La 9e Vie de Louis Drax

The boy Louis Drax (Aiden Longworth) is a survivor along his life, escaping from death for eight times. On his ninth birthday, he goes to a picnic with his beautiful mother Natalie (Sarah Gadon) and his father Peter (Aaron Paul) nearby a cliff. Out of the blue, Louis falls off the cliff and is declared dead by the doctors. However he awakes immediately before the autopsy and stays in coma under the care of Dr. Allan Pascal (Jamie Dornan). Natalie discloses to the police detective Dalton (Molly Parker) that Peter, who is missing, pushed Louis off the cliff and he becomes the prime suspect of the case. Meanwhile Dr. Pascal, who is married, becomes close to Natalie. When weird things happen in the hospital with Louis, Dr. Pascal invites his psychiatrist Dr. Perez (Oliver Platt) to share his knowledge about the behavior of the boy and they disclose secrets about the Drax family.

"The 9th Life of Louis Drax" is a supernatural film directed by Alexandre Aja with a unique storyline. The plot is intriguing and mysterious but the conclusion could be better and better since the twist discloses Natalie's personality too soon with the visit of Peter 's mother to the hospital. My vote is seven.

Title (Brazil): "A Nona Vida de Louis Drax" ("The 9th Life of Louis Drax")

Enjoyable mystery thriller that won't keep you on the edge of your seat but that is still interesting to watch. I do like mysteries, it's one of my favorite genre of movies, and in The 9th Life Of Louis Drax I figured it all out at half of the movie. And other people will probably do as well. That could be a sign that it's not interesting to watch because the story is too obvious. But it isn't at all. Even though I was practically certain what the outcome would be it remains a movie with a high likability to watch. The narrating voice of Aiden Longworth is pleasant to hear, even though I read that other reviewers didn't like it. The kid's character would probably not be the cutest boy to live with but in the movie it works perfectly. The rest of the cast are all a great addition to the movie. No bad words about anybody in this movie. It's beautifully shot, mesmerizing with the narrating voice, the twist is like I said a bit too obvious but it's still working. You have good movies that you will watch once, but this one is just above that and is one I would watch again in the future.

I was not expecting to like this film, but it wasn't actually that bad. I was intrigued by the promis of Jamie Dornan and Aaron Paul. Then upon viewing I still can't place where I know Sarah Gadon from, but she was fantastic. Intrigue, Murder and a weird kid makes for an entertaining movie!

'The 9th Life Of Louis Drax (2016)' is the latest film directed by Alexandre Aja, who is most known for his 'The Hills Have Eyes (2006)' remake and the recent Daniel Radcliffe vehicle 'Horns (2013)'. The movie is fairly hard to describe, as it is a mixture of several genres that features a few twists and turns which I don't want to spoil. The basics of the plot revolves around the eponymous Louis Drax, a nine-year-old boy who suffers a near-fatal fall and is left in a coma, and the doctor assigned to his case. I really like it, despite the fact that it is flawed and by no means perfect, so I can't understand its relatively negative critical reception. It's unique, subversive, interesting and emotionally powerful.

The flick does wildly fluctuate in tone throughout its runtime, a flaw which does lend it some unpredictability and therefore can sometimes work to its advantage. One moment it is light and comedic, the next it is dark and gloomy. It's at times a comedy, a quirky indie-film, a family drama, a surrealist fantasy, a mystery 'whodunit', a more traditional horror and a psychological thriller. This amalgamation of genres is intriguing, leaving you never quite sure where the story is going to go. I also mostly appreciate the tonal shifts which, aside from sometimes feeling clumsy and out of place, make for a subversive yet cohesive piece that is much more unique than it may first seem. What doesn't work to the film's advantage, however, is its constant changes in perspective. These are often jarring and feel undisciplined; it is hard to determine who the protagonist is, Louis Drax or Doctor Pascal. The fact that the story flips between their two perspectives is fine, but the execution is fumbling and chaotic at best. The two aren't split equally, so it seems out of place when the swap happens. In the same vein, some of the flick's surreal elements bleed a little too closely into its portrayed reality; it's sometimes unclear what is fantastical and what is real. This is isn't a huge issue and it actually often works to the flick's advantage, but the picture can feel inconsistent in its portrayal and almost 'cheats' the audience at points.

The final act relies on a central conceit that requires quite a big leap in logic, leading to an aftertaste of mild confusion. I understand where the filmmakers were coming from, as a number of little details earlier in the picture attempt to establish it, but it isn't set up properly and becomes a little unbelievable. In the moment it works, though, and I thought it was a nice way of cleaning things up. Still, I wish the filmmakers had planted the seed for it better so that it's easier to get on board with. The actual conclusion feels a little flat in places, too, with some specific revelations not having the impact they should. These plot-lines could've done with an extra moment or two to compound and punctuate them properly. Other than that, the twists and turns generally work well. Some of them are more expected than others, but all of them feel plausible and earned. The film does a good job of making sense to both a first and second time viewer, with scenes showing just enough to perpetuate the 'red herrings' the first time but still remain logical once the whole picture has been revealed. By the time the final act rolls around, I the movie is actually rather gripping; you truly want to know what is going to happen. When the revelations are made, they're mostly satisfying and appropriately surprising - aside from the couple of issues with their consequences not being fully driven home.

The performances are all good, though Jamie Dornan's character can sometimes be quite boring and is played rather generically. Oliver Platt, Sarah Gadon and Aiden Longworth are all notably great, too, and Aaron Paul is downright fantastic in a complex role. A scene towards the end of the flick nearly provokes tears, as it's incredibly emotional and compounded by Paul's perfect performance. It's really affecting, more so than expected, and I cannot give the movie enough praise for tugging at my heartstrings - a rare feat for a film. The writing is mostly decent, though there are some obviously bad lines - both in their construction, repetition and generic nature - as well as the occasional exposition dump and leap in logic. The direction is superb, with a number of unique shots that add to the flick's quirky nature. The feature is framed cleanly, the edits are smooth and the blocking varies healthily. The fantastical elements are typically handled very well, with practical and digital effects being used in tandem, and the pacing is pretty taut - though it feels a little longer than it should on the whole.

Overall, I think 'The 9th Life Of Louis Drax (2016)' is an entertaining and well made film. It's subversive, surprising, engaging, interesting, emotionally powerful, unique and fun. It also has some great performances. It does suffer from occasional tonal and structural issues, narrative leaps in logic and some weak writing, but I still like the feature despite the fact that it's certainly far from perfect: 7/10.

Louis has accidents – not the sort that can be cleaned up with a bit of effort but the sort that end in hospital. He has been having them for a long time. His beautiful mother appears to dote on him and then one day he has a near fatal fall from a cliff top – I mean if he is such a klutz why take him to a cliff edge – c'mon.

Anyway silly parental gaffs aside he is then taken under the wing of hunky, coma paediatrician expert, Dr Alan Pascal (Jamie Dornan) who thinks that it may be possible links that can be maintained through means yet to be understood by medical science. Thus begins a surreal, often warm and often twisted trip into the previous eight lives of the titular Louis Drax.

Now I actually quite enjoyed this it is adapted from the book – but I shall not compare the two. The cast are all above good and the special effects are both great and believable. It is a slow reveal and is the sort of film that you may only wish to see once (so go for a rental) but it is worth going for al the same.