Illang: La Brigade des loups

Alright, well why would Korean take on remaking "Jin Roh: Wolf Brigade"? That just eluded me.

Regardless, I found this movie on Netflix while perusing through their Asian section. Having seen the animated movie back during my late teenage years, of course I had to give a live action movie a view, without a doubt.

So how was it? Well in all honesty, I can say that it wasn't all that impressive. Sure, the visual effects and the armors were great, and there were a couple of good gun fights. But the storyline was just so mediocre that it was hard to get immersed into the movie, into the universe and into embracing the Korean remake.

The acting in the movie was fairly good, taking into consideration the horribly weak script they had to work with.

Sure, the movie was adequate for what it turned out to be, and it was entertaining for sure. I had just expected somewhat more from a live action movie based on the classic "Jin Roh: Wolf Brigade" anime. But for viewers not familiar with the 1999 anime, then I am sure this is a mighty fine and dandy movie. But for us already well familiar with the 1999 anime, not so much...

Failing to create any sense of intrigue about its futuristic world, The Wolf Brigade is one disappointing mess that carries bits n pieces of brilliance scattered here n there but the overall product is too weak & uninspiring to sustain the interest and leaves the viewers feeling rather indifferent in the end. An unfortunate misfire, Kim Jee-woon's latest is also his weakest film to date.

I love every movie I've seen from director Jee-woon Kim and the fact that bring back the iconic action hero Arnold Schwarzenegger in his American debut The Last Stand (2013) so when I heard he about to direct the live action adaptation of Jin-Roh: The Wolf Brigade I can only imagine how awesome the famous incident in the sewers scene on the big scene or the special police unit armor would look like with real people but what I don't know is Jee-woon Kim also bring back home the Hollywood treatment for foreign movies for Illang.I don't mind the change in the story for it to fit the current state of North Korea and South Korea but what I do mind is how much different the two main characters in Illang to their Japanese counterpart in Jin Roh.There so much more action in Illang so for people that think Jin Roh is boring without the action it definitely a plus but for me the four short action scene in the original are still superior thank to how emotionally attached I am to the characters and the ending make me have no desire to watch it again

The adaptation of Mamoru Oshii's "Jin-Roh" of 1999 is quite good, it retains the essence of the original animation film directed by Hiroyuki Okiura. I highly recommend this film for action lovers, asian cinema enthusiats. The movie doesn't deviate that much from a possible reality of a reunified north and south korea. The acting is decent, the effects and suits are quite good and the plot flows smootly until the end. Anyone that has seen the original master piece before would find dissapointement in the last 15 min. The raw and "bestial" ending was changed for a more "humane" one. If they had kept the original ending that preserved the nature of the main quote, I would have easily given it a 9/10.

The director of this movie is one of my personal favourites who previously made such modern classics as Tale of two sisters, Bittersweet life and I saw the devil. This time however he disappointed me even if his new feature is not nearly as bad as its initial korean reputation would suggest. A remake of the acclaimed japanese anime Jin-roh this new movie somehow fails to make the impact that one might expect from this director. It's not like it is not competently made, it just lacks that excitement off all those earlier movies. The production values are top-notch with excellent cinematography and fight coreography but the final product somehow feels like an unremarkable and hollow action movie without that spark that made Bittersweet life such an unforgettable experience. Kim knows how to direct and edit frenetic chase sequences but the narrative here is so unconvincing and bland that it is just not enough. The acting does no favour either as Gang Dong-Won and Han Hyo-Joo come off as boring protagonists. The only bright spot is newcomer Kim Moo-Jeol as the villain wearing a badass leather coat who manages to breath some fresh air into the mean economics of the movie. Unfortunately the 139 minute lenght is also way too much, hopefully the new cut (soon to be released on Netflix) will make the movie somewhat tighter and more exciting.