The Code

On the basis of the opening episodes, Shawn Seet's production looks to provide plenty of interest. A sophisticated political thriller set in Canberra and the outback, THE CODE focuses on the efforts of journalist Ned Banks (Dan Spielman) to find out the connection between governmental politics and a mysterious accident involving the death of a teenager. The quest leads him into several inexplicable and often traumatic incidents; his brother Jesse (Ashley Zukerman) is taken into custody for having hacked a government website, and roughed up in the process. When Jesse returns home, he is so traumatized that he can hardly communicate. No one can be trusted in this world of shadows: Jesse's girlfriend is not quite all that she might be, while Ned's ex-girlfriend Sophie (Chelsie Preston Crayford), a high-ranking member of the government's spin-doctoring team, has a relationship with her oleaginous boss, who knows what's happened to Jesse, but will never let on.

Stylistically speaking, THE CODE borrows some conventions from US series such as NUMB3RS - for example, the flashing of computer- screens and computer-generated information on screen to advance the plot. The basic situation owes a lot to NUMB3RS too: Jesse might be suffering from panic attacks, but he is also a computer genius, working in cahoots with his more staid yet respectable brother Ned. Nonetheless director Seet shows that there is a firm filial bond between the two of them: Ned reveals a touching concern for Jesse's welfare, especially when forced to leave home on a business assignment.

THE CODE makes much of the contrast between town and country; the endless plains of the outback, with lonely buildings placed here and there suggests a wild, untamed world, one where it is very easy to get lost. This is precisely what happens to teenager Clarence Boyd (Aaron L. McGrath) at one point. The city world of Canberra is one of gleaming glass buildings and perpetual shadows - a fitting context for a world of politicking in which people try to get the better of one another by fair means or foul. Most government officials' principal interest consists of saving their own skin - which is why they treat Jesse so brutally as someone who has inadvertently fouled up their organization.

The only criticism of the series so far is that director Seet tends to advance the plot through exposition - where characters explain things to us through dialog - rather than incident. This strategy tends to slow the pace of the drama up somewhat. Once the basic situation have been established, however, the drama unfolds smoothly, offering several surprises along the way. Definitely worth staying with.

Australian thriller 'The Code' brings to mind the classic BBC thriller 'Edge of Darkness', with its story of nuclear secrets, dodgy corporations and untrustworthy government. But we make dramas differently now, and the pace is much faster - which is not altogether a bad thing, although the slick graphics and camera-work are sometimes distracting. There are also some disappointing clichés: the genius hackers who can do just about everything, and the expository graphics that the computers conveniently display for the sole purpose of telling us that they're currently being hacked. Another point of critique is that, apart from the good guys, just about everyone else seems utterly ruthless and violent, in a way that slightly beggars belief: our heroes are asked to make constrained choices, but the motivations of the villains are seemingly explained by villainy alone. That said, the plot is both superficially clever and substantially intelligent, and there's some genuine emotion in the relationship of the central protagonist and his socially limited brother. And for Europeans like me, a chance to get a glimpse of the bleak beauty of the Australia itself.

Like many Australians I have been let down by the calibre of television in this country. Never did I think I would award 10 stars to an Australian show. That was under I started "The Code". I didn't expect much from this show, in fact I thought a "Samson & Delilah" esque plot would evolve from the synopsis. How wrong I was.

There are several plot lines running concurrently. One is set in the bush in a remote town where Alex (a VERY unrecognisable Lucy Lawless) has set up shop as a bleeding heart teacher. Two of her students take her car for a joyride. Cut to Canberra where we get a glimpse into the surprisingly thrilling world of Australian politics. My personal favourite is watching the complex relationship between brothers Ned & Jessie unfold, Ned being an internet journalist who uncovers the story of the missing teens & Jessie being a brilliant but troubled computer geek. This is all tied together beautifully with the Australian version of the NSA on the trail of our would be heroes. Gripping stuff.

This is every bit as slick & well developed as its Hollywood counterparts, in particular Homeland (before it went weird). Give it a go, you will not be disappointed.

Both seasons are worthy of your time if you like quality drama that unfolds over several episodes.

The writing, acting, and production are top quality, with no 'as if' moments. As someone else has mentioned, the first season does borrow from 'Edge of Darkness' but it is used for inspiration and not a copy - the story develops in a different direction.

The brother with Asperger's/autism is a great part that any actor would have loved to play. His part is written into the story and is NOT the story - inclusiveness for the sake of it really pi**ses me off, so I was impressed with how his character developed as part of the story.

The BBC are crap at developing stories that include diversity and always seem to thrust it down your throat, so I liked how this production (not BBC) portrayed the autistic character. I write that to encourage you to watch this show as I am usually put off by any 'inclusiveness' being central to the story. 'The Bridge' (Nordic version) did it better, but this is comparable and I write that as a compliment.

Watch and enjoy.

Wow, what a promising start to a series. I've seen some really good quality coming out of Australia lately and wonderful to see a political thriller now. Absolutely outstanding acting from Ashley Zukerman. I can see him moving on to films in the states, with that talent.

The pilot is gripping from the very initial scene where the accident takes place. I love the way Jesse's mental health issue is portrayed, it's delicate but raw. There should be more programs showing what life is like for those with mental health issues. Portraying such issues in a positive way helps others to understand that they are people first.

This is a first for me, giving a ten out of ten but this is well worth it. I look forward to watching the rest of the series.