spooky-mulder1013
A rejoint le sept. 2012
Bienvenue sur nouveau profil
Nos mises à jour sont toujours en cours de développement. Bien que la version précédente de le profil ne soit plus accessible, nous travaillons activement à des améliorations, et certaines fonctionnalités manquantes seront bientôt de retour ! Restez à l'écoute de leur retour. En attendant, l’analyse des évaluations est toujours disponible sur nos applications iOS et Android, qui se trouvent sur la page de profil. Pour consulter la répartition de vos évaluations par année et par genre, veuillez consulter notre nouveau Guide d'aide.
Badges3
Pour savoir comment gagner des badges, rendez-vous sur page d'aide sur les badges.
Évaluations2,4 k
Note de spooky-mulder1013
Avis2
Note de spooky-mulder1013
A beautiful documentary, ''Brother and Sister'' lets us be part of the lives of Marie and Cyril for eighteen months, and see the world through the eyes of children again, a world of certainties and make-belief.
The kids themselves don't seem to notice the camera at all (with one exception, when Marie whispers into her brother's ear, ''We're going to be in a film!''). They are completely uninhibited, natural. They plan and quarrel, they laugh and cry, they play games (and the piano).
We see vignettes of these eighteen months, those small inconsequential moments of childhood, that are both unimportant and everything. Adults are never fully seen, they are blurred, mostly in the off-screen-space, their faces never visible, there through their voices, but not their physical presence. The focus here is on the children.
In voice-overs, that are scattered across the documentary, Marie and Cyril talk about their ideas and plans, about the other.
Certain images will stay in your head, like a little boy, red in the face, pressing his lips together and shaking with suppressed laughter during a concert, like his sister, grimacing , wrinkling her nose over a bowl of vegetable soup, like two children lying under a wind turbine, wondering if the blades could break free, and fall.
The kids themselves don't seem to notice the camera at all (with one exception, when Marie whispers into her brother's ear, ''We're going to be in a film!''). They are completely uninhibited, natural. They plan and quarrel, they laugh and cry, they play games (and the piano).
We see vignettes of these eighteen months, those small inconsequential moments of childhood, that are both unimportant and everything. Adults are never fully seen, they are blurred, mostly in the off-screen-space, their faces never visible, there through their voices, but not their physical presence. The focus here is on the children.
In voice-overs, that are scattered across the documentary, Marie and Cyril talk about their ideas and plans, about the other.
Certain images will stay in your head, like a little boy, red in the face, pressing his lips together and shaking with suppressed laughter during a concert, like his sister, grimacing , wrinkling her nose over a bowl of vegetable soup, like two children lying under a wind turbine, wondering if the blades could break free, and fall.
Sondages effectués récemment
Total de 158 sondages effectués
