dennis-11345
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Avis19
Note de dennis-11345
From the trailer alone did it feel like a much deeper dialogue is taking place? You need to see this film.
In sight and sound, plot and characterization, this is subtle as a stream. Natural as a stream. Gentle as a stream. And as deep as a stream that somehow ends in an ocean. Or on the top of the mountain.
Obviously this young woman has been a people-pleaser (thus the ironic "good one"), but it's much more interesting than that, especially for someone her age. She is growing. Or to be more accurate, she has begun to consciously experiment with qualities like compassion and courage. If we don't grasp this self-exploration, some of her actions will seem puzzling or naively inconsistent.
Does the film suggest where this self-awareness comes from? Certainly not her father. Perhaps through the loving relationship with her girlfriend. One of many reasons to see this film a second time.
Coauthor Andreea G. Petruse.
In sight and sound, plot and characterization, this is subtle as a stream. Natural as a stream. Gentle as a stream. And as deep as a stream that somehow ends in an ocean. Or on the top of the mountain.
Obviously this young woman has been a people-pleaser (thus the ironic "good one"), but it's much more interesting than that, especially for someone her age. She is growing. Or to be more accurate, she has begun to consciously experiment with qualities like compassion and courage. If we don't grasp this self-exploration, some of her actions will seem puzzling or naively inconsistent.
Does the film suggest where this self-awareness comes from? Certainly not her father. Perhaps through the loving relationship with her girlfriend. One of many reasons to see this film a second time.
Coauthor Andreea G. Petruse.
At Friday's premiere here in LA, where Joan and one of her three directors were interviewed, I couldn't stop wondering if the admiring throng of young people grasped (as her director put it at the end): she still stands for freedom and struggle, but it's been lifted to a different level.
This is not the illusion of candor, the gloss of self-serving authenticity, or a carefully curated story of personal growth. This is the real deal, based on journals, home movies, tape recordings, interviews, and private artwork.
Back in the day, did we realize we were lost in the fog of fame as well as the fog of war? With fresh cinematography and subtle narrative structure, "I Am a Noise" blows away a lot of fog at a lot of levels.
This is not the illusion of candor, the gloss of self-serving authenticity, or a carefully curated story of personal growth. This is the real deal, based on journals, home movies, tape recordings, interviews, and private artwork.
Back in the day, did we realize we were lost in the fog of fame as well as the fog of war? With fresh cinematography and subtle narrative structure, "I Am a Noise" blows away a lot of fog at a lot of levels.
Synchronicity brings me another film of soul growth. No doubt about that. No doubt it's unique. And no doubt I'll be slow finding words. The director and lead actress will be at tonight's showing. I'll just jump ahead now and suggest you add this to your list.
The film is deeply, and I want to say uniquely, sincere. And non-verbal. There's a flow of subtle feeling, along with familiar emotions. A lot is happening through veering away from, or toward, cultural expectations. Even so, in the writing, the acting, and the cinematography there's a complete lack of rhetoric, or attention-grabbing, or self-conscious brush strokes. (Like a Vermeer: no visible brushstrokes.) Music comes from the camera: the light, the shifting angles, and the distance. (Huh! That's also Vermeer.) Grace enters mysteriously. (Also.)
Marshall Shaffer has written a sensitive review.
The film is deeply, and I want to say uniquely, sincere. And non-verbal. There's a flow of subtle feeling, along with familiar emotions. A lot is happening through veering away from, or toward, cultural expectations. Even so, in the writing, the acting, and the cinematography there's a complete lack of rhetoric, or attention-grabbing, or self-conscious brush strokes. (Like a Vermeer: no visible brushstrokes.) Music comes from the camera: the light, the shifting angles, and the distance. (Huh! That's also Vermeer.) Grace enters mysteriously. (Also.)
Marshall Shaffer has written a sensitive review.