Siberian forest, away from any civilization, a feud is opposing two families whose houses are separated by a river. In the middle of the river stands an island where the kids of the two families are meeting on their own.

Naomi Kawase raises her voice in anger, blaming her foster mother for threatening to abandon her as a young girl. The camera reveals Kawase's impatience when coming to terms with her foster mother's senility, and at the same time dwells on her aging naked body with a subtle sense of affection. Twelve years after shooting 'Katatsumori (1994)', her first film about the foster mother, Kawase made 'Tarachime' to document the decline of one life at the beginning of another - during the making of the film, Kawase's son was born.

The lack of respect with which the Black musician Thelonious Monk was treated in Autumn, 1969. At the end of his European tour, legendary jazz musician Thelonious Monk appears on an interview show in Paris for French state television.

Almost hallucinatory images of unidentified sleeping figures float across the screen to the accompaniment of increasingly unnerving monologues, the "dream narratives" of Dion McGregor, an aspiring Broadway lyricist who may have been performing for his roommate actively recording these sessions. In somniloquies, Paravel and Castaing-Taylor discover a dark, forked path to the unconscious in the ranting, sleep-talking voice of an obsessive and possibly deranged individual whose racist, misogynistic and xenophobic fears are unleashed with propulsive force and screeching climaxes.

Sherente, a two spirit-genderqueer teenager from Rhode Island's Narragansett tribe performs traditional dance in competitions at annual regional pow wows of New England tribes. There is no written rule which prohibits two spirit-genderqueer people to compete in dances different from their birth gender. Wearing traditional female dress, Sherente performs with joy and beauty. However, behind the scenes, tribal leaders manipulate scores or disqualify him outright because they believe in traditional (White) gender roles. In spite of being blindsided by ongoing dishonesty and deception, Sherente continues to perform regardless of insensitive behavior from tribal elders and others in his native community. Sherente's enduring courage and self respect are met with an outpouring of support from family, pow wow attendees, and fellow dancers.

A look at first-hand video accounts of violence in modern-day Syria as filmed by activists in the besieged city of Homs.

Jamilia is the heroine of the classic Kyrgyz novel about a young woman who, having been forced to marry, fled with her lover. Fifty years later, the director meets several generations of Kyrgyz women, resulting in portraits reflecting both the novel's candour and the strength of today's Jamilias.

In the tumultuous city of Mumbai, a strange robot appears. Its name is Bappa, and it looks like the god, Ganesha. Anyone can volunteer to control it from a distance, and so to take on the voice of God. Bappa soon becomes a convincing interface for broadcasting ideas and opinions. As the Ganesha festival is at its height, Hindu priests use the robot to transmit their incantations, astrologers make predictions for their customers, and militants speak through the mechanical deity to propose social reforms. For the rst time in the history of religions, it is possible to take the place of God, and for those who believe, to converse with Him or appeal to His wisdom.

Every era has its fascism. A film necessary for us at this time, over fascism and colonialism. With our 'Analythica Cameral' we returned to rummage in privates and anonymous archives of Ethiopia over the film frames of the Italian colonial period ('35-36). The Colonial eroticism. The naked body of women and the 'body' of the film. Images of the Duce in Africa. Body frames of Mussolini and the 'mass' 1945, after the Liberation.' After being at the origin of many massacres without images, the last of his images are those of his massacre.

Lech Kowalski returns to Utica (New York), where he grew up. He decides to document the struggles of his fellow citizens by offering to pay to hear their stories.

In this biographical film, Natacha Nisic follows and tells the story of Andrea Kalff, a Bavarian woman who became a Korean shaman as the spiritual daughter of Kim Heum Kwha, the Master of Korean Shamans.

A black and white film made with silver photographs, each contributing to tell a story.